Better Luck Tomorrow

I picked this film up on a whim, and I thought that I knew what it was going to be about, but I was mistaken; I didn't expect the dark comedy/tragedy that the film ended up being. However, this was not bad. I have watched tons of films wherein at one point, you say to yourself, "Ok, this is just not possible", and you want to think that it's not, because the characters don't seem to deserve what you know what will happen to them. "Very bad things" with Jon Favreau comes to mind, but "Better Luck Tomorrow" actually connected me to the characters and made me really feel like I just wanted to scream at them and say tell them not to go down the road they were following! This is something that not many films can do ("Bad things" included).

This film is quite impressive, especially considering it was shot for a VERY shoestring budget, and had some great camera work and very solid editing. It did not in any way look like an amateur film, at all. I don't understand how this film has been branded "shallow"; it takes an original story and tells it in a convincing manner not characteristic of many films lately.

On one final note, all the acting is great, and I really don't care if anyone in it was thirty years old playing a seventeen year old, they were great performances and they had actual heart behind them.

If you have a chance, see this film, but be prepared to get a little more than what you thought you would.

wow is all i have to say. As an asian-american, i was blown away because everything i saw in the movie i connected to. It felt like i was watching my neighborhood, my school, my life, except i don't do drugs. But still, the movie itself was not wonderful, if i was not an asian-american, i would only give it 2 and a half stars, but since i am, i'm giving it 3 stars. Overall, the movie's plot was kind of cliche, the ending was not that good i'm telling you, they had some good parts, but it really didnt' make sense. I couldn't understand how they kept getting from one place to another or how the main characters ALWAYS ended up at the same place! And another thing, where were the parents? I know they are rich and all, but still, don't they have moms and dads? There were absolutely no trace of adults in that film, they need to make things clearer. But overall, a decent movie.

Its all well and good that this movie is attempting to break down stereotypes (perhaps by replacing them with other stereotypes), but that doesn't necessarily make for a good movie.

You could have changed a few names, used some different actors, and this would be an ordinary, bland movie about "rich youth gone bad". It has been done better.

I liked the characters, but the story just wasn't developed enough and they never really get into motivations. They tried to throw in a few lines of "what is the meaning of life", but that does *not* connect various scenes into an actual telling story and it does *not* a plot make.

Too many loose ends are left at the end of this movie. If they want to pretend they "meant to do that", well, I just don't believe 'em. You never really get into most of the characters deep enough to explain why you had to watch them run around for the previous 2 hours.

"Amongst Friends" was the same movie done several years back, but it was just better written.

I liked this movie. It definitely was thought and emotionally provoking and the film stays with you after you've left the the theater, especially certain scenes and I thought it was pretty funny at times. But there were certain things that I wished the film addressed, explored or handled better, such as pace, more seamless editing, more character development on Stephanie and Steve and carrying out the intentions of why it was essential the cast be all Asian American. ALL the actors gave stand out performances. The film itself, not so impressive. The film does shake up the stereotypes of AAs but I really wanted it to fully break em. I felt like I was expecting it to do that much, considering the marketing and publicity. It's definitely refreshing and I'd see it again. But it still needs some work. I appreciate it more for its intentions and vehicle for opportunity than the film itself. I'm anxious to see what Justin Lin can do with a bigger budget and support. And even more anxious to see what the actors will get for their next project because of this film.

Made for only $250,000, Justin Lin's Better Luck Tomorrow is a dark comedy about a group of over-achieving Asian-American high-school students in Orange County, California whose boredom and feelings about being outsiders lead to acts of petty crime and ultimately to serious violence. It is a film that challenges assumptions about Asian-Americans as asexual computer nerds, showing that they can be just as shallow and bereft of values as any white-skinned American. Better Luck Tomorrow has been hyped in the Asian community as something imperative to support. As voiced in an "open letter" from actor Parry Shen, who plays the lead role of Ben in the film, "It is not just a movie. What hinges on this release is so much larger than the film itself." While I support the fact that this film is a welcome antidote to the traditional representation of Asian-Americans on film, it must be judged on its merits rather than as a political statement.

The film is narrated by Ben Manibag (Parry Shen), a 30-year old actor playing a 16 year old student. His narration sounds as if he's rehearsing for a high school play, speaking lines like "the morning after I lost my virginity, we won the national championship" and "You never forget the sight of a dead body. But then again, I was experiencing a lot of things for the first time. I guess it's just part of growing up." Ben and his friends Han (Sung Kang), Daric (Roger Fan) and Virgil (Jason J. Tobin) have everything going for them: top grades, near-perfect SAT scores, lots of money, extra-curricular activities, social clubs, and not even a parent in sight to call on them once in a while. "Our straight A's were our alibis, our passports to freedom. As long as we got great grades, out parents didn't care where we were" Ben explains.

Shot in the MTV-style with jump cuts and rock music, the film opens with the discovery of a dead body underneath the lawn of a suburban backyard, then flashes back four months to tell its story. After Daric writes an article about Ben being the token Asian on the basketball team, he invites Ben to join with his group in their questionable adventures. They start by selling "cheat sheets" to students, then to running a credit card scam at a computer store, snorting Cocaine, selling drugs, and ultimately to violence. They seem to love their bad boy image, it's all good clean fun. "It felt good to do things that I couldn't put on my college application," explains Ben. "Besides, it was suburbia -- we had nothing better to do." Other good things to do involve a cliched romantic triangle between Ben, Stephanie Vandergosh (Karin Anna Cheung), Ben's lab partner, and Steve (John Cho), a rich kid with an attitude that does not probe any depths.

While the movie is a sincere effort by a talented new director, it did not ring true for me. Although a film with an Asian cast (the first since The Joy Luck Club) that avoids ethnic stereotyping was long overdue, I was unconvinced by the one-dimensional performances and felt that the shift in the main character's personality, even accounting for years of suppressed anger, was too abrupt to be believable. To make a coherent statement about the pressure put on Asian teens to excel would have been welcome. Instead, what Better Luck Tomorrow offers is a Quentin Tarantino wannabe, a hopped-up exercise in "cool" with extended shots of brutality and an ending that can politely be called morally dubious. No attempt is made to probe the character's thoughts or feelings either before or after they commit their acts and that funny thing called "conscience" is as far removed from the film's reality as any adult authority figures. The effect, rather than a commendable attempt to resist offering facile explanations, is to glorify the crimes and make them seem acceptable. It is reported that Lin tightened up the editing, added new scenes, and "toned down" the ending because some viewers thought it was "too cynical." I would not liked to have seen the original.