To spice up her ho-hum life, college senior Amy sleeps with Aaron and Dil, her two best friends since the 3rd grade. But her best-laid plans turn their perfect, if predictable, platonic tria... Read allTo spice up her ho-hum life, college senior Amy sleeps with Aaron and Dil, her two best friends since the 3rd grade. But her best-laid plans turn their perfect, if predictable, platonic triangle into a tangled web of supercharged emotions.To spice up her ho-hum life, college senior Amy sleeps with Aaron and Dil, her two best friends since the 3rd grade. But her best-laid plans turn their perfect, if predictable, platonic triangle into a tangled web of supercharged emotions.
Seamus Dever
- Aaron Miles
- (as Séamus Dever)
Woong-ki Min
- Mishnu
- (as Bianco Min)
Alesha Rucci
- Giggling Blonde
- (as Alesha Clarke)
Nancy Sánchez
- Deaf Woman
- (as Nancy Sanchez)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
How can anyone say this film is good? It's not even film. It's video. And it sucked. The acting. Directing. Lighting. Everything. No wonder it doesn't have distribution. Everyone...please don't listen to the hype-machine written here, because it's most likely written by crew members from the film. They are lies. This movie screams of student film! DON'T BELIEVE THE HYPE!
This film was... Different. The way it was shot was boring and even annoying. The lines were cliché, or even one step above of that, because it was truly awful. I didn't get how her relationship with her parents pertained to the story. But I love love love Jeremy Renner and Seamus Dever... So I was completely willing to overlook this because it was their early works and they are both onto bigger and better things. Not decent, not OK, but it was there, so I watched it. Probably, most defiantly, won't watch it again. There are better Jeremy Renner films that he did before his "big break", like Dahmer or Neo Ned. And watch Seamus on Castle. Much better options than this. So I give this four stars, two stars for Jeremy, and two more for Seamus.
Monkey Love is a well crafted story about a young girl coming to grips with life as an adult. Actually, it's a funny, interesting, even quirky story about compelling people and their romances. The writing and directing are first rate, and performances by Amy Stewart, Jeremy Renner and Seamus Dever reveal new talent bound for bigger things. What a great way to enjoy a night at the movies...making Monkey Love. Even the music is not the usual collection of the first 8 bars of current pop hits. Enjoy.
This movie is so bad I can hardly contain myself. I feel like less of a person for watching the whole thing.
The performances appeared atrociously bad because of the student-project feel that oozes from the inexplicable, horrible choice of shooting to VIDEO(!!!!) instead of film, and more so because of the follow-up stinky editing. Sudden bursts of emotion seemed totally out of place. The story flow was totally disjointed. I could not care about the characters at all. I hated them for being in such a bad movie. The movie didn't know if it was quirky or funny or serious or romantic. The ending was jaw-droppingly shallow.
The car kidnap/ fight scene was comically bad. I mean, downright funny bad. I watched the scene again to see if I had just seen what I thought I did. It was even worse the second time around.
I could go on and on. This movie stinks. Bad.
Some serious questions: How do movies like this get made? It's like seeing a misused apostrophe on a neon sign. How can anybody be involved in something like this and not know how awful it is going to turn out?
Unbelievable.
The performances appeared atrociously bad because of the student-project feel that oozes from the inexplicable, horrible choice of shooting to VIDEO(!!!!) instead of film, and more so because of the follow-up stinky editing. Sudden bursts of emotion seemed totally out of place. The story flow was totally disjointed. I could not care about the characters at all. I hated them for being in such a bad movie. The movie didn't know if it was quirky or funny or serious or romantic. The ending was jaw-droppingly shallow.
The car kidnap/ fight scene was comically bad. I mean, downright funny bad. I watched the scene again to see if I had just seen what I thought I did. It was even worse the second time around.
I could go on and on. This movie stinks. Bad.
Some serious questions: How do movies like this get made? It's like seeing a misused apostrophe on a neon sign. How can anybody be involved in something like this and not know how awful it is going to turn out?
Unbelievable.
I found the box made the film more appealing than it actually is. The script is interesting if not resembling that of a soap opera.
Despite a hard attempt to watch this film, I eventually ended up discarding it for few reasons; It feels like a long soap opera with static, repetitive shots in over-lit sets (or what look like sets), and it's visually dull. Examples being that the colours often seem saturated and dull, while all possibilities for visually boosting the appeal of the film are ignored - even something as simple as altering the depth of field, which is almost always infinite and again, dull.
The sound is well recorded, crisp and clear but again lacking a certain something.
Above all, this feels very much like a student film: undeveloped, simple and shallow on many accounts. The writing, however, could possibly be the saving grace of the film were to be backed up with equally appealing direction, lighting, sound and editing.
This does appear to be a film made in the youth of the said director's career which could explain why it is how it is.
Despite my negative views, I can say that there are no, or not many errors with boom shadows, editing errors, continuity errors in the shots, narrative or lighting and it's obvious much care has been taken to avoid such issues.
As a film that has been placed in the genre of comedy, I feel it has been misplaced. This is a very performance orientated piece which would sit neatly in the genre of drama or docu-drama along side a short such as 'Tape'. With this possibility in mind, it could still be seen as a comedy from a narrative perspective.
I do feel though, that this film could be very useful in a learning environment as something for beginner to intermediate film students to critique as a piece that's not too complex in an particular way, as something at a quality to aim for when producing their first short.
I hope this is a useful review, and that I haven't overlooked the direction the makers were approaching this project from.
Despite a hard attempt to watch this film, I eventually ended up discarding it for few reasons; It feels like a long soap opera with static, repetitive shots in over-lit sets (or what look like sets), and it's visually dull. Examples being that the colours often seem saturated and dull, while all possibilities for visually boosting the appeal of the film are ignored - even something as simple as altering the depth of field, which is almost always infinite and again, dull.
The sound is well recorded, crisp and clear but again lacking a certain something.
Above all, this feels very much like a student film: undeveloped, simple and shallow on many accounts. The writing, however, could possibly be the saving grace of the film were to be backed up with equally appealing direction, lighting, sound and editing.
This does appear to be a film made in the youth of the said director's career which could explain why it is how it is.
Despite my negative views, I can say that there are no, or not many errors with boom shadows, editing errors, continuity errors in the shots, narrative or lighting and it's obvious much care has been taken to avoid such issues.
As a film that has been placed in the genre of comedy, I feel it has been misplaced. This is a very performance orientated piece which would sit neatly in the genre of drama or docu-drama along side a short such as 'Tape'. With this possibility in mind, it could still be seen as a comedy from a narrative perspective.
I do feel though, that this film could be very useful in a learning environment as something for beginner to intermediate film students to critique as a piece that's not too complex in an particular way, as something at a quality to aim for when producing their first short.
I hope this is a useful review, and that I haven't overlooked the direction the makers were approaching this project from.
Did you know
- TriviaAlesha Rucci's debut.
- Alternate versionsFor the 2005 DVD release some songs where changed in the final cut. And the Copyright Holder was changed to 2005.
- ConnectionsFeatures Les exploits d'Elaine (1914)
- SoundtracksQu'est La Vie Sans Coeur
Words & music by Marlene Hajdu
McCormick's Last Chance Publishing, ASCAP
vocal: Rebecca Varon
producer: Marlene Hajdu
Details
- Runtime1 hour 36 minutes
- Color
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