IMDb RATING
5.6/10
8.1K
YOUR RATING
Bobby, a member of The Deuces, and the sister of the rival Vipers member fall in love, promoting a street war between the two factions.Bobby, a member of The Deuces, and the sister of the rival Vipers member fall in love, promoting a street war between the two factions.Bobby, a member of The Deuces, and the sister of the rival Vipers member fall in love, promoting a street war between the two factions.
- Director
- Writers
- Stars
- Awards
- 1 win & 1 nomination total
Drea de Matteo
- Betsy
- (as Drea DeMatteo)
Debbie Harry
- Wendy
- (as Deborah Harry)
Joshua Leonard
- Punchy
- (as Josh Leonard)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I liked this movie, it was very unrelenting and dark - The fight scenes are pretty intense especially the last one. A good story about an exploding gang rivalry, there are good performances from Fairuza Balk, Brad Renfro, Drea DeMatteo and others but the two actors from the Blade series really stood out here. I'm talkin' about Stephen Dorff(Blade, Judgment Night) and Norman Reedus(Blade 2, Boondock Saints), they were great in the rival roles of Leon and Marco, they really brought their hatred for each other to life, good job...
I had wanted to see DEUCES WILD when it was out at the theatres, because who wouldn't want to see a film about rival gangs in 1950's Brooklyn? But I had to wait for it to come out on DVD and VHS. After viewing it, I was kind of left with mixed emotions. On one hand you've got Stephen Dorff giving an awesome and intense performance looking like a young Bruce Willis (DIE HARD not "Moonlighting"). And you've got an equally impressive role from Brad Renfro, who has come along way since his last role as a New Yorker in SLEEPERS. On top of that you won't be able to take your eyes off Drea de Matteo, who looks even hotter than she does in "The Sopranos". But despite these great points I just couldn't get that bad taste out of my mouth, which was a result of all those damn cliches. Cliched characters, cliched dialogue, cliched plot structure, etc. The film ultimately comes off like a silly cross between THE OUTSIDERS, STREETS OF FIRE (you remember that Greaser movie with Rick Moranis and Wilem Dafoe?), and of course WEST SIDE STORY. I also think there was a small case of miscasting here, I mean with the exception of Matt Dillon and Balthazar Getty what are these guys supposed to be Italian, Irish, what? Anyway the film is only mildly entertaining because of its rather brutal fight scenes. Other than that it just could of been so much better with a couple more rewrites of the script and someone else to play Marco. By the way, I'm really getting sick of these movies that get you all hot and bothered and then fail to deliver the goods.
The trailers to this movie looked good. Maybe they should have released the trailer as the feature.
It seems that a rite of passage for all young, white, male actors is to play an Italian or Irish street tough from Brooklyn (or Jersey or Boston or Philadelphia or Chicago, or Detroit). Any large industrial city where the actors can get away with putting on a stereotypical accent.
But that's not all that bothers me about this movie. There are the tired, clichéd lines like: "...and the streets of Brooklyn where red with blood" and "If I see you talkin' to him again, you're out in the street. You and your old lady."
Fairuza Balk is the only interesting actor in this film. She has some clichéd lines just like the others, but she also has most of the movie's original ones. I especially liked "...and before that, I crawled out from between my mother's legs. Got any more questions?"
Brad Renfro is a decent actor, but he should stick to what he does best. The misplaced, naive and/or clueless kid like he was in "Ghost World" and "Telling Lies in America."
Steven Dorff is not a good actor, period. In this movie, he comes across as a wannabe actor high school jock trying to play Stanley Kowalski. But at least it wasn't as bad as his portrayal of Candy Darling in "I Shot Andy Warhol". There he came across as a frat boy in drag for the homecoming talent show.
Frankie Muniz is cute, but that's all.
Matt Dillon is tired as his typecast role of the tough guy. He should do the opposite of Brad Renfro and go back to taking risks like he did in "Something About Mary."
I have a fondess for urban, period drama. But the script has to be orginal and the casting should be based on more than just looks.
It seems that a rite of passage for all young, white, male actors is to play an Italian or Irish street tough from Brooklyn (or Jersey or Boston or Philadelphia or Chicago, or Detroit). Any large industrial city where the actors can get away with putting on a stereotypical accent.
