A criminal subculture operates among U.S. soldiers stationed in West Germany just before the fall of the Berlin wall.A criminal subculture operates among U.S. soldiers stationed in West Germany just before the fall of the Berlin wall.A criminal subculture operates among U.S. soldiers stationed in West Germany just before the fall of the Berlin wall.
- Awards
- 1 win & 6 nominations total
- Sergeant Saad
- (as Sheik Mahmud-Bey)
- Rothfuss
- (as Noah)
Featured reviews
Dark comedy in many places, it seems many have taken great offence to Hollywood's portrayal of their 'heroes' - for goodness' sake don't take it so seriously. I'm jewish and don't care when I see my religion mocked on screen. So why should anyone be offended by this?
It's funny in places, dramatic in places, dark in places and risque. But what it is is a good movie which *will* entertain.
Of course, we all know that this film practically vanished after 9/11; suddenly America didn't want anything that seemed to be attacking America or the dedicated American soldier. This was unfortunate as the film isn't as blatantly anti-war or anti-American as I had been led to believe. Rather it is a dark comedy that looks at the reality of army life during peacetime. In fairness though it does show the soldiers out for cash, high on drugs and certainly not fitting the image that made Time magazine pick `the American soldier' as man of the year for 2003.
The basic plot makes MASH look like some sort of kids game - where Hawk-Eye made drink in his tent, Elwood cooks coke and deals in stolen weapons. The story works quite well although some of it didn't totally work and some of the characters and action didn't really make sense. It was amusing without being laugh out loud funny, although this wasn't so much of a problem as I certainly didn't expect it to be an out and out comedy. The drama works better than the comedy and it is for this reason it is a better attack on the ideal of the military. The upper levels of the military also take a knock; being shown as focused on rank climbing rather than keeping a sharp military machine well oiled!
The cast is good on the whole - both on paper and on the screen. Phoenix leads the film really well and delivers a likeable character that is still abhorrent enough to be seen as an attack rather than a spoof. Harris is OK but he only has a small role and it doesn't totally fit in with the main narrative very well - likewise McGovern. Pacquin is pretty cool but her character was a bit of a mystery to me but Glenn is well cast and he is able to deliver the goods in a borderline nuts character; only problem with his performance was that I didn't totally understand his character's aims by the end of the film. Both Leon and Pena were good in support and Dean Stockwell has an OK cameo.
Overall this was a good film despite the fact that it had a plot that was a little weakened by the side issues and characters who aren't totally clear in terms of what they're all about. Aside from this the film is pretty entertaining and is actually quite matter of fact in it's portrayal of military life rather than being scathing - coming from Northern Ireland, I have seen all sorts of stuff done by squaddies and am well aware of how true this can be! But to label it anti-American is just plain daft!
In place of Bilko's poker games and lottery scams, Ray Elwood opts for black marketeering, drug dealing and gun running. However, the characters portrayed by Phil Silvers and Joaquin Phoenix respectively do have a lot in common.
The tone of "Buffalo Soldiers" is much darker than that of "Sergeant Bilko", but the film and TV series share the same absurd yet plausible vision. There are no chimpanzee conscripts like Private Harry Speakup in this movie, but there ARE characters who have clearly risen well above the level of their own incompetence. Ed Harris' Colonel Berman is a pathetic example of the uniformed, time-served bureaucrat, someone you could almost feel sorry for until you realise that one day he may have to lead men into combat.
Counterbalancing the Bilko-esquire vibe created by Elwood's wheeler-dealing is his nemesis, Scott Glenn's steely Sergeant Lee. Glenn clearly relishes his role in this movie and is very convincing as the model soldier with a true heart of darkness.
Joaquin Phoenix gives Elwood an understated charisma as he leads his troops from behind, rarely lifting the lid on the fear and frustration that simmers within him as the events he sets in motion go out of control.
To say that this film is anti-military is unfair as it contains portrayals of decent, honest and professional soldiers as well as the scammers, pimps and dopeheads that the plot focuses on. It is a film about human beings (with all their failings) in uniform, not soldiers. "Buffalo Soldiers" is anti-complacency, anti-indoctrination and anti-corruption, which is probably why its release was postponed after the September 11th terrorist outrage of 2001. In the light of recent despicable acts by a small group of US soldiers in Iraq's Abu Graib prison, this film seems eerily prescient. Without an enemy to fight in open combat, what happens to the aggression and contempt for that enemy that military training fosters?
Ignore the negative comments and give this under-rated film a chance. It was titled "Army Go Home" in Germany, where the film is set, echoing the feelings of German citizens who lived near foreign troops sent to defend them against Communism. The Beetle-crushing sequence (an absurdly comic high point of the film) is based on actual incidents involving bored, intoxicated British and American troops on manoeuvres, armed to the teeth and waiting for a war that never came.
Did you know
- TriviaPremiered at the Toronto Film Festival on September 9, 2001. The events that happened on 9-11 effectively killed the film's chances of distribution within the United States.
- GoofsWhile making the heroin, the characters eat lots of meat to stop themselves getting high off the fumes. This wouldn't work in real life.
- Quotes
Video: [watching the fall of the Berlin Wall on TV] Where is the Berlin Wall, anyway?
Rothfuss: It's in Berlin, you dumb fuck.
Video: Yeah, I know it's in Berlin, which country is it in?
Rothfuss: It's in Germany, man. Fucking... Germany. West Germany.
Squash: West Germany? Well, which one are we in, then? Are we in West Germany or are we in East Germany?
Video: We're in East.
Garcia: We're in West Germany, you idiot.
Squash: Well, what's the difference?
Garcia: Fucked if I know, man.
- Crazy creditsThe end credits include the citation: 'The red cross emblem is an international symbol of neutral protection during armed conflicts, and its use is restricted by law. The purposes for which the red cross emblem is used by the characters in this film are clearly improper. The filmmakers wish to stress their support for proper use of the emblem, which has saved millions of lives throughout the world'.
- SoundtracksFight the Power
Written by Chuck D (as Carlton Ridenhour), Eric Sadler & Keith Shocklee
Published by Universal Music Publishing Limited and Reach Global Inc./Hammer Musik c/o Bucks Music Limited
Performed by Public Enemy
Courtesy of Def Jam/Mercury Records Limited (London)
Licensed by kind permission from the Film & TV Licensing Division
Part of Universal Music Group
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Details
Box office
- Budget
- $15,000,000 (estimated)
- Gross US & Canada
- $354,421
- Opening weekend US & Canada
- $30,977
- Jul 27, 2003
- Gross worldwide
- $2,300,684
- Runtime1 hour 38 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1