Inheriting her grandmother's remote island Inn causes Amanda to re-evaluate her life and decisions.Inheriting her grandmother's remote island Inn causes Amanda to re-evaluate her life and decisions.Inheriting her grandmother's remote island Inn causes Amanda to re-evaluate her life and decisions.
- Awards
- 18 wins & 2 nominations total
Featured reviews
My wife rented this movie recently, and when I saw the IMDb rating of 4/10 I almost didn't watch it. I'm so glad that I changed my mind! We both found it very touching and enjoyable... While it had a slower pace than movies I usually watch, it pulled me in and I soon found myself completely immersed in the story. Finding Home touches on issues of the problems that can arise from long-held family secrets, and the difficulties and eventual joys that can arise through truth and forgiveness. It also highlights some of the important things that can get lost in the shuffle of everyday life.
The acting, cinematography and music were also top notch (I plan on ordering the soundtrack this week from Amazon.)
If you have a chance to see this uplifting movie, don't pass it up... Highly recommended. 9/10.
The acting, cinematography and music were also top notch (I plan on ordering the soundtrack this week from Amazon.)
If you have a chance to see this uplifting movie, don't pass it up... Highly recommended. 9/10.
Four male writers couldn't hang any of this film together in spite of some great old stars (Louise Fletcher, Genevieve Bujold) who try their best with a leaden script and subversive fundamentalist messages.
Clichés? Let me count the ways. I believe I've never been privy to so many in this one loooooong contrived movie that must have gone straight to DVD. It wouldn't survive a Friday night at the local Odeon.
Traumatic event in childhood conveniently forgotten by the star - who by the way has to be one of the most irritating actresses ever, she ran the gamut of emotions from A to B to quote a famous critic. She squeaks her lines and does a lot of batting with the eyes. Awful to watch her.
The granddaughter is forbidden to see the grandmother as an eleven year old child but then makes no effort to see her as an adult even though she professes undying love for her? She behaves like a receptionist in her "high career" in New York, excited over her birthday and her new boyfriend, her "boss". The audience is not privy to what everyone does for a living. It is strictly so she can give up her career (in that "fundy" way) to settle down and get over that nonsense.
The caretaker-sculptor turns out to have invested in Microsoft when he was twelve (doesn't everybody?) and is now wealthy but living as a boatman/bum.
The secret was not getting worked up into a froth over. Fisticuffs a plenty and the oddest, strained dialogue. Squeaky clean too. She accuses her boss of travelling all the way to Maine so he could "jump her". Man that spun me sideways before I burst out laughing. "Jump"? Wha'? I've never heard a woman use that term. Guys, yes.
And it goes on and on and on and on and on. Each cliché heavier than the one before it until it collapses, whimpering, under the pro-life ending.
I gave it 2 out of 10. The scenery and the inn are truly lovely and so is the haunting music.
Clichés? Let me count the ways. I believe I've never been privy to so many in this one loooooong contrived movie that must have gone straight to DVD. It wouldn't survive a Friday night at the local Odeon.
Traumatic event in childhood conveniently forgotten by the star - who by the way has to be one of the most irritating actresses ever, she ran the gamut of emotions from A to B to quote a famous critic. She squeaks her lines and does a lot of batting with the eyes. Awful to watch her.
The granddaughter is forbidden to see the grandmother as an eleven year old child but then makes no effort to see her as an adult even though she professes undying love for her? She behaves like a receptionist in her "high career" in New York, excited over her birthday and her new boyfriend, her "boss". The audience is not privy to what everyone does for a living. It is strictly so she can give up her career (in that "fundy" way) to settle down and get over that nonsense.
The caretaker-sculptor turns out to have invested in Microsoft when he was twelve (doesn't everybody?) and is now wealthy but living as a boatman/bum.
The secret was not getting worked up into a froth over. Fisticuffs a plenty and the oddest, strained dialogue. Squeaky clean too. She accuses her boss of travelling all the way to Maine so he could "jump her". Man that spun me sideways before I burst out laughing. "Jump"? Wha'? I've never heard a woman use that term. Guys, yes.
And it goes on and on and on and on and on. Each cliché heavier than the one before it until it collapses, whimpering, under the pro-life ending.
I gave it 2 out of 10. The scenery and the inn are truly lovely and so is the haunting music.
How did this movie win an award and receive a four star rating? Was it four stars out of ten or what? It was so BAD, so unbelievably soap-opera predictable, that it had me mesmerized.
I found myself waiting desperately for the dog to return, since his acting outshone that of any of the human actors. The main character was ridiculous, her friend was so ill defined as to be non existent and her love interests were A) clichéd and B) wooden.
And what is with Genevieve Bujold? I could say that perhaps she has fallen on hard times, but her acting was as weak as the rest. I've been to high school plays with more believable characters than these.
How do movies like this get funding?
I found myself waiting desperately for the dog to return, since his acting outshone that of any of the human actors. The main character was ridiculous, her friend was so ill defined as to be non existent and her love interests were A) clichéd and B) wooden.
And what is with Genevieve Bujold? I could say that perhaps she has fallen on hard times, but her acting was as weak as the rest. I've been to high school plays with more believable characters than these.
How do movies like this get funding?
Finding Home was shot on an island off the coast of Maine and the photography is superb. The music is also terrific. A young woman inherits her Grandmother's coastal inn and must decide whether to keep it or sell it. Along the way she unlocks a mystery from the past. While the plot and acting are interesting enough, the pacing is slow and the dialog trite. Some scenes become repetitious and at least 20 minutes should be cut. But Finding Home captures the elusive beauty of a remote New England island summer vacation that more famous films never did (A Summer Place, Cider House Rules, The Whales of August.) I'm guessing this will go straight to video... where it will become popular with people who love that romantic "downeast" coastal mystique. (I want that pristine modified lobster boat used to ferry people to the island! )
Would give a 9, but I'm giving a 10 to try to counteract some of the overly low ratings (in spite of the 14 awards!).
Definitely recommend for girls, not only because of type of story, but also as this gives a good example of what kind of guy to avoid.
Recommend for anyone because of Genevieve Bujold, and of course the location filming, done apparently at great difficulty.
I really enjoyed the musical score, which is one of the most beautiful I have heard in a long time.
Again, this great effort won many awards, and so an overly low rating is childish, and can really be ignored. I would definitely suggest seeing this fine independent film.
Definitely recommend for girls, not only because of type of story, but also as this gives a good example of what kind of guy to avoid.
Recommend for anyone because of Genevieve Bujold, and of course the location filming, done apparently at great difficulty.
I really enjoyed the musical score, which is one of the most beautiful I have heard in a long time.
Again, this great effort won many awards, and so an overly low rating is childish, and can really be ignored. I would definitely suggest seeing this fine independent film.
Did you know
- TriviaJason Miller's last film.
- SoundtracksI Love You So Much, It Hurts
Written by Floyd Tillman
Performed by Danielle Nicole Blevins and The Colby Eight
- How long is Finding Home?Powered by Alexa
Details
Box office
- Gross US & Canada
- $9,736
- Opening weekend US & Canada
- $3,038
- May 1, 2005
- Gross worldwide
- $9,736
- Runtime2 hours 4 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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