France, 1900. As a young girl, Christine is told by her father of the 'Spirit of the Music' - a guardian angel who comes to a select few with the gift of 'perfect music'. Ten years later, Ch... Read allFrance, 1900. As a young girl, Christine is told by her father of the 'Spirit of the Music' - a guardian angel who comes to a select few with the gift of 'perfect music'. Ten years later, Christine - now a promising singer at the Paris Opera House - is finally visited by the "Spi... Read allFrance, 1900. As a young girl, Christine is told by her father of the 'Spirit of the Music' - a guardian angel who comes to a select few with the gift of 'perfect music'. Ten years later, Christine - now a promising singer at the Paris Opera House - is finally visited by the "Spirit" of her father's story, who promises to give her the greatest voice the world has ever... Read all
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I was surprised that it was a filmed play instead of a movie. The acting was okay, and it seemed to be a bit more comical than the ALW version, but it could never compare. This Phantom seemed to be more villainous than Gerard Butler's Phantom. I will admit, it has a somewhat similar story line, and you do get to see more about the characters' backgrounds than in ALW's, but the music is NOT the same! The music did not sound very good, but the passion was there. It's closer to the book, but I still didn't like it very much.
If you're really interested in the Phantom, and want to see all the versions, see this one, so you know how bad it is. If your into romance, the ending will have you wondering what exactly was the Phantom thinking?!
I hated it. I own it simply because I'm a Phantom Phanatic and must own everything Phantom related. However, it was a waste of money and an insult to audiences everywhere.
All in all it was a bit "campy"- filmed live in a Florida theater, I believe. The score is not very impressive, but the actors voices are good quality. The storyline follows truer to the novel of Gaston Lerouxwith a few liberties here and there. The character of the Daroga is in this version, much to the delight of Leroux fans! If you see this movie, you will probably not that some song titles- like "Spirit of Music"- are similar to ALW, but keep in mind that there aren't too many synonyms for phrase "angel of music."
Rent it or buy if you you consider yourself a die-hard "Phan" or if you want a little change from the ordinary.
The Phantom of the Opera is, like Dracula or Frankenstein (the monster's correct name since he would have the name of his father), an iconic figure from the lushly Romantic (as opposed to romantic) horror literature of the 19th Century. The Phantom exists in a number of celluloid versions, although inexplicably not so many as the endlessly dreary zombie films. At least, thank the gods, there are no zombie musicals.
The story line of this production pretty much follows (if sketchily) that of the Gaston Leroux novel on which the whole "Phantom" phenomenon is based. There is no need to rehearse this, since those who don't already know it well, what can I say? The music for this production is, at best, kitschy and banal, more or less on a par with the alleged music Disney provides for their teeny-bopper programming. There is only one even remotely good musical number and that is a very bad arrangement of Camille St.Saëns' "Danse Macabre". This accompanies the scène-ballet which follows the Phantom's unmasking. Missing from the production entirely is any hint of the music to the Phantom's grande-oeuvre, "Don Juan Triumphant".
The acting is no better. Indeed, it isn't acting at all; it's mere declamation. I've heard better delivery from used-car commercials.
This is of course a cut-rate production, complete with barely OK sets and obviously plastic prosthetics. Indeed, the Phantom's mask is far more realistic than his alleged disfigurements. We did get a falling chandelier not badly done, actually.
I've seen this billed on some sites as a "musical comedy". It isn't it's a serious if inept performance. We could perhaps regard it as a non-comedic parody. It is certainly a travesty.
I've seen some positive, even enthusiastic reviews for this performance. Well, everybody deserves to be loved by somebody. However, my advice is that you rent this before you even consider buying it.
Did you know
- ConnectionsFeatured in Musical Hell: The (Other) Phantom of the Opera (2019)
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