"Comic Book Villains" requires a familiarity for the themes of comic books, rather than the comics themselves. There are three types of comic book 'geeks' in the movie: the hardcore collector, represented by Logue's character; the famous book reader, who knows everything about popular comics, but nothing about less-known ones; and the casual reader, represented by DJ Quall's character of Archie. His role is where the problems begin. Every moment that Logue, Rappaport, or Cary Elwes is on screen, the movie shines of brilliant observation and attention to dialogue. However, Archie was written as the ideal reader, a guy who understands that comics are entertainment, not reality. He epitomizes everything i dislike about this movie. Every scene he is in is either hinting at a message, or explaining a message. The theme Archie brings to the story is furthered by ridiculously pathetic acts of violence and obsession, which ruin the film's last 4th. If one were to watch the ending of the movie and then the beginning, he would not have any idea they belonged to the same picture. Take Natasha Lyonne's character for instance. At the opening of the movie, she is a bright woman who runs a comic book store very casually. A slow change and character ark would have been brilliant for her character. However, after one stupid plot-hole-filled scene, she becomes a vengeful warrior obsessed with getting the mcguffin of the piece, the dead man's comics.
This film deserves more attention than it gets; it's more enjoyable than a lot of the comedies out there even if one has no interest in the comic book aspect shown in the film. That can be looked at as a frame for the characters and an incidental device to move the plot along. The actors bring the characters to life in a believable fashion. The real surprise for me was Cary Elwes, who I generally think of in stick-up-his-wazoo, pretty-boy roles like in "Twister" or his turn on "The X-Files". Here, he manages to play a nasty two-bit, low-life punk with some edge, and I almost didn't recognize him. It's a low-budget, independent film, but a cast of names we recognize from other films give it some prestige. Robinson also makes a statement on the comic industry as it has gotten into through the 90's and into the new millennium. It is held together quite well by the narration of one of the main characters, and in spite of its title manages to hit more than one emotional note throughout. It deserves a much wider audience because of the fine character acting of the entire cast.
Overall rating: 7 out of 10.
