Annie Oakley

Her story is motivating, her skills are worthy of respect, plus she is... well, quite attractive. This short movie isn't giving her the appreciation she needs, since let's be honest: you could destroy those targets with a longer butter knife is you have one, that's how close they are to Annie. Still, very nice gunwork and steady shooting, with the camera too. So yeah, this is something you should definetly check out if you think women are only capable to do stuff in the kitchen.

It is first film where someone is starring. And who is starring there? See title of movie. You don't know who is Annie Oakley? I did not know also, but Annie is interesting girl who made her career with gun.

Wikipedia says: ''Annie Oakley (born Phoebe Ann Mosey; August 13, 1860 – November 3, 1926) was an American sharpshooter and exhibition shooter. Her "amazing talent"[1] first came to light when the then-15-year-old won a shooting match with traveling-show marksman Frank E. Butler (whom she married). The couple joined Buffalo Bill's Wild West show a few years later. Oakley became a renowned international star, performing before royalty and heads of state.''

I am curious, does USA people know who is Annie Oakley, is she recognized know or she is forgotten.

What an interesting little piece of very early film by Thomas Edison's Kinetoscope studio. From the start, even the inventors in the communications field had savvy for marketing. What better way to tout the new motion picture camera than to show a legendary person of the time, Annie Oakley, doing what made her famous?

Another reviewer noted that Oakley appeared to miss all the glass balls tossed in the air. Indeed, this short shows most of them dropping back down and no splattering fragments from hits. I wonder if that wasn't intentional here. The guy who was tossing them was looking right at them and no more than a few feet from where they would be hit and shattered. He wasn't wearing any kind of eye protection and surely would have been pelted with glass splinters had Oakley hit any of the balls. This studio was a single room building that rotated on tracks to follow the sun. The "Black Maria," as it was called, was a very small space, which made it more dangerous for scenes of rifle shooting.

In any event, this was a successful venture for Edison's company. And Annie Oakley continued to entertain the throngs with her dead-eye shooting skills. She performed for crowds that included royalty around the world. For many years, she was a leading draw for Buffalo Bill's Wild West show that performed from 1883 to 1913. Two very good movies have been made about her. "Annie Oakley" of 1935 stars Barbara Stanwyck with a fine cast and a good portrayal of what Buffalo Bill's show must have been like. A 1950 musical comedy biography, "Annie Get Your Gun," stars Betty Hutton and Howard Keel.

For those interested in the technical development of the movies, here's how this little short film came about. Thomas Edison's phonograph, invented in 1877, became so popular that he wanted a way to put music with pictures. Of course, it would take more time to perfect that process (the late 1920s), but in 1988 Edison charged his assistant, William Dickson, with the task of creating a motion picture camera. Dickson pulled together the research and technology of British, French and American scientists and researchers, and used the new American technology of celluloid film to make the first motion picture camera.

A little slice of American History from the Edison Black Maria studio from November of 1894 shows the real life Annie Oakley shooting fixed targets and airbourne tossed glass balls. Truly a fascinating little piece of film that bridges the real Wild West with a theme that was to run through countless fictional movies in the century to follow.

Like many of the earliest Edison Kinetoscope movies, this one showed a popular entertainment figure performing one of her specialties. It's an interesting attempt, and it's nice to have something preserved on film of Annie Oakley, one of the legends of her day. But the footage that resulted is clearly limited by the constraints of the studio.

Like most of the earliest Edison movies, this was filmed inside their 'Black Maria' studio. That setting worked very well in producing movies of various dancers, vaudeville acts, and the like. But with Annie Oakley, it forces her to squeeze her routine into an area much smaller than normal, and while she does a pretty good job anyway, it's clear that under the conditions to which she was more accustomed, she would have done much better.

It was not long at all before the Edison film-makers began to film subjects outdoors when it better suited the material. Even then, though, the scale and speed of Oakley's regular act would probably have created an insurmountable challenge to film with the equipment available in the 1890s. All the same, it's nice to be able to see moving footage of her, so as to be able to flesh out this legendary figure just a little bit better.