Amores Possíveis

The "what if?" technique of three alternate life lines that 'Amores Possiveis' employs makes for a very interesting story if not a classic feature. The film's well-directed and well-acted definitely but its true strength lies in the script.

The different versions of each of the players are especially well characterised. Carolina Ferraz is absolutely amazing in portraying the different places that the character of Julia finds herself in and making them believable, Emílio de Melo makes each Pedro amusing in different ways while keeping the same subtly sentimental core.

Most importantly however, though principal actor, Murilo Benício doesn't seem to be the most astonishing of actors, he has an amazing and amazingly written character, in Carlos, whose portrayal he absolutely owns. And so 'Amores Possiveis' ends up being a more than decent film -great in bits, a tad trite perhaps in others- but an absolutely excruciating portrayal of the many ways that one single man can be a cowardly, childish asshole and how there may still be those slight possibilities that he can escape his own shortcomings.

'Amores Possíveis' (POSSIBLE LOVES) is fine little film from Brazil courtesy of writers Paulo Halm and Maya Werneck Da-Rin and polished young director Sandra Werneck. Filmed in Rio de Janeiro in Portuguese, the story of three possible outcomes of a potential love affair is cleverly conceived and is acted with aplomb by a fine cast of actors, and though billed as a comedy it shines with some dramatic truths that carry it far beyond the usual fluff so often before us in this country.

The 'story' is three stories in one: fifteen years ago Carlos (the inordinately handsome and talented Murilo Benício) was to meet a fellow college student Júlia (beautiful and elegant Carolina Ferraz) and the film takes that moment and creates three possibilities: 1) Carlos married Júlia and had a son with her and in the present has left her for a male lover Pedro (Emílio de Melo), 2) Carlos longed for her while being married to a comfortable but not exciting Maria (Beth Goulart) and meets Júlia as the film opens, leaving his Maria for his long desired romance with her, and 3) Carlos has never married, is a lothario living with his possessive widowed mother (Irene Ravache) and encounters the artsy looney Júlia as yet another conquest. How these three possibilities for the true ending of a fifteen year missed cinema appointment reveal the true version is the story of the film. Using the same actors for the various roles and mixing the progress of each story variation can confuse the audience at times, but the actors are so fine in demonstrating the varied aspects of each character transformation that the film becomes a suspenseful puzzle. The endings of each version contain important lessons about love and, well, you just have to watch it to enjoy the details.

The film fizzes with sexual excitement on many levels and is completely unafraid to take a realistic look at both straight and gay relationships, showing how similar they actually are. It is not a 'great film' nor does it purport to be, but is certainly entertains and showcases some superbly talented and beautiful actors from Brazil! In Portuguese with English subtitles. Recommended for all audiences. Grady Harp

Three different stories, or better possible lives, all starting with something insignificant but determining 15 years ago. This script sounds really familiar to me. Watch the marvelous movie from the German director Tom Tykwer 'Lola rennt' (1998) with the tagline: "Every second of every day you're faced with a decision that can change your life." Go see them both!

Carlos, a lawyer, has three different lives but one thing is the same: A dream about ex girlfriend, Julia. Years earlier, Carlos and Julia were supposed to meet at the movies. She never showed up.

The first Carlos is married to his wife, Maria, but is not very happy with his life. The second Carlos is divorced with a son and lives with his male lover. The third Carlos is single with a string of different girlfriends and lives at home with his mother.

Each man is reunited with his love, Julia, but the ending for each man is not what you'd expect.

Amores Possíveis (Possible Loves) is an interesting story of three different possible loves. It is acted out well by the main characters Murilo Benico and Carolina Ferraz who play multiple parts.

I also liked the music soundtrack, which featured songs by musicians like Chico Buarque, Zizi Possi, Ana Carolina, João Gilberto, Paulinho Moska, Bonga, Afro Cuban All Stars and much more.

This interesting movie's story and characters are overshadowed by Murilo Benício's tour-de-force performance as Carlos - rather as the three Carloses. He is so stunning that it's hard to care or even be aware of anything else.

Just watching him shift so expertly and so convincingly and with such apparent ease and mastery between the three very different personas is vastly entertaining and makes the movie definitely worth watching, but it also makes appreciating anything else about the movie nearly impossible. I suspect that Carolina Ferraz's three Júlias and Emilio de Melo's three Pedros are equally impressive, but they persistently fade into the background beside Benício's brilliance.

It makes me want to watch his other movies to see if he so dramatically dominates everything he does, or if director Sandra Werneck just pulled this extraordinary performance out of him. He's much like Marlon Brando, in that his monumental talent as an actor, his almost superhuman physical beauty, and the strength of his presence so outshine everything around him that it's hard to see anything or anybody else in the movie. Brando was like that in every movie he made; it'll be interesting to see if the same is true of Murilo Benício.