The Great Gatsby

Regarding the review from Erin (leiabelle@msn.com) - just a quick point of clarification. The reviewer noted that "Gatsby seemed too old" - an interesting observation given that of all the actors who have so far portrayed Gatsby on film, Toby Stephens was significantly the youngest at the time of filming. He was born in 1969 and the film was released in 2000 thereby making Stephens no more than 31 by the time of the film's release. In the silent film of "The Great Gatsby" released in 1926, Gatsby was played by Warner Baxter, born in 1889, making him no more than 37. Alan Ladd was born in 1913 and played Gatsby in the 1949 release making him no more than 36 at the time. Robert Redford was born in 1936 making him no more than 38 by the time of the 1974 release. Leonardo DiCaprio was born that same year (ie 1974) making him no more than 39 by the time of the spectacular Baz Luhrmann 2013 release. It's hard to believe but just going by the mathematics, Leonardo may very well have been the oldest film actor yet to have played Jay Gatsby at the time of filming. Toby Stephens however holds the record to this date (ie 7 February 2014) as being by far the youngest actor. This still doesn't refute the original reviewer's contention however that "Gatsby SEEMED too old." He clearly did to the reviewer. It's just that anyone wishing to go by the cold hard facts need only "do the maths."

Ok, some of these people giving comments about this movie obviously never paid attention to the 1974 version. For one thing, this adaptation is actually interesting. The 1974 version was totally boring, mostly because the actors/actresses showed no enthusiasm at all. And I believe this version is just as close if not closer to the book as the 1974 version. This new adaptation is much more enjoyable than the old.

I have taught Great Gatsby for many years, and always been disappointed in the film (and lately opera) dramatizations. The plot of the novel is rather sordid and simplistic when deprived of Fitzgerald's presence as narrator (through the character Nick). The vital essence of the novel is the author's mastery of phraseology and vocabulary, which, since they are not directly part of the plot, but comment on the plot, are not easily translated into dramatic form, despite efforts in past versions to utilize some of the author's dialogue. This new adaptation is exceptionally faithful to the text. The finest feature is that the adapter has chosen to use Nick as an over-voice, (as in the novel), so that much of Fitzgerald's gorgeous language has been preserved. The flashbacks are handled so as to blend naturally into the action, and not much is added to the original except some transitional dialogue. The performances are above average, especially the three women leads, but all are good (though Gatsby need not have smiled quite so much).

I like this adaptation far more than the Robert Redford version-- the sets aren't quite as lavish, but then, they aren't quite as pretentious either. The performances are sound and solid, and Mira Sorvino gives a convincing fragility to the rather high strung Daisy. Paul Rudd has covertly expressive features, that he uses to his advantage, and small town sophistication looks good on him. The book itself is full ofnarration and description with little dialogue, so finding the right mix of old dialogue (classic and remembered) and new dialogue is probably a real challenge. All in all, this is a fair version-- handsome and sweet-- and my only complaint is that Mira Sorvino is almost too sympathetic-- it's hard to believe she is the "careless person" that Americans have come to both revile and idolize.

Stick with the Redford/Farrow version if you want to see a good movie. Sorvino looked lost the whole time and her portrayal of Daisy made me wonder if she'd ever read the book. However, Toby Stephens made an excellent Gatsby and did a bang-up American accent, but he alone couldn't save this movie.