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In 1976, John Lennon and Paul McCartney have a chat about their lives and discuss whether The Beatles will ever reunite.In 1976, John Lennon and Paul McCartney have a chat about their lives and discuss whether The Beatles will ever reunite.In 1976, John Lennon and Paul McCartney have a chat about their lives and discuss whether The Beatles will ever reunite.
Ian Eugene Ryan
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I wouldn't have expected most musicians or Beatles fans to like this film, what with our expectations and a feeling like we own our image of them in some personal sense, but I'm glad that many here did, because I think it is an excellent character study, regardless of whether it happened or not. And I think that especially for the general public, who may not have known much about John and Paul, at least outside of the Beatles, it gave an interesting portrayal of them as the remarkable people they were (and are, in Paul's case), both in good and bad ways, and accurately expressed some of the dynamic that they had between them, both in terms of friendship and conflict. Not that any of it was specifically accurate or would have happened that way, necessarily, but I think the dynamic itself was accurate, at least in terms of the mythology and perception we've gleaned from what we know about them and how they felt about eachother.
The only things I didn't like were parts of the rooftop scene, which kind of made Paul into a pseudo-saviour for John, although in terms of trying to instill some dramatics into the show, that was probably a valid device (John clearly had more demons and things unresolved in his life than Paul), and the scene of them in the park, which just seemed pointless. However, as they were walking into the park, there was a great line, where some guy asks John for change to help 'save the seals', and John says "I don't think they'd listen". I don't know if Lennon ever said that, but you've gotta admit, that's a great Lennon-esque line, and indicative of the sharp writing in this film...
EE
The only things I didn't like were parts of the rooftop scene, which kind of made Paul into a pseudo-saviour for John, although in terms of trying to instill some dramatics into the show, that was probably a valid device (John clearly had more demons and things unresolved in his life than Paul), and the scene of them in the park, which just seemed pointless. However, as they were walking into the park, there was a great line, where some guy asks John for change to help 'save the seals', and John says "I don't think they'd listen". I don't know if Lennon ever said that, but you've gotta admit, that's a great Lennon-esque line, and indicative of the sharp writing in this film...
EE
As a musician, and devout worshipper of the Beatles, I was more than a little bit puzzled as to how VH1 could and would pull off the fictional "reunion" of perhaps, the most significant songwriters in the last millenium. I was worried that it would drip of the saccharine "Baby Boomerism" that made films such as Forrest Gump walk the indefinable line between touching and nauseatingly univiewed. I must say to VH1's credit, that unlike the horrific job they did with the Meat Loaf story "To Hell and Back.," this was subtle, and endearing without sacrificing a reality that grounded it in the here and now.
Firstly, Paul and John did in fact meet in New York to patch up their differences on that day in 1976, he has said that in interviews...what is different about the actual reunion is that Yoko was present in real life and was absent here for the film, which is already the first entry into fiction, and let's face it...a convenient one. Jared Harris, was absolutely breathtaking as John, right on down to the way he'd pace his speech patterns. Attention to actual accents was less important to me, than the pattern they were so known for. I will admit that the continual delving into the past he couldn't and wouldn't let go of, i.e., the death of the mother who had abandoned him as a child and the father who was as useless as balls on the Pope, got to be a bit soap opera-like, but no matter, the wit, the phrasing and the intensity that only Lennon had, was very closely brought back here.
Aidan Quinn as Mc.Cartney was not only astonishingly surprising, he was literally dead on. He was Paul, the charming, soft spoken, romantic thinker and apt businessman with the "pretty face" that even after the harshest of words could still reach down and stir John's battered soul in the way Yoko never could (nothing against Yoko of course...)
The movie was small, and I'm grateful for that because it gave one the ability to be the fly on the wall...and those moments as great in magnitude as they have the potential to be, are in fact quite small. John was the rebel, Paul the romantic realist, both wanted peace, both achieved it in the end. I absolutely choked up during the end of the film, cause you know as Paul walks out the door, that John's all too horrific ending is now inevitable.
As I shut the TV off, one thing was left with me...
