Peppermint Candy

I was really impressed by the plot line of this film. I first wonder why he has to die and why he is so destructive. Then the plot goes reverse into the past while it untangles the mystery why he became that reckless. Chronologically placed scenes are bound together with one key 'peppermint candy'.

Kyung-gu Sol really plays the roll well. He plays it not just as a violent, but solitary and vulnerable man. Through his exquisite acting, we learn his character and even historical background. Without him, this film would be a husk.

This is film art that makes no concessions to 'entertainment'. A man commits suicide at the start of the film. Then the filmmaker brilliantly flashes his life before us in short scenes moving backwards in time. The emotional power of each scene is built on our knowledge of what is yet to come for this corrupted and despairing man. And that power keeps intensifying, reaching an almost unbearable level of sadness and empathy. Not since Sophie's Choice have I seen a film so unflinching in its despair. Everything about this film demonstrates greatness: the screenplay, the cinematography, the performances, the wisdom and humanity. It's not an easy film and there were many walk-outs the night I saw it at the New Directors Festival in New York, but it will stand the test of time. Should be required viewing for every 18-year-old.

Lee Chang-dong's second feature film is a lot more ambitious than his debut Green Fish. It presents a story unfolding in reverse chronology spanning several years before a man's suicide. The narrative is split between different parts with time gaps in between, connected by the movement of a train going back in time.

This film has some really great moments in it, but as a collective piece, it doesn't work as well as I wanted it to. I keep coming back to it hoping I find some new meaning to it, but my original opinion still hasn't changed. So let me go through everything that I didn't like about this movie, and then I'll move onto what I did like about it.

First off, I find the intro really annoying. It mostly has to do with the main character's obnoxious acting, but the silly characters surrounding him don't help much either. I don't claim to know anything about suicide, but I personally found it to be way over the top, especially coming from a director like Lee Chang-dong, who usually directs his films with incredible nuance and subtlety.

Throughout the whole movie I was asking "what is wrong with this guy" and clearly director Lee wanted me to be asking that so that the reveal at the end resonates with me emotionally. Unfortunately it didn't. I still sit there confused during rewatches, watching a lot of these scenes. It seems a little reductive to have a person's life be explained/justified by a single moment.

And my final big complaint is that there are no well written characters surrounding the protagonist. The big time skips between the segments make certain characters seem unrecognisable, and as a result they feel shallow, only used as narrative tools to hit certain plot points or references necessary for the main character's development.

On the bright side however, I really enjoyed certain parts of the story. Especially "Life is Beautiful" I thought was really well done, and managed to capture the complex emotions that Young-ho was feeling perfectly. The scene in the car driving back home is probably my favourite moment in the whole film. It says so much while doing so little.

Also I thought the callbacks were pretty well done throughout the film. That way the film maintains a through line that keeps the parts connected, and prevents the story from feeling too disjointed. The execution of the references isn't always the best, but it's at least serviceable, and it makes you remember important moments in the film.

In general I'm very conflicted about this film. I wanted to like it a lot more than I did, because there are some really interesting moments in this story. But in the end, it didn't impact me as much as Lee's other films did. But it's still a good movie, and I still enjoyed it, despite all of my problems with it.

"Peppermint Candy" was really a nice surprise of a movie. Initially it started out a little bit strange and slow, but the story quickly kicked in and got under my skin. And once that happened, the movie just swept me away.

The movie starts out where we see a very trouble man at a reunion of sorts and he ends up committing suicide at an oncoming train. Then the story leads us back in time, lettings us travel to crucial points in the man's past, seeing what caused the man's current state of mind at the suicide point. So this was a reverse travel, seeing how the man's psyche changed gradually.

I must say that "Peppermint Candy" was really a beautiful movie, and it was a real visual treat to watch. Especially the train scenes, watching the train drive on the track, but it was filmed in reverse (just pay attention to the surroundings around the tracks, and you will see), and that was a major important factor to the movie, as it was metaphorical for taking us further back in time, to another milestone in the main character's history.

"Peppermint Candy" is a strong story-driven movie, but it is also driven by some amazing acting performances. The actors and actresses really did great jobs with their given roles, and they made the movie really come to life on the screen. Especially Kyung-gu Sol (playing Yong-ho) did an amazing job with his acting, just as what he did in the 2002 movie "Oasis". He is phenomenal at this kind of serious acting.

This is another great movie from Third Window Films, and they do deal in movies that are not mainstream Hollywood types of movies. So these movies might not be suitable for the average audience, but appeals to a more sophisticated and mature audience, who want more than just mindless entertainment, but prefer something with depth and meaning, something to challenge us and make us think. And "Peppermint Candy" is just that kind of movie.

If you like Korean movies, and like movies that are heavy on the story-driven aspect, then delve into "Peppermint Candy", because it is really a breathtakingly beautiful movie, and the story is so well told that it will stick with you for a while. And the reverse chronological order in which the story is told was just a touch of genius.

If you manage to not be annoyed during its opening minutes that features a deranged asshole with suicidal tendencies putting up an extraordinary display of craziness before killing himself by getting run over by a train, you just might be able to enjoy Peppermint Candy and even end up being impressed by it too. Told in reverse chronology, this film covers the past 20 years in the life of that stupid maniac & depicts the events that eventually led to his suicide while also showing that he was not such a weirdo from the beginning but was slowly transformed into one by the Korean 'system'.

Nicely directed by Lee Chang-dong for the manner he has narrated this story, well-written too for how the events depicted in the life of the protagonist clash with relevant moments of Korean history, manically performed by its lead actor that also included few moments where he went completely over the top & was hamming like a freak, and displaying fine technical execution throughout its runtime, Peppermint Candy is a sad portrait of a young life wasted away by cynicism & loss of love that didn't really work as well as I would've liked & eventually felt much longer than its runtime.