S.W.A.T. : Unité d'élite

Though the trailers and commercials made it appear to be a hard-core action movie, the end result is anything but. Aside from the (expected) opening action sequence, the first half of the movie is pretty devoid of anything resembling action! It mainly consists of introducing the characters, bringing them together, getting them to work together blah blah blah. Now, that in itself isn't bad, but what makes it bad here is that EVERYTHING about this has a ring of "I've seen this many times before!" There's NOTHING about these characters or this material that seems fresh or even delivered with some liveliness. While it really can't be called downright terrible, it still has you muttering "Yeah yeah, cut to the chase already."

Though the "chase" isn't any better - in fact, I would say it's more badly done than the bland character development that unfolded for the first hour. For one thing we have a really boring bad guy being dealt with - sure, his "100 me-llion dollars" cry is a promising start, but other than that he is developed just as much as a generic thug. And the action sequences suffer from what hurts many Hollywood action movies these days - jerky camera movement, close-up shots, and quick cutting that makes it hard to get a sense of just what's going on. Even when it's something as simple as two men beating each other up, you can't tell who is who! Instead of watching this, track down the Hong Kong action movie EU STRIKE FORCE (a.k.a. THE BIG BULLET), a sometimes silly but energetic and *fun* movie about a S.W.A.T. team, with much more lively characters.

This movie is no doubt influenced by the 'Die Hard' series. In this case, 1990's 'Die Hard 2' where the plot involved a drug dealer. A drug dealer in this case offers 100 million dollars to anyone who can bust him out after he is captured. Naturally, everyone with a greedy agenda, including some people that really make things sticky for the good guys, try to spring him. This film has a nice gradual build to its eventual payoff and Colin Farrell and Samuel L. Jackson are in good form. I only wish that their characters had been a little better developed. It's nice to see a movie where a character has a particular manner, saying or habit that makes their personality instantly recognizable. This is one of the better films to be based on 70's television. Certainly better than the 'Charlie's Angels' films (rubbish).

S.W.A.T. may be the best action film since THE TRANSPORTER...Just ignore the plot holes, leaps of logic, and occasional cold-bloodedness, and enjoy the fast-paced action and macho camaraderie!

Jim Street (Colin Farrell, easily 2003's busiest actor!) is a decorated LAPD S.W.A.T. member, but when his partner, Brian Gamble (Jeremy Renner, looking like a pumped-up Elijah Wood) disregards orders during a bank robbery, and wounds a 'civilian' female, while taking out the leader, the lady sues the city (considering the baddie was about to kill her, the reaction seems a bit illogical!). Dressed down by their boss, Capt. Fuller, Gamble goes ballistic, and quits the force; Street "eats crow", and is demoted to working in the Weapons Cage, cleaning weapons and putting up with verbal abuse from former teammates (who thought he'd 'sold' his partner out...an attitude that seems illogical, as well, as he'd been in their ranks three years, and they SHOULD have known him better! ). He maintains an insane physical regimen, and prays for the day he can return to S.W.A.T.

Six months pass, and the unit's reputation is on the skids, so veteran warhorse 'Hondo' Harrelson (Samuel L. Jackson, looking sexier and more dangerous than ever!) is called in, to put together an elite team inside of S.W.A.T., sort of a 'baddest of the bad' crew, to take on worst case scenarios (how this would help the performance of the REST of the unit, who knows?) He picks Josh Charles and Brian Van Holt from S.W.A.T., LL Cool J, a street cop with an 'attitude', Michelle Rodriguez, as a female cop with even MORE of an attitude...and Jim Street, with whom he bonds like a long-lost brother, despite threats from Capt. Fuller. There is GREAT chemistry between Jackson and Farrell, and their scenes together are film highlights!

After 'DIRTY DOZEN'-like training scenes, and embarrassing the egotistical Fuller by ace-ing his terrorist hijacking training scenario ("Best time ever, right?" Hondo razzes the Captain, as the last 'terrorist' is taken down), the new unit is given a choice assignment...moving a youthful international crime kingpin (played by UNFAITHFUL's Olivier Martinez) to a holding facility. Unfortunately, in front of television cameras, Martinez offers $100 million to anyone who can spring him...and virtually EVERY hood in L.A. decides to take a shot at the money. Then the fun REALLY begins, as the film becomes one long action sequence!

While the subsequent 'surprises' are predictable, and the climax, a Lear Jet landing on a bridge, is impossible (the winds alone would have cracked up the small aircraft against the narrow confines of the span), the pacing is so fast and furious that you accept the leap of logic of the sequence, and the subsequent fight between Street and...well, watch the movie!

