A obsessive woman determines to do what it takes to get her lover - at any cost.A obsessive woman determines to do what it takes to get her lover - at any cost.A obsessive woman determines to do what it takes to get her lover - at any cost.
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Featured review
Ram Gopal Verma does a superb job of creating one of the finest inspired movies. He's mentioned in numerous interviews about the source being one of his favorite films. Mind you, I said inspiration, NOT ripoff. Copycat directors could learn from this example what the difference is between an inspiration and a ripoff. Unfortunately, Verma has been more recently pulled into the ripoff wagon too (e.g. Sarkar).
Back to 'Pyaar Tune Kya Kiya', Rajat Mukherjee gives a fine directorial debut. The story can be seen as a character study of three people but that does not give the plot less importance. The characters are brilliantly defined and the plot is coherent and keeps you engaged.
Chandan Arora's editing is quite impressive. Although maybe the first song could have been left out. Even though the main plot in the screenplay is quite intense, the humour element provides some comic relief (thanks to Rajpal Yadav).
Fardeen Khan, though does not exactly give a great performance, one can see that the actor is trying and he deserves credit for that. Sonali Kulkarni is bubbly, elegant and adorable. She does her part very well. But, 'Pyaar Tune Kya Kiya' belongs to Urmila Matondkar. This is one of the finest performances of a complex character and Urmila is flawless as an obsessive borderliner. She seems to play the part naturally. She balances her non-verbal expressions (expressive eyes, awkward gait, tone of voice etc) and her dialogue delivery is superb. It really makes one appreciate the art of acting. Suresh Oberoi is very good as the father.
Writer Rajat Mukherjee deserves credit for creating such human characters. We see that Jai is a nice person but he does have the attitude of constantly flirting with colleagues, Geeta is the loving wife but she doubts Jai's fidelity and Ria who even though isn't mentally stable, has a light side and she was quite happy when she was modelling for Jai but her thoughts were quite black and white (typical thinking of a borderliner) and she was very stubborn.
Music is impressive. Though the first song is good and introduces Fardeen's character, it could be avoided to shorten the film but it's not necessarily a bad addition. Urmila again dances mesmerizingly in Kambakt Ishq. Alisha's Roundey is flawlessly sung and dictate the thoughts of Ria very well.
All in all, this is one of the finest drama-thrillers and surely worth a watch because of the fine screenplay, excellent performances, impressive direction, good music and it's worth the time.
Back to 'Pyaar Tune Kya Kiya', Rajat Mukherjee gives a fine directorial debut. The story can be seen as a character study of three people but that does not give the plot less importance. The characters are brilliantly defined and the plot is coherent and keeps you engaged.
Chandan Arora's editing is quite impressive. Although maybe the first song could have been left out. Even though the main plot in the screenplay is quite intense, the humour element provides some comic relief (thanks to Rajpal Yadav).
Fardeen Khan, though does not exactly give a great performance, one can see that the actor is trying and he deserves credit for that. Sonali Kulkarni is bubbly, elegant and adorable. She does her part very well. But, 'Pyaar Tune Kya Kiya' belongs to Urmila Matondkar. This is one of the finest performances of a complex character and Urmila is flawless as an obsessive borderliner. She seems to play the part naturally. She balances her non-verbal expressions (expressive eyes, awkward gait, tone of voice etc) and her dialogue delivery is superb. It really makes one appreciate the art of acting. Suresh Oberoi is very good as the father.
Writer Rajat Mukherjee deserves credit for creating such human characters. We see that Jai is a nice person but he does have the attitude of constantly flirting with colleagues, Geeta is the loving wife but she doubts Jai's fidelity and Ria who even though isn't mentally stable, has a light side and she was quite happy when she was modelling for Jai but her thoughts were quite black and white (typical thinking of a borderliner) and she was very stubborn.
Music is impressive. Though the first song is good and introduces Fardeen's character, it could be avoided to shorten the film but it's not necessarily a bad addition. Urmila again dances mesmerizingly in Kambakt Ishq. Alisha's Roundey is flawlessly sung and dictate the thoughts of Ria very well.
All in all, this is one of the finest drama-thrillers and surely worth a watch because of the fine screenplay, excellent performances, impressive direction, good music and it's worth the time.
- Chrysanthepop
- Aug 9, 2007
- Permalink
Storyline
Did you know
- TriviaThe film was inspired from the film Fatal Attraction. Sanjay Gupta wanted to make the film with Anil Kapoor,Juhi Chawla and Manisha Koirala. For unknown reason's the film did not take off. Later Gupta bashed Pyaar Tune Kya Kiya in print calling it a horrible film. Arbaaz Khan wanted to remake Fatal Attraction with Zeenat Aman in 1993/1994. He had signed Abbas Mustan to direct the film. Arbaaz was to act and produce the film. Once again it was shelved for unknown reasons.
- ConnectionsFeatured in Bollywood/Hollywood (2002)
Details
- Release date
- Country of origin
- Language
- Also known as
- Любовь, сводящая с ума
- Filming locations
- Bassein Fort, Vasai, Palghar, Maharashtra, India(Kambakht Ishq Song)
- See more company credits at IMDbPro
- Runtime2 hours 3 minutes
- Color
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Top Gap
By what name was Pyaar Tune Kya Kiya... (2001) officially released in Canada in English?
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