"And in the end...the love you take...is equal to the love you make."
Firstly, Paul and John did in fact meet in New York to patch up their differences on that day in 1976, he has said that in interviews...what is different about the actual reunion is that Yoko was present in real life and was absent here for the film, which is already the first entry into fiction, and let's face it...a convenient one. Jared Harris, was absolutely breathtaking as John, right on down to the way he'd pace his speech patterns. Attention to actual accents was less important to me, than the pattern they were so known for. I will admit that the continual delving into the past he couldn't and wouldn't let go of, i.e., the death of the mother who had abandoned him as a child and the father who was as useless as balls on the Pope, got to be a bit soap opera-like, but no matter, the wit, the phrasing and the intensity that only Lennon had, was very closely brought back here.
Aidan Quinn as Mc.Cartney was not only astonishingly surprising, he was literally dead on. He was Paul, the charming, soft spoken, romantic thinker and apt businessman with the "pretty face" that even after the harshest of words could still reach down and stir John's battered soul in the way Yoko never could (nothing against Yoko of course...)
The movie was small, and I'm grateful for that because it gave one the ability to be the fly on the wall...and those moments as great in magnitude as they have the potential to be, are in fact quite small. John was the rebel, Paul the romantic realist, both wanted peace, both achieved it in the end. I absolutely choked up during the end of the film, cause you know as Paul walks out the door, that John's all too horrific ending is now inevitable.
As I shut the TV off, one thing was left with me...
"And in the end...the love you take...is equal to the love you make."
I am a big Beatles fan. My favorite Beatle is Paul and my least favorite is John. I already knew quite a bit about the Beatles music and the truth behind the breakup, as well as things like John Lennon's family and Paul's band Wings. I was curious to see how this movie would handle the relationship between John and Paul so many years after the breakup.
I was not disappointed by this movie. Although the story itself is fiction, many of the references that the two musicians used were very accurate. These included how Yoko Ono would always be with John wherever he went, the Wings song "Silly Love Songs" being the number one hit that year and the concert on the roof of Apple Studios playing music from the album "Let It Be."
The actors did a very good job in playing John and Paul. The accents could had used maybe a bit more work, but they seemed to act a lot like I've read the two former-Beatles used to act like. I also liked the dialogue between them, which was basically what the entire movie was.
The ending at first disappointed me, but the more you think about it the more you will appreciate it, especially since this was how it really went in real life. They also show the fantastic skit from "Saturday Night Live" in which the Beatles are offered $3,000 to perform on the show. (as compared to the $220 million others were offering them) Overall, I was not disappointed with this movie. It does really give you more of a feel for why the Beatles broke up and why they never got back together.
I was not disappointed by this movie. Although the story itself is fiction, many of the references that the two musicians used were very accurate. These included how Yoko Ono would always be with John wherever he went, the Wings song "Silly Love Songs" being the number one hit that year and the concert on the roof of Apple Studios playing music from the album "Let It Be."
The actors did a very good job in playing John and Paul. The accents could had used maybe a bit more work, but they seemed to act a lot like I've read the two former-Beatles used to act like. I also liked the dialogue between them, which was basically what the entire movie was.
The ending at first disappointed me, but the more you think about it the more you will appreciate it, especially since this was how it really went in real life. They also show the fantastic skit from "Saturday Night Live" in which the Beatles are offered $3,000 to perform on the show. (as compared to the $220 million others were offering them) Overall, I was not disappointed with this movie. It does really give you more of a feel for why the Beatles broke up and why they never got back together.
Being the Beatlemaniac that I am, I approached Two Of Us with a combination of fear and fascination. Having seen 'In His Life: The John Lennon Story', I was quite concerned that Two Of Us will turn out no better. The fact that Aidan Quinn and Jared Harris look absolutely nothing like John Lennon and Paul McCartney even with some make-up and proper hairdos didn't help one bit.