While I'm not sure S.W.A.T. will encourage tourism to L.A. (which is pictured as so crime-ridden that it makes New York City look like an Amish village!), the film IS fun, in a violent sort of way, and seeing the star of the original series, Steve Forrest, in a brief cameo, was a pleasure! Now, if I can just get that darned theme song out of my head...

People may dismiss S.W.A.T. as one of those films that stands there on its own as pure entertainment for the average film going Joe and overall, they'd be right to do so. You don't need me or anyone else to tell you that this film is indeed a bit of light-hearted fun that most people can enjoy but what struck me was that more popular 'fun' films such as Snakes on a Plane and Pirates of the Caribbean didn't do as much for me as S.W.A.T. did and this makes me think that S.W.A.T. is a tad underrated, albeit as a popcorn fest.

The films spends enough time early on hanging around the main character of Jim Street; a disgraced ex-S.W.A.T. member whose partner got them both into a little trouble a few years ago when he made a bit of a botch of a hostage situation. Although Street is played by Colin Farrell whose one of those actors most people have a love/hate relationship with (although it's probably mostly females who fit into the 'love' category) so it's always going to be a little tricky to associate with the fact Farrell is the focus of the film, character wise.

One scrap of 'cred.' the film has is its inclusion of Samuel L. Jackson as the boss of a newly formed S.W.A.T. team following his return to the force although he gets his own way far too easily during the forming of the team, in my opinion. His search takes control after the good opening and what was effective was that genuinely funny humour as well as decent action/chase scenes are both blended in to the search. We're also introduced to the dangers of law enforcement as Michelle Rodriguez's character tells us when she exclaims she was attacked by a guy three times her size and weight wielding several small sharp razor blades.

What makes S.W.A.T. the piece of fun, colloquial film-making it is; is its evidence of light heartedness all the way through. In the UK where I come from, the film was rated as a '12A' which means twelve year olds can see it; as long as there's a parent/guardian with them. The reason for this is its lack of violence and genuine, gritty police action. The chase and action scenes, although impressive, are done in a routine manner with fast talking, joke-style dialogue there to extinguish any threat of profanity or violence for the kids. Also, the music is a cause for concern. I have no idea of the bands nor the songs actually used but it's of that modern day rock/pop stuff that sounds so much like the previous song released in that genre, it's worrying. These songs that pop up at various intervals include montage sequences and the like, keeping the light hearted atmosphere and again, giving the kids something to relate to in the form of music. For me and probably anyone else over the age of 20, it was very disappointing.

The fact the villain of the film is French is awkward enough. I say French but really, he's European and him and his non-American cronies are another disappointing aspect of the film. It's just too typical of an American summer film to do this: including a Eurotrash villain. The fact he actually spends most of the film in custody and has to issue his threats to press camera crews is another thing that detracts from the film. The fact he's in custody and out of harms way as far as violence and challenging the heroes is concerned; means less of a threat to the kids thanks to the 12A tag. With other odd things cropping up such as the fact each gang just happens to try and rescue the baddie at the exact same time with no prior arrangement of a truce as they all strive for the reward money, was a sloppy piece of film-making.

Despite the good things S.W.A.T. has going for it, it never gets out of that, 'family' gear that it gets into and as a result, feels like a re-hash of that 1986 film Top Gun, only with guns and on the ground instead of jets and in the air. Still, at least you get to hear a couple of Jackson nods to his appearances in Pulp Fiction and Jackie Brown, respectively. That in itself, to some, is more than enough of a reason to give S.W.A.T. a go.

S.W.A.T. (2003) *** Colin Farrell, Samuel L. Jackson, Michelle Rodriguez, LL Cool J, Josh Charles, Jeremy Renner, Brian Van Holt, Olivier Martinez, Reg E. Cathey, Larry Poindexter, Ashley Scott, Denis Arndt, Reed Diamond, Lucinda Jenney. Better than anticipated big-screen adaptation of the 1970s cult classic police drama about the elite Special Weapons and Techniques division of the LAPD skillfully directed by tv veteran Clark Johnson (who cut his chops on 'Homicide: Life on The Street' and 'The Shield) with the focus on an oily French baddie (Martinez) making a routine prison transfer a dicey situation when he proclaims to give $100 M for his release from the cops custody ensuing all sorts of pitfalls and unexpected turns along the way. The screenplay by Ron Mita, Jim McClain and Davids Ayer and McKenna keep things lively but allow the action to occur gradually after each new member is incorporated into the fold, and (finally) Farrell proves his worth as a leading man in a big Hollywood film as the head-strong yet by-the-book disgraced member looking for redemption and Jackson as his no-nonsense leader of the pack. Expertly choreographed action sequences and some needed humor add to the mix of the been-there-done-that histrionics that naturally unfold