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Goya

Original title: Goya en Burdeos
  • 1999
  • Tous publics
  • 1h 40m
IMDb RATING
6.6/10
2.4K
YOUR RATING
Goya (1999)
Period DramaBiographyDramaWar

Francisco Goya (1746-1828), deaf and ill, lives the last years of his life in voluntary exile in Bordeaux, a Liberal protesting the oppressive rule of Ferdinand VII. He's living with his muc... Read allFrancisco Goya (1746-1828), deaf and ill, lives the last years of his life in voluntary exile in Bordeaux, a Liberal protesting the oppressive rule of Ferdinand VII. He's living with his much younger wife Leocadia and their daughter Rosario. He continues to paint at night, and in... Read allFrancisco Goya (1746-1828), deaf and ill, lives the last years of his life in voluntary exile in Bordeaux, a Liberal protesting the oppressive rule of Ferdinand VII. He's living with his much younger wife Leocadia and their daughter Rosario. He continues to paint at night, and in flashbacks stirred by conversations with his daughter, by awful headaches, and by the bef... Read all

  • Director
    • Carlos Saura
  • Writers
    • Carlos Saura
    • Luigi Scattini
  • Stars
    • Francisco Rabal
    • Jose Coronado
    • Dafne Fernández
  • See production info at IMDbPro
  • IMDb RATING
    6.6/10
    2.4K
    YOUR RATING
    • Director
      • Carlos Saura
    • Writers
      • Carlos Saura
      • Luigi Scattini
    • Stars
      • Francisco Rabal
      • Jose Coronado
      • Dafne Fernández
    • 22User reviews
    • 30Critic reviews
    • 61Metascore
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Awards
      • 12 wins & 11 nominations total

    Photos10

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    Top cast41

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    Francisco Rabal
    Francisco Rabal
    • Goya
    Jose Coronado
    Jose Coronado
    • Goya Joven
    Dafne Fernández
    Dafne Fernández
    • Rosario
    • (as Dafne Fernádez)
    Eulàlia Ramon
    Eulàlia Ramon
    • Leocadia
    • (as Eulalia Ramón)
    Maribel Verdú
    Maribel Verdú
    • Duquesa de Alba
    Joaquín Climent
    Joaquín Climent
    • Moratín
    Cristina Espinosa
    • Pepita Tudó
    Josep Maria Pou
    Josep Maria Pou
    • Godoy
    • (as Jose María Pou)
    Saturnino García
    Saturnino García
    • Cura y San Antonio
    Concha Leza
    • Mujer en Andalucía
    Franco di Francescantonio
    • Doctor en Andalucía
    Carlos Hipólito
    Carlos Hipólito
    • Juan Valdés
    Manuel de Blas
    Manuel de Blas
    • Salcedo
    Pedro Azorín
    • Braulio Poe
    Emilio Gutiérrez Caba
    Emilio Gutiérrez Caba
    • José de la Cruz
    Joan Vallès
    Joan Vallès
    • Novales
    • (as Joan Valles)
    Paco Catalá
    • Asensio
    Mario De Candia
    • Bayeu
    • Director
      • Carlos Saura
    • Writers
      • Carlos Saura
      • Luigi Scattini
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews22

    6.62.3K
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    Featured reviews

    8secondtake

    Yes, it's slow at times, but it's also an amazing visual and conceptual feat!

    Goya in Bordeaux (1999)

    A beautifully filmed and imaginative look at Spanish painter Goya's final years in France. There are fantastical flashbacks (really nicely created with translucent sets and changing lighting) and there are imagined versions of scenes that led to his paintings, highly colorful and gruesome. And effective.

    If this movie isn't a raging masterpiece, it is mostly because there is no real plot. It's slow going, even though it is meant to be deliberate and patient. It meanders along as he lives out his final isolated years and we are shown (in spurts) his work and his past. The old Goya himself is played with believable gusto by Francisco Rabal, and the younger (with surprising continuity) by Jose Coronado. Neither are names familiar to American viewers, but both are convincing, which isn't always easy portraying a famous artist. If there is a deeper point here, it is the journey we all make toward death. And from what I read, Goya was afraid of death, and would be afraid of old age just as much as this movie implies.

