Sam Murray runs a restaurant. He and Sarah grew up together and Sam hoped they'd grow old together.Sam Murray runs a restaurant. He and Sarah grew up together and Sam hoped they'd grow old together.Sam Murray runs a restaurant. He and Sarah grew up together and Sam hoped they'd grow old together.
- Awards
- 2 wins & 2 nominations total
Robyn Calloway
- Shirley
- (voice)
Robin Galloway
- Shirley
- (voice)
- (as Robyn Calloway)
Oscar Fullane
- Chef
- (as Oscar Fullone)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
10fan-33
The performances by all the cast were extraordinary. I bought this on DVD, because I am a fan of Gerard Butler, who played Sam, the childhood sweetheart of the dying Sarah, who returned home to Scotland from NY to find him, when she learns that she is dying of cancer.
Gerry Butler gives a very believable performance as Sarah's married former sweetheart, who still loves Sarah, and arranges to spend as much time with her as possible doing many of the things she always wanted to do.
Frank, Sarah's father had spent the last 7 years sitting around waiting to die, Sarah's return forces him to start living again. This story takes us inside a therapy group for cancer sufferers, where we meet a 24 year old man who rages because he never had a chance to do anything with his life. It is a quiet gentle movie, with a lesson for everyone about making every day count.
Gerry Butler gives a very believable performance as Sarah's married former sweetheart, who still loves Sarah, and arranges to spend as much time with her as possible doing many of the things she always wanted to do.
Frank, Sarah's father had spent the last 7 years sitting around waiting to die, Sarah's return forces him to start living again. This story takes us inside a therapy group for cancer sufferers, where we meet a 24 year old man who rages because he never had a chance to do anything with his life. It is a quiet gentle movie, with a lesson for everyone about making every day count.
I bought this DVD because I just love Gerard Butler. It is a sad film because it deals with cancer and Sarah, the female protagonist, comes home to Scotland to prepare for her death and to do the things she's always wanted to do before she dies. She has a list which include flying a kite, skydiving, seeing the pyramids, etc. and she asks her former boyfriend, who in now married, to help her accomplish all these things in the short time she has left. His wife, Charlotte, resents it naturally but Sam, Gerard Butler's character, decides that he needs to help her as he has not really gotten over her and loves her still.
Sarah even prepares a speech, which she records, to be shown at the reception after her funeral. And she asks Sam (he's a chef)to prepare a reception for 30 of her dearest friends and relatives. The film gives an insight to the range of emotions that cancer patients go through as they face their mortality. It also teaches the viewers not to take their lives for granted and to live their lives to the fullest...as Sarah said in her farewell speech, "Seize the day, do not go gently but rage, rage at the dying of the day."
Sarah even prepares a speech, which she records, to be shown at the reception after her funeral. And she asks Sam (he's a chef)to prepare a reception for 30 of her dearest friends and relatives. The film gives an insight to the range of emotions that cancer patients go through as they face their mortality. It also teaches the viewers not to take their lives for granted and to live their lives to the fullest...as Sarah said in her farewell speech, "Seize the day, do not go gently but rage, rage at the dying of the day."
I bought this movie on E-Bay not knowing anything about it but being seduced by the title, the fact that Gerard Butler was in it, and the description from the video jacket. One More Kiss? A definite waste of money. The heroine was a royally selfish pain who left me cold with her plight: I kept wanting to smack her instead of empathize with her. James Cosmo and Gerry Butler in their roles were excellent. Perhaps the heroine was told to play the role as she did but if so, the director should have been shot. It would have helped a lot to those who are hard of hearing and those of us who are not too familiar with Scottish dialects to have had captioning. The only saving grace was looking at the scrumptious Gerard Butler.
Having left her native Scotland to go to New York to pursue her career, Sarah returns home to tell her family and friends that she has cancer and has little time left to live. Specifically she has returned to spend time with her ex-boyfriend Sam, who is now married. His wife Charlotte is not supportive but Sam does it anyway. While the two of them spend time together they start to become a bit closer and recall memories from the past; meanwhile Sarah also tries to mend things with her present but emotionally distant father Frank.
