'Kurt' claims to be a sales rep. He also claims to be English in spite of his heavy Italian accent. Kurt is an habitual liar and a dangerous driver, at the very least. In the south of France... Read all'Kurt' claims to be a sales rep. He also claims to be English in spite of his heavy Italian accent. Kurt is an habitual liar and a dangerous driver, at the very least. In the south of France he meets Léa, age 16. Between his increasingly strange dates with Léa, Kurt engages in a ... Read all'Kurt' claims to be a sales rep. He also claims to be English in spite of his heavy Italian accent. Kurt is an habitual liar and a dangerous driver, at the very least. In the south of France he meets Léa, age 16. Between his increasingly strange dates with Léa, Kurt engages in a number of armed robberies, some successful, some not... The police are perplexed by a seri... Read all
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SUCCO just doesn't have the intensity and the tension that those movies have. But it has its moments. The minimaliste direction and the outstanding performance of Stefano Cassetti make it an enjoyable ride after all. But again, it just can't compete with HARRY.
Aside from that the movie is pretty negligible. It's too long winded, or perhaps just too plain long, to really hit any notes. It's about a crazy psychopath, and he was surely well cast, with his piercing, bulging eyes. But the movie doesn't have any shocks, any suspense, or much of anything. You know the guy's crazy but he doesn't feel dangerous. I think "crazy", when not married with danger, is merely annoying. I wanted the guy caught or killed, but wasn't into waiting two hours for it to happen.
Everything is great; cast's performances, cinematography, plot, score and soundtrack, editing, and of course directing. All this makes you gaze at the empty screen after the movie's over for some minutes and think 'wow!'.
Maybe the film might be a bit too violent for some people. The violence in this motion picture is actually quite interesting. On the one hand there is graphic violence, gore; on the other hand the violence is underneath. It is how easily and spontaneously Succo kills that really shocks, more than the blood. And the fact that Roberto Succo really lived should really frighten.
The director Cédric Kahn in fact tried to show as less blood as possible, but still wanted the audience to be shocked. To do this he stays objective, he never tries to condemn Succo's acts or even to explain them. No, he just shows them. This gets even more ambiguous with Succo's love affair. Through this romance he seems to be quite a nice guy, strange but nice. So, on the one hand he is a really bad killer, and on the other hand he is a usual man in love. And this really killed me, I loved that effect. You don't really hate this guy, Succo, but you don't really love him neither. Kahn pushes this effect even further. The whole movie is structured that way. There are funny parts or love scenes and there are violent parts. So you can't just put this film in some category. The film is ambiguous in itself.
Then the cinematography. That is really great, especially in a scene where Succo climbs up on the prison's roof to kill himself (but the building isn't high enough he complains, actually this is one of the funny scenes). Most of the shots look like paintings. Really great job the director of photography did here.
The cast is great. Stefano Casseti had never acted before! He was discovered in a café by a friend of the casting director. But his performance is stunning! He has such great eyes, really scary, but also sad.... Islid Le Besco is perfect as usually and Patrick Dell'Isola should be mentioned also for his great acting.
So, I could go on and on that way, but just get that movie watched guys, it really is worth to be seen and you sure won't regret.
For me some parts of the film were interesting. Obviously the interplay between this insane man and the people he was with, including the girlfriend in France for the most part. Also some of the police chases were somewhat incredible to behold, and had a very real feel to them, unlike normal Hollywood fluff. The direction and acting were particularly good, giving the film an almost fly-on-the-wall feel. Ultimately though the whole film was massively let down for me by two serious failings. Firstly, the execution of either the editing or the story. The story itself jumps around horrendously in time, and broke continuity for me. Although I could pick up the continuity of what happened I can't help but think there were better ways to fill these huge gaps. Secondly, there was very little insight given into what drove Roberto to do the things he did. For example pretending he was a terrorist and spy. Of course he was insane, but I was expecting some attempt at trying to explain his background (other than the fact he murdered his parents). There was also what appeared to be a plot line with the French policeman and Roberto which carried right to the end, but again was never really explained as to why this was significant. 2/5
Did you know
- GoofsThe movie is set in the late-1980s, but when the policemen are looking for clues in a victim's house we see Andrea Bocelli's CD "Romanza" which was published in 1997.
Details
Box office
- Gross worldwide
- $94,407
- Runtime2 hours 4 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1