A Family Affair

This movie felt very amateurish, but that's probably what was intended. Michele Green caught my attention from the get-go and was extremely good as the spurned lover. I had no idea it was Abby Perkins from LA Law until I watched disk 2 on the DVD extras. A very good turn for her. By her own admission she feels boxed in as an actress with casting directors not being able to see her beyond Abby-types. Hopefully that will change. Helen Lesniak was decent, and watch-able, but looked much older than 34 and not young enough to be the daughter of Arlene Golonka, but perhaps Arlene is just extremely young looking! I really enjoyed Arlene's performance and that of Barbara Stuart. Good casting there. I also thought Erica Shaffer was good, but truly, I couldn't see much attraction between her and Helen. They didn't seem compatible at all. I wouldn't recommend this film to everyone, but I did enjoy it. 6/10 stars.

This appallingly contrived and humorless film about a Jewish lesbian who has two attractive women battling over her contains only one intriguing aspect: how Helen Lesnick (who wrote, directed and stars - all ineptly) managed to raise the funds to make this nonsense. Lesnick's heavy-handed, witless screenplay would have us believe that her obnoxious, self-absorbed and physically unappealing character would have two strikingly beautiful women battling over her without any indication of what each sees in this tiresome woman.

The sole bright spot is the radiant presence of Erica Shaffer, whose iridescent smile and warm personality brightens an otherwise pointless film. But casting such an attractive actress as the woman who would not only put up with having to duke it out with another woman to keep the relationship going, but is willing to convert to Judaisim for her love makes the situation all the more implausible. Lesnick is not only an untalented actress, but lacks the physical attractiveness to explain why such a beautiful woman would give her a second glance, much less make her her life-mate. Casting an actress more in Lesnick's league would have given the film a little more plausibility, but it also would have robbed it of the only reason to watch it in the first place. It also would have denied Lesnick the ego trip of playing love scenes with such a beautiful woman, which seems to have been the only reason for her to have made the film at all.

Billed as a top pick of Gay and Lesbian film festivals around the world, this film left me wanting. Helen Lesnick is an OK enough writer, but her direction is a little pedestrian, and her acting chops don't suit the role. I agree that she seems far too old for the part, playing a 34-year-old? Please! She appears at least 43. Also, I was turned off by the sound of her voice, it drove me mad throughout the whole film. Shaffer isn't much better -- but she suffers aesthetically for two reasons, as well: her hair looks like a very bad horsehair wig all the way through, and she has absolutely RIDICULOUS wardrobe. I have seen Shaffer in other roles, though, and she's not as bad in those as she was in this.

There is no chemistry to speak of between Lesnick and Shaffer, and the relationship seems to develop without any substance -- we don't have much of a clue what they see in each other. Five minutes of what Lesnick wants us to think is witty repartee (but isn't) and then a year has passed and they're deeply in love. It's crazy! Perhaps Lesnick is trying to play on lesbian stereotypes (moving in right after meeting), but it seems like little actual thought went into this.

Michele Greene is given very little to work with in her role as the third member of the love triangle. I felt the film would have benefited if it had given us a little more reason to understand why Rachel (Lesnick) was so attracted to Reggie (Greene) in the first place, and had thrown Reggie back into the mix a little sooner. Despite all of this, Greene's performance is the standout in the film.

As it stands, it seems to be an attempt at comedy about the confusion of love and commitment that really has nothing to say about love and commitment at all.

An attempt at humour falls flat when Christine (Shaffer) is confused about the difference between physics and phys ed, and I think it's a bit below the belt -- this film really tries to give the message that west coast Americans are stupid, and east coast Americans are all intellectual, without really ever giving much of an example of either. It's too easy, pitting a massage therapist against a physics professor. Come on, give the audience some credit! The resolution is a total disappointment: it teaches that you can make life-altering decisions on the basis of a pep talk, and that life-long problems can be solved without real examination of their causes. Plural.

Lesnick is well-meaning -- she tries her best, she puts in lots of cynicism and dark-humour, but it just doesn't cut the mustard. Her follow-up work, Inescapable, which I actually saw BEFORE I saw A Family Affair, suffers from major script and direction problems as well, and it doesn't surprise me at all, now, because it appears that Lesnick's range is fairly limited.

This film bored me to tears. Don't see it if you want to watch LBGT films with some substance.

On just about every level. This is one of the worst lesbian movies ever made (although Claire of the Moon and that John Sayles movie, Lianna, are pretty good contenders as well). Dreadful writing -- cliche upon cliche, that hackneyed talk-to-the-camera shtick, it just goes on and on. And yet she thinks she's clever? Helen Lesnick cannot act and looks to be at least 15 years older than her character claims to be. Bad editing. A cheaply done movie and it looks it. Just bad bad bad. Are we sure this movie wasn't made in the early 80s for film school class?

You want a good lesbian movie, go see the Incredibly True Adventures of Two Girls in Love. Go Fish. Bound. Just about anything is better than this waste of celluloid, videotape, bits, whatever.

"A Family Affair" is all about Rachel (Lesnick) who runs from a broken relationship in NY to San Diego where she falls for Christine (Shaffer) only to have her ex try to get her back...etc. Lesnick put this little indie together single handedly and it shows. The film is fraught with deficits including hackneyed material, trite dramatic or flip Woodyesque dialogue, stiff delivery, cost cutting everywhere, and Lesnick really belongs behind the lens. In spite of all that, I was marginally engrossed post climax in the drama of the denouement when the flick consolidates itself and finally gets real. Recommended for anyone who's interested in a romantic comedy about a woman who just happens to be gay. (C+)