But I was more than a bit pleasantly surprised. It's probably thanks to the involvement of Michael Lindsay-Hogg, who directed Let It Be in 1970 and consequently probably knew John and Paul quite well, that the characters and the dialogue came across as convincing as they did. (The writing credit for Two Of Us is given to a man named Mark Stanfield, of whom I know absolutely nothing; I feel confident that director Lindsay-Hogg had more than a bit to do with the script.) Two Of Us is not a biography of the Beatles; it has very little plot, in fact, and takes place all in one day in New York City. What it does is imagine a meeting between John and Paul in 1976, while John lived in New York. That meeting is entirely fictitious, of course though it can't truly be disproved that such a meeting actually took place. But through that imagined conversation it gives us a glimpse into the personalities of these two great musicians their intelligence, their sense of humor, their different reaction to stardom, and most of all their relationship; what made them such a great team, and what broke them up.
Since it's a talk movie, nothing much except for dialogue between two characters for an hour and a half, it's likely to bore all but true fans of the Beatles; but it's a fantastic piece of writing and storytelling, and is both informative and touching. For those interested in these two musical giants, very quickly you'll get over the shock of how different the actors look from their counterparts and feel like John and Paul had come to life so intimate and convincing is the script, and so committed are the actors. Two Of Us gives you priceless insight into the lives of two geniuses, and a tale that is both sad and funny. Most certainly recommended.
But I was more than a bit pleasantly surprised. It's probably thanks to the involvement of Michael Lindsay-Hogg, who directed Let It Be in 1970 and consequently probably knew John and Paul quite well, that the characters and the dialogue came across as convincing as they did. (The writing credit for Two Of Us is given to a man named Mark Stanfield, of whom I know absolutely nothing; I feel confident that director Lindsay-Hogg had more than a bit to do with the script.) Two Of Us is not a biography of the Beatles; it has very little plot, in fact, and takes place all in one day in New York City. What it does is imagine a meeting between John and Paul in 1976, while John lived in New York. That meeting is entirely fictitious, of course though it can't truly be disproved that such a meeting actually took place. But through that imagined conversation it gives us a glimpse into the personalities of these two great musicians their intelligence, their sense of humor, their different reaction to stardom, and most of all their relationship; what made them such a great team, and what broke them up.
Since it's a talk movie, nothing much except for dialogue between two characters for an hour and a half, it's likely to bore all but true fans of the Beatles; but it's a fantastic piece of writing and storytelling, and is both informative and touching. For those interested in these two musical giants, very quickly you'll get over the shock of how different the actors look from their counterparts and feel like John and Paul had come to life so intimate and convincing is the script, and so committed are the actors. Two Of Us gives you priceless insight into the lives of two geniuses, and a tale that is both sad and funny. Most certainly recommended.
10benoit-3
Let's cut to the chase: If you're a baby-boomer, you inevitably spent some time wondering at the fact that, in 1976, McCartney had the gumption to drop in on John's city hermit life and spend the day with him. You also certainly wondered how things went. I heard the exact same reports that the writer of this film heard, from John's and Paul's perspective, and I admit that I reconstructed the meeting in pretty much the same way this film does. But none of my imaginings could have bought tears to my eyes the way this incredible piece of work and acting does. I found it amazingly lifelike, perfectly plausible and 100 % saccharin-free. Now, can anyone explain why I didn't hear of this masterpiece before it was shown by the CBC last night? I mean it's already three years old, for goodness sake! And yes, if you're a Beatles fan, this is a must-see performance! Even the subtle paraphrasing of Beatles' melodies in the background is inspired.
Did you know
- TriviaWhen John Lennon offers Paul McCartney the chocolate, he says "Take this, brother. May it serve you well." This is a direct quote of a line Lennon spoke in the background to the song "Revolution 9" and in the scene, it is meant to be a joke between the two.
- GoofsThe lip-syncing is off while John and Paul are singing "Tumbling Tumbleweeds".
- Quotes
Paul McCartney: [John grabs Paul and kisses him. Paul pushes him away] Get off! God... just cause Yoko's away doesn't mean you have to stop brushing your teeth.
John Lennon: You know you wanted it, you tart.
Paul McCartney: Is my name Brian?
- ConnectionsFeatures Saturday Night Live (1975)
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