A software developer becomes a billionaire and is distracted by fame, greed and power, then must save his invention and company from a hostile takeover.A software developer becomes a billionaire and is distracted by fame, greed and power, then must save his invention and company from a hostile takeover.A software developer becomes a billionaire and is distracted by fame, greed and power, then must save his invention and company from a hostile takeover.
Ben Hernandez Bray
- Tijuana Policeman #1
- (as Ben Bray)
Featured reviews
That this film has such a low IMDb rating is not surprising. In our post-Enron era, do we really need any more reminders of America's obsession with the greed creed? The topic has become so politically charged that a lot of viewers not only are not going to be entertained by movies of this sort, but will respond with barely concealed rage. It was all I could do to sit quietly through this cinematic memo of corporate corruption without extracting the DVD and smashing it into a thousand pieces.
What's really irksome with these kinds of films, including "Purpose", is their pretense that behind the glitter, there's some meaningful message that makes the film worthwhile. In "Purpose", I found no such meaningful message. What I did find was a story that idolized the materialistic trappings of capitalistic power and wealth. The two main characters, nauseating in their glibness, do very little actual work. Instead, they party, they play golf, they strut their coolness, they sound "hip" with dialogue straight out of MTV-culture-speak: "rock my world", and "Now get back to partying; that's an order". John is smug, self-important, shallow, and smirks a lot. Robert, who wears funky little glasses, is even worse.
The film includes two youthful garage geeks, who look and sound like they're right out of the film "Antitrust" (2001). Stereotypes are played for all they're worth, and in this film also include chic-looking computer equipment, and Barbie doll chicks on hand for those occasions when our can-do future billionaires need some relaxation after all that heavy-duty partying. And with the time-bound images and dialogue that such a story necessitates, can you imagine how dated this film will be in fifteen years?
About the best I can do for this waste of cinematic celluloid is to say that it does have some nice aerial views of San Francisco. The film would have been a lot more enjoyable, a lot more entertaining, if they had ditched those odious characters and that repulsive story, and simply flown us viewers around in that little plane for the film's duration.
What's really irksome with these kinds of films, including "Purpose", is their pretense that behind the glitter, there's some meaningful message that makes the film worthwhile. In "Purpose", I found no such meaningful message. What I did find was a story that idolized the materialistic trappings of capitalistic power and wealth. The two main characters, nauseating in their glibness, do very little actual work. Instead, they party, they play golf, they strut their coolness, they sound "hip" with dialogue straight out of MTV-culture-speak: "rock my world", and "Now get back to partying; that's an order". John is smug, self-important, shallow, and smirks a lot. Robert, who wears funky little glasses, is even worse.
The film includes two youthful garage geeks, who look and sound like they're right out of the film "Antitrust" (2001). Stereotypes are played for all they're worth, and in this film also include chic-looking computer equipment, and Barbie doll chicks on hand for those occasions when our can-do future billionaires need some relaxation after all that heavy-duty partying. And with the time-bound images and dialogue that such a story necessitates, can you imagine how dated this film will be in fifteen years?
About the best I can do for this waste of cinematic celluloid is to say that it does have some nice aerial views of San Francisco. The film would have been a lot more enjoyable, a lot more entertaining, if they had ditched those odious characters and that repulsive story, and simply flown us viewers around in that little plane for the film's duration.
I liked this story very much, especially in a time where greed and money seem to be the front page themes of our national headlines lately. Purpo$e did a good job of posing the question to it's audience, "Why do you do what you do?" It looked amazing and the pace was sharp. I especially enjoyed Hal Holbrook as the Old Money Tycoon. Alan Lazar did a very good job in his feature debut and I look forward to his future projects.
The best summary of the dotbomb era yet produced. Unfortunately, the appeal of this very articulate movie will always be very narrow. Those who were not caught up in the dotcom scam will probably not understand the profundity of the points presented. But for those of us Silicon Valley folk who were caught up in the explosive hypergrowth of the late 1990s, this movie serves as an excellent synopsis of what turned out to be one of the biggest equities scams in human history. Some of the most intelligent people on the planet lost sight of their live's goals and purpose, putting sustainable ventures on hold in pursuit of the quick score, gambling sustainable lifestyles in pursuit of the big win, sinking life savings (and kids' college funds, home equity, etc) in speculative ventures and questionable ideas, then losing everything when the sharks pulled out and the pyramid collapsed around those not smart enough to have pulled out.
Purpose. Awesome move, a must see for anyone in the technology field, or for anyone who lived through the insanity of the dotbomb scam.
Purpose. Awesome move, a must see for anyone in the technology field, or for anyone who lived through the insanity of the dotbomb scam.
Truthfully, there is not a whole lot to say about Purpose. It is your typical dramatic, yet entertaining, exploration of a generation during the dot.com boom. But what is an otherwise middling film is incredibly enhanced by the awesome music.
I believe that the director actually scored the film --- and while the score is cool, the really great music is found in the soundtrack. The music supervisor clearly culled through every musical nook and crannie to find these gems. In fact, the musical choices serve dual roles: it works effectively as backgorund mood and also really enhances the dramatic, comedic and emotional effects of the film. In some ways you could say that the musical soundtrack becomes a character in the film, much like a Greek chorus from the classic plays.
Anyway, the film is fun and definitely worth watching. Paul Reiser, who I normally find annoying, is actually great in the role of Ben.
Final Tally ---- Film 6 ---- Sound Track 10.
I believe that the director actually scored the film --- and while the score is cool, the really great music is found in the soundtrack. The music supervisor clearly culled through every musical nook and crannie to find these gems. In fact, the musical choices serve dual roles: it works effectively as backgorund mood and also really enhances the dramatic, comedic and emotional effects of the film. In some ways you could say that the musical soundtrack becomes a character in the film, much like a Greek chorus from the classic plays.
Anyway, the film is fun and definitely worth watching. Paul Reiser, who I normally find annoying, is actually great in the role of Ben.
Final Tally ---- Film 6 ---- Sound Track 10.
I saw this movie recently - I had heard about it via the grapevine and was not sure what to expect - I was very impressed. The art direction in this movie was excellent and the story line kept me interested all the way through. The main song that was featured a few times was very catchy. All in all I thought it was a highly provocative movie with an important message. We all need a sense of purpose.
Did you know
- TriviaAlan Ari Lazar's first and only film debut as a director, co-producer and co-writer. He also composed the film's soundtrack. Composing is his real job.
Details
- Runtime1 hour 36 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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