Ned Kelly

I walked into this movie expecting to see a legendary Australian folktale, turned into a piece of Hollywood fluff and to an extent that is what I got. However, even with the exaggerated soundtrack and the ficticious Naomi Watts character who had too large a part in the story this movie is not with out it's charms, the image of the Kelly gang in their iron suits facing an army of Victorian police at the Glenrowan Inn is an incredably striking one.

An important detail to note is that this is most definately NOT a documentary on Ned Kelly's life, this is a Hollywood film. However as a film it is incredably slanted to Ned's point of view, he is just way too good. Details of Ned's horse theivery (which he admitted to in the Jerilderie letter) where changed to make the Victorian police seem at fault. The Victorian police were made into the oppressors of the Kelly family and force Ned to a life as an outlaw in the bush.

Heath Ledger's portrayal of Ned Kelly is a fair one, he manages to depict Ned's anger at the authories rather well. Orlando Bloom's portrayal of the womanising Joe Byrne and Joel Edgerton's Aaron Sherrit, betrayer of the Kelly gang, were nowhere near Oscar worthy, but still good. Naomi Watt's character was unnecessary and seemed only added to provide a love interest for Ned.

Overall Ned Kelly is a generally good film. The acting is good, but the storyline leaves a lot to be desired, far too black and white for a film based on true events. However, the film does have it's moments, the final showdown at the Glenrowan Inn was a particulary well crafted scene. An interesting side note is that Dan Kelly's death in not actually shown, perhaps this was fuelled by the rumour that he did not perish in the Glenrowan siege but escaped and fled to a new life in Queensland.

6 of of 10

Due to reading bad reviews and being told by friends that they couldn't believe how bad it was, I didn't go and see this film at the cinema. After watching it on DVD, I have to say I regret that now. I'm not saying it is brilliant, but I would venture to say that it is a good movie. I enjoyed it.

People have skulls thicker than Ned's helmet if they go to see a movie like this and expect it to be a documentary. If you read up the actual history behind most movies based on historical figures, there is usually a huge difference between the fact and the fictional portrayal. I don't think Ganghis Kahn has ever once been portrayed even remotely close to historical fact. What kind of man Ned Kelly actually was is a matter of debate, and quite passionate it seems. In spite of the efforts of governments and some historians, Ned Kelly has become a legend. Legends are stories, and stories say as much about those who tell and listen to them as they do about the actual figure himself. Ned Kelly has become such a popular identity because he does represent that aspect of Australian culture that doesn't trust or accept authority. A society in which there is no dissent or challenge to authority is crazier and more dangerous than any bushranger.

So not expecting this to be an accurate recreation of the historical Kelly gang, I actually found it a surprisingly unencumbered and refreshing movie. It was sentimental and romantic, but thankfully not anywhere as cheesy as it could have been; for my fellow Australians, watch 'The Lighthorseman' and you will see what I mean (it is a pity the way that story was treated so poorly). Perhaps the love affair business could have been forsaken for a bit more detail in other areas, such as the shooting of the troopers. Ironically, I actually enjoyed the movie because of that, because it would be those details that most of the focus on Ned's story would dwell. And they are the details of the story that are best discovered by reading the different viewpoints given by the various historians.

This movie was always going to have a hard time, having make a compromise of appealing to a global movie market (to pay the pills) and the legend as it means to Australians; perhaps a little of Ned's spirit is in this movie, because I think it rebelled against people's expectations, and unfortunately missed both targets. Fortunately it made for an enjoyable quirk of a film. For me it was an unexpected kind of movie about Ned, and that is why I liked it. Orlando Bloom's performance did a lot for the movie too - he really added something. I think he would have enjoyed being the monster instead of the pretty elf, for a change.

When you consider some other movies that are far worse than this one, your opinion of this movie should be reconsidered. Send me this on DVD for christmas rather than Croc Dundee or The Man From Snowy River anytime.

Before viewing Ned Kelly, my only knowledge of this Australian outlaw was that he wore a bucket on his head. Having now seen this fairly enjoyable movie about his struggle for justice in the outback, I am a little bit more clued up; but I do have to ask how much fiction has replaced fact in this telling of the legend of Ned Kelly. Was he really so righteous, or have facts been changed to make the character more sympathetic and appealing to the audience?

