The Majestic

This installment from the Frank Darabont, director of Shawshank Redemption, The Green Mile and soon to come Fahrenheit 451, came back in 2001. This film highlights th actor Jim Carrey in a more serious role aside from his brilliance ion the realm of comedy. This film has a great message about standing up for what we believe in against any kind of oppression or tyranny even if it comes from our own government. This is told using a flavorful twist of identities, which of course is based primarily upon the old French Medieval legend- Return of Martin Guerre, and the growing concern of communism in the late 40's and early 50's. There are also some other historical aspects that need to be addressed. This movie came at the eve of 9-11, which led to a massive hysteria over, not Commies, but of Muslims. Interesting how the writer/director Darabont takes this lost character who takes another's identity and transforms him a hero by simply adding that Carrey had amnesia. He now has a great message to give to the courts and to the "whole of mankind." At the time this movie came out, it seemed like the movie had little purpose and meaning. Watching it today, it has gained a new meaning and warning on our civilization(wasn't Darabont lucky). Unfortunately, I don't buy the argument and disagree. There are too many little details either missing or unlikely that hurt the story. Still, the originality, color, relationships, character development, angles, and plot development all draw to make this film highly enjoyable. This film receives 88.5 out of 100 points.

I finally got to see this film tonight, long after its release, and as a big Jim Carrey fan, I was tremendously impressed with - and gratified by - his performance. I love him as a comic, there's no question he's a genius in that department, but I'm always pleased to see him do something 'real' - something where he displays genuine emotion, honest feeling, and in The Majestic, he does this brilliantly. Sure, the film is too long, too 'corny' in spots, blah blah blah, but ultimately the sheer force of Carrey's talent (and his deep commitment to the material) makes it work. Kudos as well to the great Martin Landau, who turns in yet another rich performance, giving his scenes with Carrey true poignancy.

It's hard for me to give something a 10 out of 10 but this movie comes very close. Why it took me so long to see this movie is beyond me, but I am glad I finally got to watch a true great piece of cinema. Jim Carrey easily fills a dramatic role, much to most people's surprise. I can think of every movie I've seen him star in and, although most comedies, there were always glimmers of drama that he delivered that would draw in an audience. Think his speech about being "a nobody" in Dumb and Dumber, think of him telling his on screen son that he wasn't lying in Liar Liar. Think of The Truman Show, and tell me he doesn't have talent beyond comedy. Great supporting cast, of course with Martin Landau leading the front.

Now something more personal, for this vet of the new war. I loved this piece because it sent a different message, if only I saw it. It showed that not only the people who actually fight in a war, are the heroes. It helped show that everyone involved in any war should be considered a hero. I personally was touched by the mentioning of the Bill of Rights and reminding people, even today, what soldiers like me and many others still fight for.

Anyone who saw Frank Capra's movies and particularly "Mr Smith goes to Washington" when James Stewart single -handedly fights the powers that be in the courtroom will see the connection."The majestic" is old cinema ,it's a fable that should not be taken seriously.It pays a tribute not only to Frank Capra but also to Tornatore's "Cinema paradisio" (1988) and to Homer in Wyler's "best years of our lives"(1945),and also to great movies of the past such as Vidor's "the big parade"(1925) (When Carey watches Renée Adorée saying farewell to her true love,it makes a parallel between her affair and Adèle and the true "Trumble") or Wise's "the day the earth stood still" .It even shows -perhaps ironically in that context- a poster of Kazan's "a streetcar named desire"!

Anyone who wants to take it literally will totally miss the point;it did not prevent "it's a wonderful life" and "Mr Smith goes to Washington to go straight to the heart;so does "the majestic " :it has a good screenplay which is never boring during 140 min and which features very good ideas:The hero remembering the lines of Dieterle 's "life of Emile Zola" whereas he suffers from amnesia ,the piano boogie which shocks the old music teacher,the way Landau reveals the young man the "truth" in the little graveyard,and how -always the magic of cinema" he recovers his memory...The first part is Martin Landau's triumph:he will move you to tears ;Tornatore's influence again,he really seems to come from "cinema paradisio" .But Jim Carrey in a sober part can succeed in his James Stewartesque act as well. Some will tell you it's passé,corny ,old hat :they are completely right.This movie can only appeal to these who have often a look at the past of the seventh art:I'm one of them and I do like "the majestic".

There are a few distinct, primary issues with this film.

The first thing is its attempt to create a sort of modern day fairy tale with an atmosphere bound in high emotion, drama and something of an epic frame, the film being so long over 2hours30min, and quite eventful. The story and chief concept were very interesting, and there is a lot of philosophy and idea in them, but the film never quite takes advantage of the platform it makes for itself and the emotional intensity feels rather constructed than genuine. Towards the end especially, it's just pushed down our throats too much and doesn't feel natural, or credible, and the most essential quality of emotion in cinema is credibility.

Another thing about it is its over-the-top political/philosophical message, the whole bit about the legal system; that element seems overdone too, a bit of a sidetrack to the plot, and not necessarily inevitable.

There's a taste of unfinished business, mismanaged tension, misused potential for emotion, and good plot elements that do not resolve into the anticipated climax. But it's a fine story, a fairly pleasant film to watch with good values, a certain essential candor, it is quite well played out considering the difficult premise, and then there's Jim Carey always there as the lead to help make any film more believable and endearing.

6.5 or 7/10.