Point limite

I never thought I'd get into a live action drama like this, but I thought it was INCREDIBLE. The actors were superb and the storyline was gorgeously done. I was surprised that they were making live episodes of television shows, I didn't think anyone would be able to pull off a live 2-hour movie, but they did, and if it isn't nominated for several emmys, it will be a major crime.

Kudos to the whole cast and crew for the most amazing movie in a VERY long time.

This was something I was fascinated to see since I had first heard about it: a live broadcast in real time of an already produced story (twice, if you count _Dr. Strangelove..._) in Black & White, on National TV, using old-style equipment & lighting restrictions, with an absolute stellar cast. Woah! And it works. I was, in a way, looking for mistakes or wrong steps from the actors and crew who are used to being able to go back & do it a second time, but there were so few that it makes no point in listing them. Generally everyone gives what is needed to the effort, and the dedication of the cast to the text is obvious to even the untrained observer in the audience. The story is paramount, and the only thing that suffers in this adaptation is the lack of tension and complexity of some of the characters' sub-plots -- but I may be remembering the original novel which includes all the back-stories for everyone, and the original movie has more tension because that was done in the time of the Cold War Insanity so it is infused with the immediacy of disaster being constantly present, and that's not something you can put into two hours of TV done in the year 2000. Darn fine camera work, direction, acting, and lighting. All of it gives the feel of a Playhouse 90, or Hallmark Hall of Fame, or any of the other 'great TV Drama' shows of the late 50's and early 60's. The only thing that could make it more evocative would be to put that weird hi-contrast halo around the image, but that would get in the way of the great camera work, and wouldn't fit with the wide-screen letterbox of the frame. Even if it hadn't have been done live, it would have been an amazing piece of work, but as it is, it's even more stunning to realize that all of those fine actors were truly 'in the moment' at the same time, and everyone made the same movie for the same two intense hours. This really needs to be re-broadcast, and win Emmies, and be hailed as a return to Acting and Quality on television. MOW's *can* be quality, if you put this kind of effort into them. Watch this to see how.

As you view Fail Safe, you can feel the tension mounting as a nuclear nightmare unfolds in front of you. The story deals with a squadron of bombers who receive a go code as a result of a mechanical error. The rest of the movie is filled with anticipation and tension as the president tries to convince the Russian premier that the bombers are there because of a mistake, and the only way to preserve Moscow is to destroy the bombers. To talk about this movie to those who haven't seen it would ruin the story. What I can say is that once you start watching, you will not be able to turn away. The acting from all the performers keeps you watching as they propel the action forward. The black and white format gives it a feel of reality, and the omission of music adds to the effect . You know it's fiction but something in the back of your mind says that this could happen, and thus you're compelled to watch. For those who didn't see this in April, watch for a re-airing. Better yet, wait till it hits the home video circuit. That way, you'll be able to watch this captivating, tension filled, nailbiter with no interruptions

I was totally blown away by this production. Despite the fact that the material has been filmed before, I felt like I was watching something totally new and original. This is due in no small part to the fact that director Stephen Frears and crew had the guts to do this as a live production AND film it in black and white. It made me feel like I was watching an old news broadcast. It also had a bit of a glossy look to it, sort of like the black and white films of the '30s and '40s. The performances are uniformly excellent, especially Richard Dreyfuss, Noah Wyle and Hank Azaria. There is no musical score, so you are either hearing dialogue and a few SFX or dead silence, which only adds to the eerie effect. The scary thing is that a scenario like this one could happen. If this is repeated or comes out on video, RUN to see it. You won't see another like it.

I only heard about this program a day before it aired, and I am very glad I did. The acting was absolutely amazing all around. There was not a single performer who didn't rise to the occasion in this picture. It is all the more amazing since it was performed live on national television. Particularly strong were Richard Dreyfuss, Harvey Keitel, and Hank Azaria, but it is difficult to break away any actors from the strong ensemble.

The whole effect of the production very well captures the sense of a Cold War drama. From the set design, costumes, performances, direction, and the choice to air in black and white, the atmosphere is as much a player in "Fail Safe" as the actors. One really gets the feeling that they are watching a 1950's era live broadcast.

I must say, that I knew nothing of the original story or film, and I really feel I benefited from that. The story is amazingly suspenseful. I did not know the ending going in, and I won't ruin it for you either. Just trust me that it is unquestionably the best way to view this picture. I was on the edge of my seat throughout the film and was honestly moved by the ending. The script is excellent, and the story even better. While it is clearly a cautionary tale of nuclear war, it never tries to beat its purpose into the viewer. It lets the story tell the story, which is always the best.

If you missed the live broadcast, be on the look-out for a re-broadcast. This is a real accomplishment from CBS, and its a shame that it was not more widely promoted.