    If you like your artists heroic and inspired, you might find this version of Francisco Goya a little earthy and self-absorbed. But for me this was about right. He was an old man with little future, too much pain to make significant new work, and lots of memories. Of course, this being a movie (and being about life, too), there is an emphasis on his love affairs, or at least his interest in one particular rich woman, the Duchess of Alba. In truth, there isn't a clear history of Goya being involved with this woman, though there are several portraits of her (not including, most likely, the famous pair of reclining figures, one nude and one clothed, though this is implied if not stated in the movie).

    All of this is neither here nor there for loving what is wonderful about the movie. Director Carlos Saura has created a magical world for this final great painter, one filled with the grotesqueness we associate with his work but also with terrific inventiveness, making the paintings come to life without simply re-staging them. The best last sections of the film are a tour-de-force, and indeed the whole movie is vivid and surprising. If we are sometimes slightly unenthused about the events going on (which are often nothing much), we are completely sucked in by the ever changing scenes and sets and hallucinatory worlds, part real and part Goya's dying mind.

    In other words, the best of this movie is simply amazing. And any movie with such amazing portions is worth watching, at least in those parts.
    7ma-cortes

    Goya relives key moments in his life as the relationship with his wife , daughter and particularly Duchess of Alba

    This is a highly theatricalized vision of the notorious exiled painter. Picture was originally directed by Carlos Saura and filmed with a pervasive melancholy that does for slow drama . It is is an emotive biography (1746-1828), involving 18-19th century famed Spanish painter named Francisco De Goya Lucientes (Francisco Rabal and as young played by Jose Coronado) and famous model (Maribel Verdu) for the famed painting . It's a slow vision of Saragossan painter Francisco Goya Lucientes' last days in Burdeos , ill and deaf , as he wanders through the streets and remembers the citizens uprising against Napoleon troops . It portrays his relationship with historic personages as Duchess of Alba (Verdu) , Moratin (Joaquin Climent) , Bayeu and the scheming favorite Godoy (Jose Maria Pou). As Goya observes and reminds events, dances , parties , inquisition , French invasion that inspired his work ; as his reveries become tableaux of his paintings . As the highlights of the movie result to be when are brought to life scenes of known paintings as ¨Disasters of war¨, ¨Saturn devouring his sons¨, ¨portrayal of Carlos IV family¨,¨, ¨Los Caprichos¨ , ¨Black paintings¨ , and lithographs , among others . Two of Goya 's best known paintings are The Nude Maja and The Clothed Maja . They depict the same woman in the same pose, naked and clothed, respectively. Without a pretense to allegorical or mythological meaning, the painting was "the first totally profane life-size female nude in Western art" . The identity of the Majas are uncertain. The most popularly cited models are the Duchess of Alba , with whom Goya was sometimes thought to have had an affair, and Pepita Tudó, mistress of Manuel Godoy; Godoy subsequently owned them .

    This is a costumer based on facts but predominates the slow-moving drama full of flashbacks with surrealist images , nightmarish scenes and colorful set-pieces . The picture relies heavily on relationship between Goya , his wife Leocadia played by Eulalia Ramon (real life spouse to Saura) , his daughter performed by Dafne Fernandez and Duchess of Alba acted by Maribel Verdu . Glamorously and sumptuously photographed by Vittorio Storaro , Bernardo Bertolucci's usual . Lavishly produced by Andres Vicente Gomez , the gowns are extravagantly magnificent ,luxury rooms and paintings pass by in front of your eyes and spectacular though theatrical production design . The sets are superb, at least as good as any other period piece films directed by Saura , furthermore great intervention by the group Furia Del Baus who carries out rousing choreography . Emotive and evocative musical score by Roque Baños. The motion picture is well directed by Carlos Saura , a good Spanish movies director. He began working in cinema in 1959 when he filmed ¨Los Golfos ¨(1962) also dealing with juvenile delinquency . Saura is a well recognized filmmaker both nationally and internationally, and in proof of it he won many prizes among which there are the following ones: Silver Bear in the Berlin Festival for ¨ La Caza or The Chase¨ (1966) his most successful film , and for Peppermint Frappé (1967), in 1967. Special Jury Awards in Cannes for La Prima Angélica (1974), in 1973, and for Cría Cuervos (1976), in 1975. Also, the film Mamá Cumple Cien Años (1979) got an Oscar nomination in 1979 as the best foreign film, and it also won the Special Jury Award at the San Sebastian Festival. In 1990, he won two Goya , The Spanish Oscar , as best adapted screenplay writer and best director. Saura became an expert on Iberian musical adaptations as ¨Carmen , Amor Brujo , Bodas De Sangre , Sevillanas ,Iberia , Salome, Fado, Flamenco ¨ and even recently Opera as ¨Io , Don Giovanni