But that's not all that bothers me about this movie. There are the tired, clichéd lines like: "...and the streets of Brooklyn where red with blood" and "If I see you talkin' to him again, you're out in the street. You and your old lady."
Fairuza Balk is the only interesting actor in this film. She has some clichéd lines just like the others, but she also has most of the movie's original ones. I especially liked "...and before that, I crawled out from between my mother's legs. Got any more questions?"
Brad Renfro is a decent actor, but he should stick to what he does best. The misplaced, naive and/or clueless kid like he was in "Ghost World" and "Telling Lies in America."
Steven Dorff is not a good actor, period. In this movie, he comes across as a wannabe actor high school jock trying to play Stanley Kowalski. But at least it wasn't as bad as his portrayal of Candy Darling in "I Shot Andy Warhol". There he came across as a frat boy in drag for the homecoming talent show.
Frankie Muniz is cute, but that's all.
Matt Dillon is tired as his typecast role of the tough guy. He should do the opposite of Brad Renfro and go back to taking risks like he did in "Something About Mary."
I have a fondess for urban, period drama. But the script has to be orginal and the casting should be based on more than just looks.
Ok, it's a rumble movie. It's like LORDS OF FLATBUSH with half the soul. It's WEST SIDE STORY without the song and dance. It's THE OUTSIDERS without the literary writing.
Sure, it's got a boatload of talented young faces, some already established, most semi-established when this released. But the script? Ugh. It's juvenile, simplistic, one-dimensional, mindlessly violent (though not graphic); something lifted from a 1960 "JD" message flick, but with better production values, including color.
I gave it a six out of pity and because I like Stephen Dorff, but it deserves a five. And Brad Renfro? How did so many filmmakers see potential in HIM before he died not long after this?
Bottomline: this is not an awful movie. It's not painful to watch. But it's a youth film that belongs in the 80s, not in 2003. And it doesn't deserve the actors it cast. From the list of actors, I'd guess this was a hot property when it was getting assembled, but subsequently, the writers and director let half the air out of its balloon and repackaged GREASE. Oh, and Norman Reedus? A disheartening case of one-note-johnny overacting in this particular effort.
I gotta suspect that the director let the cast down with mediocre, uninspired directions to the actors.
Sure, it's got a boatload of talented young faces, some already established, most semi-established when this released. But the script? Ugh. It's juvenile, simplistic, one-dimensional, mindlessly violent (though not graphic); something lifted from a 1960 "JD" message flick, but with better production values, including color.
I gave it a six out of pity and because I like Stephen Dorff, but it deserves a five. And Brad Renfro? How did so many filmmakers see potential in HIM before he died not long after this?
Bottomline: this is not an awful movie. It's not painful to watch. But it's a youth film that belongs in the 80s, not in 2003. And it doesn't deserve the actors it cast. From the list of actors, I'd guess this was a hot property when it was getting assembled, but subsequently, the writers and director let half the air out of its balloon and repackaged GREASE. Oh, and Norman Reedus? A disheartening case of one-note-johnny overacting in this particular effort.
I gotta suspect that the director let the cast down with mediocre, uninspired directions to the actors.
This movie was basically just a good guy vs. bad guy movie. Its one of the best that I've seen since the "Outsiders"! Its definatley a movie that should be seen on the big screen! The acting was awesome, and the writers did an excellent job on the script. There are really no upsets in this movie, and no sex or nudity. This is just a good movie that i reccomend!
Did you know
- TriviaLast film of director of photography John A. Alonzo who died before the movie was released.
- GoofsMany references made to Sandy Koufax. During the time-frame of the movie Koufax was little more than a relief pitcher and not the legend he would later become for anyone to mention him here.
- ConnectionsFeatured in The Man Who Shot Chinatown: The Life and Work of John A. Alonzo (2007)
- SoundtracksI Wonder Why
Written by Melvin Anderson and Ricardo Weeks
Performed by Dion DiMucci (as Dion) & The Belmonts
Courtesy of Capitol Records
Under license from EMI-Capitol Music Special Markets
- How long is Deuces Wild?Powered by Alexa
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Jóvenes salvajes
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $10,000,000 (estimated)
- Gross US & Canada
- $6,080,065
- Opening weekend US & Canada
- $2,704,682
- May 5, 2002
- Gross worldwide
- $6,282,446
- Runtime1 hour 36 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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