Le Vaisseau de l'angoisse

The cast is so great and so is the style of cinematography; lots of murky gross scenery to appreciate! Karl Urban and Gabriel Byrne are a delight. So much of the bulk of the film is definitely horror I don't know why a few said it's not. I really like the scene when a couple of the guys eat and unlike others I really like the ending - Ghost Ship is fantastic for what it is! Has some of the best horror sequences in my opinion highly effective!

Now this I would call exactly an average film. For me, it landed precisely at the very center of imdb's 10 point scale, right at 5.5. This means that I found exactly as much to like as I did to dislike. There is a bit of inspiration here, but just as much that's stolen from other better horror movies. If it had opted for tone and real fear instead of cheap shocks, the movie could have been great. The story is good enough that it could have been great if handled well. But we do live in these times, and, although there are scholars of the modern era who would try to have us believe that the current generation consists of a bunch of kids who get everything instantly and process it on a billion levels at once, the truth is indeed the exact opposite. No, there is no subtlety here. It would go over your average teenager's head in a heartbeat. Nope, better play it safe and provide us with a gruesome scene up front where a couple of dozen people are sliced in half by a loose cable during a ball. Gore is not scary. I did however produce a dry heave during this sequence, which is more than I can say for any other gore scene that I've viewed lately. As the gore accumulates, I began to appreciate the artistry that was put into the enormous number of deaths. These are some sickeningly creative people, let me tell you. Unfortunately, the director (or screenwriters or whoever) ruins any real potential by revealing every detail about what happened on the titular boat in a fast-motion sequence accompanied by techno music! It's the kind of moment where you just slap your head for the lack of talent involved. And then there was more stuff I liked. For example, the art direction is very impressive. The revelation of one character's identity, while not particularly surprising, is at least somewhat new. I give this film a 5/10, rounding down because I felt the final moment was a bit groan-inducing.

The savage team of a tug is ready to rest after the transportation of a platform. When they are celebrating in a bar, the plane pilot Jack Ferriman (Desmond Harrington) offers them the chance of rescuing a passenger vessel vanished in the oceans in 1962. Captain Sean Murphy (Gabriel Byrne), Maureen Epps (Julianna Margulies) and the rest of the crew, tempted by the possibility of a great reward, decides to risk one more rescue operation before going home. Their greed leads them, of course, to a ghost ship, where they are spooked and threatened by ghosts. One of them, a little girl, shows Epps what happened to the passengers and crew during the voyage in 1962. A horrible unraveled secret will haunt the rest of the crew.

Ghost stories usually take place in a haunted house. This one is in a passenger ship. This movie is not in the same level of 'The Others', 'The Shining' or 'The Sixth Sense', but is also good film. The screenplay play has some clichés and is predictable, but the cast, direction and special effects work well. Probably, the fans of romances will not like it, but those who like a ghost story will appreciate this film. My vote is eight.

Title (Brazil): "Navio Fantasma" ("Ghost Ship")

Note: On 02 June 2017, I saw this film again.

With visions of riches spinning in their heads, a group of irritating boat salvagers set out to explore what's left of a luxurious passenger ship lost for over forty years on the high seas. Given that this film is a horror flick, the viewer understands from the beginning that the ship has an array of spooky surprises waiting for our adventurous fools.

The initial problem with this film is the salvagers themselves. They are not remotely interesting. They are stereotyped, stick-figure characters inserted to advance the preconceived horror plot.

As a ghost story, "Ghost Ship" lacked suspense, at least to me. The film's gore and hokey supernatural element were overdone, too obvious and direct. To create suspense, the filmmaker needs merely to hint at the presence of a lurking terror, and to slowly build anticipation, on behalf of characters we know and care about. This film thus suffers the same problems that plague so many modern films ... lack of character development and lack of subtlety. The unfortunate irony here is that the film's huge budget allowed the filmmaker to spend money on explosions, stunts, and other elements that actually lowered the suspense.

On the other hand, the set pieces were impressive, giving the ocean liner and the tug boat a sense of visual authenticity. And I liked the plot twist toward the end.

In summary, the film's concept was intriguing and the story had potential. But an absence of sympathetic characters and an overemphasis on expensive cinematic gimmicks combined to lower the suspense, and render a film that was fat and impersonal.

This films best bits are in the special effects and those moments when you jump out of your seat. The opening sequence lulls you into a false sense of calm, from then on its guess the scenario. The viewer is always two steps ahead of the actors but, for the most, grips you nevertheless. The special effects are especially good and the acting, although no top-notch stars are evident, is not bad. The end is a real twist. Better to watch this than many others I could mention, certainly worth the video rental and a pizza.