Cerebral Picture
A lot of people have commented on the humour of Storytelling. I didn't really find it funny at all, which is not to say that I didn't thoroughly enjoy it.
Although the film is divided into fiction and non-fiction, truth is the theme here. The irony of course is that the authoress' 'fictional' short story is in fact entirely true, and the documentarian's 'non-fictional' film is in many ways a conceit. The one wishes to expose the truth, the other wishes to abuse it, yet for both the common purpose is successfully to apply the conventions of their medium to tell a story.
This structuralist analysis could be taken a step further back to argue that Todd Solondz was doing just exactly the same. (Remember his nod to the audience when he had Giamatti's character talk about how he'd invited Jacques Derrida to narrate his film?)
Although the film is divided into fiction and non-fiction, truth is the theme here. The irony of course is that the authoress' 'fictional' short story is in fact entirely true, and the documentarian's 'non-fictional' film is in many ways a conceit. The one wishes to expose the truth, the other wishes to abuse it, yet for both the common purpose is successfully to apply the conventions of their medium to tell a story.
This structuralist analysis could be taken a step further back to argue that Todd Solondz was doing just exactly the same. (Remember his nod to the audience when he had Giamatti's character talk about how he'd invited Jacques Derrida to narrate his film?)
- words on your screen
- Dec 4, 2001