Within five minutes I realised that I had started watching a genre film in a genre that I generally don't like the "seize the day while at death's door" movie. Generally an excuse for a load of hankies to come out and the audience to be put through the Hollywood emotional mangle, it is not an experience that I enjoy that much. However, despite some clunky and preachy moments, this is actually quite an engaging and raw experience that I found quite enjoyable, well, maybe "enjoyable" is not a good word. The characters and the emotions are well painted and I can forgive the film its soapy, sweeping opening sequence mainly because it does get much closer to reality from then onwards. Of course it is still a genre movie and it does have its fair share of "seize the day" dialogue but it generally avoids the clichés, cheese and moods that you will find in countless television movies cluttering the daytime television schedules.
The cast help this by being pretty convincing and bringing the best out of the good script. Edmond worried me at first but got stronger as it went on; she was convincing in the main and she works well with her support cast. Butler is not quite as good but he works well with Edmond although he could have done better with Gogan, who herself is perhaps weakened by the fact that her character is not all that it could have been. Cosmo is as solid as he always is and I found him to be easy to care about and relate to (perhaps due to him being rather bottled up). Jean's direction is good and generally avoids sentimentality, to the benefit of the material generally.
Overall then this is a genre film but it is one that is worth a look if, like me, you generally don't care for the genre. It is soapy at times (specifically the opening ten minutes is very "genre") but generally it is convincingly raw and all the better for it. The cast bring this out well and director Vadim Jean seems to have little or no interest in manipulating the audience emotionally or drawing out fake emotions and despite my initial concerns, it was certainly one of the better films I have seen albeit in a generally weak genre (in my opinion).
Within five minutes I realised that I had started watching a genre film in a genre that I generally don't like the "seize the day while at death's door" movie. Generally an excuse for a load of hankies to come out and the audience to be put through the Hollywood emotional mangle, it is not an experience that I enjoy that much. However, despite some clunky and preachy moments, this is actually quite an engaging and raw experience that I found quite enjoyable, well, maybe "enjoyable" is not a good word. The characters and the emotions are well painted and I can forgive the film its soapy, sweeping opening sequence mainly because it does get much closer to reality from then onwards. Of course it is still a genre movie and it does have its fair share of "seize the day" dialogue but it generally avoids the clichés, cheese and moods that you will find in countless television movies cluttering the daytime television schedules.
The cast help this by being pretty convincing and bringing the best out of the good script. Edmond worried me at first but got stronger as it went on; she was convincing in the main and she works well with her support cast. Butler is not quite as good but he works well with Edmond although he could have done better with Gogan, who herself is perhaps weakened by the fact that her character is not all that it could have been. Cosmo is as solid as he always is and I found him to be easy to care about and relate to (perhaps due to him being rather bottled up). Jean's direction is good and generally avoids sentimentality, to the benefit of the material generally.
Overall then this is a genre film but it is one that is worth a look if, like me, you generally don't care for the genre. It is soapy at times (specifically the opening ten minutes is very "genre") but generally it is convincingly raw and all the better for it. The cast bring this out well and director Vadim Jean seems to have little or no interest in manipulating the audience emotionally or drawing out fake emotions and despite my initial concerns, it was certainly one of the better films I have seen albeit in a generally weak genre (in my opinion).
10nk44ab
This movie shows a sensitivity and finesse that do all of the actors huge credit. I became quickly immersed in the story line and thought how delicately it was handled. Gerard Butler seems to have a rare ability when it comes to this type of subject. His character Sam was a delight a rare man who showed true compassion for the young girl suffering from cancer. She was so brave and matter of fact that she scared me. I have commented on Gerard Butler before and each film I see convinces me that here we have a rare talent. He is truly a master of his craft. Thank you for so much enjoyment even if I cried a river. Wonderful Stuff more please.
Did you know
- TriviaFilmed in cinemascope which usually means doubling the lighting budget but this instance the lights were miniature ones and there was a very reduced crew which not only meant greatly reduced costs but filming was able to move along a lot quicker, spending 5 weeks in Berwick on Tweed then strangely going to New York before returning to complete filming at Bristol,
- ConnectionsReferences King Kong (1933)
- SoundtracksHow About You
Written by Ralph Freed & Burton Lane
Performed by Connie Lush
Published by EMI Limited Partnership Ltd.
- How long is One More Kiss?Powered by Alexa
Details
- Runtime1 hour 37 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
Contribute to this page
Suggest an edit or add missing content