This MGM short, which stars an all-dog cast, is about Trixie and Fido and their evil boss. They all work at the Dogville Department Store, but the boss has his eye on Trixie and so frames Fi... Read allThis MGM short, which stars an all-dog cast, is about Trixie and Fido and their evil boss. They all work at the Dogville Department Store, but the boss has his eye on Trixie and so frames Fido for murder. Trixie is convinced that her man (er, dog rather) is innocent and works fev... Read allThis MGM short, which stars an all-dog cast, is about Trixie and Fido and their evil boss. They all work at the Dogville Department Store, but the boss has his eye on Trixie and so frames Fido for murder. Trixie is convinced that her man (er, dog rather) is innocent and works feverishly to save him from the electric chair.
- Directors
Featured reviews
** The Big Dog House (1930) MGM : Jules White, Zion Myers
** (out of 4)
One of nine "Dogville" shorts from MGM with this one spoofing their prison drama The Big House. A department store working gets accused of murder and is sent to prison even though in truth it was his boss who did the killing. In case you don't know, these Dogville shorts were basically spoofs of various MGM films with the only catch being that dogs act everything out. This movie really isn't funny but I found it interesting as to what must have happened in order to get the dogs to act all of this stuff out. It's very clear that there's a ton of editing being done in each scene just to pull off the talking or walking but at other times, like when a dog changes another dog's diaper, you can see their hands moving and I'm going to guess strings or something was attached to them. Either way, the movie isn't a total success but it's certainly not bad but I'm sure kids would get more of a kick out of it today.
THE TITLE OF this comedy short is no doubt a play on the MGM feature of the same year, THE BIG HOUSE; which starred Chester Morris, Wallace Beery, Robert Montgomery and a stellar cast in support. We must plead ignorance in regards to this title; not having seen it up to this point. (Sorry,Schultz!) But there are many of the doggie gags that relate to what we've read about the movie*; not to mention some particular character specific gags. For example, we observed a canine convict who st-st-stuttered and deduced,correctly, that the bow-wow actor was mimicking character comedian, Roscoe Ates. We later cross-checked with the cast of THE BIG HOUSE and presto, his name is there! (Brilliant deduction, one fit for Holmes & Watson!)
THE PRACTICE OF lampooning popular features was already a tried and true practice in the realm of the comedy short. It was one that seemed to draw no objections from the producers and copyright owners of the major films; but rather quite contrarily received heaps of tassive approval. After all, imitation is said to be the sincerest form of flattery; besides, any producer would welcome even some seemingly irreverent parodying.** AS FOR THE movie, itself, we found it to be interesting in a sort of perverse manner. Seeing so many of "Man's Best Friends" being so artificially animated into one, long and boring sort of anthropomorphic gag seemed very tiring to we, who make up the audience. I mean just how many pooches were made to bark, needlessly, in order to achieve the illusion of 'talking'?
WHEN IT COMES to pets, or "Animal Companions" as the Politically Correct crowd prefers, we are quite eclectic; favoring not only dogs; but also cats, hamsters and parakeets. We don't enjoy seeing any animal exploited in such a non-funny,extended play format.
AS INCREDIBLE AS it may seem, the step that Mr. Jules White made from MGM's Shorts to heading up Columbia's 2 Reeler production would seem to have been not only a $tep up in the area of finance$; but al$o in the Arti$tic Content. We never thought that being Producer-Director for the likes of such luminaries as the 3 Stooges, Andy Clyde and Hugh Herbert, as well as some who certainly had seen better days, such as Charley Chase, Buster Keaton and Harry Langdon; would be a step up cinematically.
IN CASE WE haven't made our point yet; we're officially panning this one. So, view it at your own risk. We warned you!
NOTE * We read excellent accounts of both THE BIG HOUSE and the Laurel & Hardy send-up, PARDON US (Hal Roach/MGM, 1931) in both MR. LAUREL & MR. HARDY by John McCabe (1962) and THE FILMS OF LAUREL & HARDY by William K. Everson (1967). Both books have our most enthusiastic endorsement.
NOTE ** The Prison Picture became a Genre of its own; all owing a debt to THE BIG HOUSE. In PARDON US, Laurel & Hardy, Hal Roach and its Director did a first class spoof,the first of many; for a Prison comedy became a required theme for so many a screen funny man to come.
If you have a chance, see all these shorts!!!!!
Did you know
- TriviaThis series was controversial even at the time due to the methods used to get the dogs to pose and "talk". In the UK, the "Performing and Captive Animals Defense League" printed a circular in 1931 detailing the alleged abuse these animals endured. They were successful in having the British film censors ban these films due to animal cruelty.
- Quotes
[first lines]
Mother: Oh, Trixie! Trixie - breakfast is ready!
- ConnectionsFollowed by Love-Tails of Morocco (1931)
- SoundtracksThe Prisoner's Song
(uncredited)
Written by Guy Massey
Played during the opening credits
Sung by a dog inmate while playing the ukulele
Details
- Runtime17 minutes
- Color
- Aspect ratio
- 1.20 : 1