Ali Zaoua, prince de la rue

There's a saying in Morocco that says "A coincidence, is better than a thousand appointments." so how cool is it when the best movie that you've ever seen is the movie that you saw on your very first time to a cinema. I had 10 years old and there was this local movie that got everybody (grown-ups) talking about it, i remember it was a week-end me and my mom went to see my welthy aunt (we were lower class) and my nephew took me with him to the cinema.... I remember me after that movie going in streets like them kids (in the movie) and singing their song... now it's been 15 years and i have seen a lot of french and american movies but above them all stays "Ali Zaoua" as my personal best. I've lost count of how many times i've seen it again and again the movie is unbelievably realistic and heart-warming and whenever i see it, it gets me so nostalgic and reminiscing about my childhood... Another magic fact in my relation with this masterpiece is that the leading actor (Hicham Moussoune) was related to my neighbors and was about my age, so we were sort of "friends" we played in the street a time or two!! There were also great actors in this movie like "Saïd Taghmaoui" who became a hoolywood Star.

This movie brings back memories of growing up in morocco, although the movie puts you in the front seat of the realities in real life much of this goes ignored by the rest of the populace. The feeling is of numbness to the harsh realities that these vagabonds have to go through. Most of these kids never make it to adulthood and if they do they are seriously psychologically ill. After watching this movie you will undeniably feel resentment to society and blame yourself for being part of it. Overall I think the movie was well directed, the characters were AMAZING (I hope that they get some type of recognition) some of the scenes are beautifully shot. Vote 10+ from my part

A variation on Hector Babenco's great 'Pixote' this follows the theme of abandoned street kids, being played by real street kids.

But "Ali" is much less gritty and naturalistic in style, if not story. Beautiful widescreen photography, some playful animated moments, and a slightly less despairing feel (although it's still pretty dark).

A young street boy is killed, and his friends try to figure out how to and his street friends try to figure out how to get him 'buried like a prince', hoping to give his sad, lost life some meaning in death. All the while they have to fend off attacks from the local street gang, find the boy's mother and let her know about her son's sad demise, etc.

Very well acted for the most part, and has it's share of touching, heartbreaking moments. But it also feels manipulative and 'moviesh' at others. Certainly a good film, if not quite at the level of it's ancestors.

perusing the local library i came across this gem.

the film was released by "filmmovement: a declaration of independents." does anyone have any recommendations for similar type films, possibly by this same publisher?

one of the most chilling, unique, and realistic parts of the film was the abrupt death of "ali" in the beginning. after my expecting of ali to be the main character, i was shocked by his death, but the children live in a merciless world. very realistic as above mentioned.

the gang slogan "life...is a pile of s**t" was a bit depressing. but the overall cheerfulness of the youngest of the three main characters kept my spirits up through the film. "show your pride"... after a goal really cracked me up.

the connection of the 2 suns to the tape in ali's house was an interesting psychological connection thrown in by the author.

my recommendation for more great foreign films: "trois couleurs" directed by Krzysztof Kieslowski and "Obchod na korze" (A Shop on Main Street) by Ján Kadár and Elmar Klos. really great stuff.

This is an amazing film. It has to be up there with "City of God" and "Pixote" (Brazil), "At- The Horse" (Turkey), "Saalam Bombay" (India) and "Amores Perros" (Mexico) as well as the American documentary "Streetwise" as one of the best contemporary movies about poverty and the social repression and horrors it brings to its subjects. The film is engrossing, captivating, disturbing and harrowing on many levels. The film is also a remarkable fusion of Godard, gangster films and "Arabian Nights." A shocking thing happens to the film's title character at the outset of the film, and we are transported into a world that is both enchating and perilous as if we are traveling with Sinbad across the 7 seas. Alas, this is no fantasy and we are reminded of that all too suddenly and it is a power that haunts the viewer as the final credits roll. The film also reminds one of our great independent filmmakers, like Spike Lee and Jim Jarmusch in terms of applying simplicity to brilliant and stark primary and secondary characters thus allowing a documentary feel to float with the narrative. Alas, when one is from Morroco as this filmmaker is, it usually takes two or three major efforts like this before you are recognized as being a cinematic genius. One of the best African films I've seen, along with "Quartier Mozart" from Cameroon, and certainly worth one's time.