Director Gregor Jordan works well with the questionably accurate script, getting good performances from his lead Heath Ledger, who impresses with his portrayal of a man fighting the system the only way he knows how. Also worthy of mention is Orlando Bloom as Ned's friend Joseph and Geoffrey Rush as top cop Francis Hare. Naomi Watts, however, is wasted as Ned's piece of posh totty in an unnecessary romantic sub-plot.

Whilst the movie never bores, it never really excels either, leaving this reviewer feeling rather apathetic towards it, hence my just-slightly-above-average rating of 6/10.

"Ned Kelly" is a straight-forward re-telling of the legendary Australian who has a powerful symbolism as both an outlaw and a revolutionary.

It is not based on the award-winning novel by Peter Carey, "True History of the Ned Kelly Gang," because the rights to that were taken by the Irish Neil Jordan to the consternation of nationalists who rallied around this adaptation of Robert Drewe's "Our Sunshine." But, oddly, though Drewe is listed as a co-producer, this chronological narrative by first-timer John M. McDonagh flattens out the power of the novella's focus on the final three-days' battle that's as important to Australia as "Remember the Alamo!" is to Texans.

Director Gregor Jordan particularly undercuts the core of Kelly's transformation in the public imagination from petty criminal to charismatic Robin Hood to uprising leader against injustice by barely letting Heath Ledger dictate a few lines of the so-called 'Jerilderie Letter' perhaps because it is the powerful centerpiece of the voice of the Carey book. Ledger's basso voice-over connectors do resonate.

Jordan opts for portends of the key confrontation that will only be caught by those familiar with the legend -- Kelly idly looking through an illustrated book about body armor, the loading up of the infamous train that will carry the police to the attack, and Geoffrey Rush replaying his Inspector Javert, but with only implications of a "Les Miserables" back story.

Jordan presides over an excellent recreation of the milieu of the time. There's a strong visual evocation in the art and set direction of time, place, and geography, especially with Oliver Stapleton's beautiful cinematography. The social class differences between descendants of POMmies (Prisoners of his Majesty) and their British overlords, are documented starkly, particularly in carrying over the Irish vs. British conflict to another continent (though the bland music score misses a real opportunity to illustrate that, with only a couple of traditional Celtic songs literally stuck in).

Non-Aussie Orlando Bloom makes quite a dashing Joe Byrne, Kelly's best friend, attracting Rachel Griffiths in a somewhat silly cameo, and many other recognizable Australian actors pass through. Unfortunately, Naomi Watts and Ledger can be added to the lengthy list of real-life lovers who evince little reel chemistry -- did that only work to our benefit for Bogart/Bacall and Tracy/Hepburn?

Gregor Jordan is going to be great. I have no idea when but he is heading places. Along with this I have only seen two other films he has directed which were Two Hands which was unreal to say the least and Buffalo Soldier which was bloody great and Ned Kelly.

When first seeing this I was excited more than I should have been because I was dying to see a new western, but I don't know whether you would call this a western as it is not set in the west like other American films, this is set in Australia telling the story of legendary outlaw Ned Kelly, a young man who never got on the right side of the law who was raised from an Irish family.

To make the film even better it is directed and starring an Australian. Heath Ledger is sporting an Irish accent in the film which is faultless.

The supporting cast is just as good with Orlando Bloom playing Kelly's best friend Steve along with Naomi Watt's as Kelly's love interest but I wouldn't even call her that as she's not even in it. Geoffrey Rush is not used as much as he should have been as the man chasing Kelly. You feel that Gregor Jordan had the key to the sweet shop in Ned Kelly but didn't take full advantage of it. Geoffrey Rush was only in key scenes but there wasn't much introduction to who he was and his interest in Kelly like in the end when he asks Kelly if he can keep an item of his and Kelly looks at him thinking `Why'. it would have been an interest to see what he really thought of him, he just acts under orders to capture him and that's it. Naomi Watts is the same. So much there but not taken.

As far as the story goes this is not such based on his biography but a novel written by Robert Drewe Called Our Sunshine which is a famous phrase that Ned Kelly's father called him. It's a strong story with terrific acting but the script wasn't long enough to make it into the epic it could have been. Sure enough there is plenty in the film to keep it's audience happy but it doesn't really give you the feel you are hoping for. It's goes down in the books of films that could have been so much more and even though this is still a very good film, it had the opportunity to be a masterpiece but if only the script was up to the task there would be a lot more people talking about this story.