The Year That Trembled

"The Year That Trembled" is a low budget indie drama full of has-beens and never-wases with poor execution and nothing going for it save the hot button issues derived from the deep gash in the American civilian population caused by the Vietnam conflict (circa 1970). Considering the whole matter of Vietnam has been examined countless times from all angles in much better formats and forums than this film from documentaries to dramas to all manner of hybrids, it's difficult to find a reason to recommend a film with such severe limitations and deficits as this one. Pass. (C-)

Movie was very interesting. Would have been even better if the DVD had captionings or subtitles, which it didn't have. Otherwise I thought the movie was well done. The actual footages throughout the movie were very interesting! And I enjoyed Jonathan Brandis' performance (hard to believe he's gone for good).

That was my question. Characters were introduced and used throughout the film, but then they randomly disappear, never to be seen or heard from again.

And the ending made absolutely no sense. It just ended.

Jonathan Brandis should have given up after his childhood movies or at least taken some acting classes because he is by far one of the worse actors in this film. Of course the worse actress would be Kierra Chaplin. She is a model and that is what she should continue to do. Ms. Chaplin is French and this film is set in northeast Ohio. It seemed extremely out of place for her to have a French accent in this film.

Besides the shallow and disapearing characters, the story istself is not that great. Everyone and everything seems to be about THE WAR. Everything is about THE WAR. I know that the Vietnam War was a huge issue back in the 70's, but I also know that it wasn't the only issue.

Overall, this movie was terrible and a waste of my time. I give it a 3/10. It only earns it's 3 because of the interesting and beautiful (what looked like) archive footage from the 70's.

"The Year that Trembled" tells the tense story of young writer Casey Pedersen (former child actor Jonathan Brandis, who committed suicide one year after the movie was released) and his friends, who have to face the Vietnam Draft Lottery in the early 1970's.

Based on a Scott Lax novel, "The Year that Trembled" has a compelling premise; however, the predominantly young cast isn't as convincing as in other Jay Craven's movies (veterans Henry Gibson and Fred Willard are always a pleasure to watch, though). Meredith Monroe, of "Dawson's Creek" fame, makes the best impression; she was pretty good in a brief appearance in the made-for-TV flick "Fathers and Sons" and has proved she's got talent. It's curious to see Danica McKellar (the cute girl from "The Wonder Years") in a small part. Although not the best Jay Craven film, "The Year that Trembled" has some inspired, sensitive moments and is worth a visit. My vote: 6.5/10.

Important depiction of a time arguably as turbulent as our current. However, links (or even intimations of them) from past to present are lacking in this film. A faded standalone snapshot, the mood unimpassioned, (ironic given the manic, "trembling" tenor of those times). No room is made or left over for extrapolation or lessons learned--a great opportunity missed. Instead we're dished up startlingly superficial and hackneyed treatment of the era, ineffective character development, and lackluster performances from most of the cast. Further, the film is riddled with anachronisms and suffers from romanticism and historical revisionism--so it comes off as shallow and clichéd. Perhaps this film was made by people too young to understand the flavor of those times. If not, perhaps the filmmakers are part of a well-meaning but removed elite, who took their very best shot at depicting the lives and dramas of their characters, but the closest they could come was creating an approximated, somewhat patronizing, overly polite, "as-if" characterization--which naturally lacks passion, flow, human depth and complexity, and realism. In sum, it's like watching back to back episodes of the mundane NBC drama "American Dreams" (albeit, with a more liberal lean, fortunately), without the energy level. Just about that insightful, realistic, and compelling. In sum, clearly an earnest effort, tho emotionally blunted overall.