    Other films dealing with Goya's life are : ¨The Naked Maja¨ (1958) by Henry Koster with Anthony Franciosa and Ava Gardner ; ¨Goya¨ by Nino Quevedo also with Francisco Rabal ; ¨Los Desastres De Guerra¨ TV series by Jose Ramon Larraz with Enric Majo as Goya , ¨Volaverunt¨ (1999) by Bigas Lina with Penelope Cruz , Jordi Molla and Jorge Perugorria as Goya .
    5paulcreeden

    Confused and confusing.

    I do not know the price tag for this film, but my guess is that they could have used more dough. The Napoleonic Wars are hard to do on a budget. Tableau representations of Goya's works were charming. They went on too long and the acting added in was pure ham. The whole thing seemed a disjointed mess to me. I was reminded of Ken Russell's "The Music Lovers" in which Richard Chamberlain has a poetic delirium from typhus. Goya was obviously an accomplished political artist, yet the film portrays him as a narcissistic bumbler. As an American, I was impressed with all the overtly sentimental sexism and ageism at the heart of the movie. Old men obviously all dote and drool. Young granddaughters obviously grin and bear it. Wink. Wink. It was all too wholesome to be surreal and too surreal to be taken seriously as history. I had great hopes for it, but I was disappointed.
    9vinniemafalda

    A piece of art

    This movie portrays very well the Spanish history and like his last movies, Carlos Saura makes art out of the illumination and the colours. As usual, Paco Rabal is magnificent and Maribel Verdu is perfect for the role of la Duquesa de Alba, very sensual and a little evil.
    8oresteia

    faithful to the world of Goya

    Peter Greenaway was the first to show us that film could be "moving painting" (as opposed to moving photography). The life of Goya is reflected to the screen through his paintings and it is very beautifully done.Saura is very careful to stress the "artistic" side of Goya's personality and all his love affairs, political views are secondary to it. You can get a clear picture of what kind of a painter this spanish was. A little too formalistic maybe...Good job anyway. Pleasure for the eyes..

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Strange coincidence: the actor Francisco Rabal not only plays the old Goya but in real life also died in Bordeaux, in 2001, two years after premiering the film.
    • Goofs
      In some copies on the film, when Goya's daughter Rosario is showing him her drawing, sitting on an easel in the background we see "La lechera de Burdeos/The Milkmaid of Bordeaux", one of the artist's last paintings. The image we see is reversed - the milkmaid is facing to the right and in the original she faces to the left. This is so due to the fact that the negative of some DVDs and some release prints is inverted in a brief middle section of the film that includes this scene. Another scene is that in which he is commissioned to paint the frescoes of San Antonio de la Florida Chapel.
    • Connections
      Referenced in Frida (2002)
    • Soundtracks
      Fandango
      from "Quintet, op 37"

      Composed by Luigi Boccherini

      Performed by Orquesta Sinfónica de Madrid

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    FAQ17

    • How long is Goya in Bordeaux?Powered by Alexa

    Details

    Edit
    • Release date
      • November 28, 2001 (France)
    • Countries of origin
      • Spain
      • Italy
    • Official site
      • Sony Pictures Classics
    • Languages
      • Spanish
      • French
      • Italian
    • Also known as
      • Goya in Bordeaux
    • Filming locations
      • Museo del Prado, Madrid, Madrid, Spain
    • Production companies
      • Lolafilms
      • Italian International Film
      • RAI Radiotelevisione Italiana
    • See more company credits at IMDbPro

    Box office

    Edit
    • Gross US & Canada
      • $635,361
    • Opening weekend US & Canada
      • $47,962
      • Sep 17, 2000
    • Gross worldwide
      • $635,361
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 40 minutes
    • Color
      • Color
    • Sound mix
      • Dolby SR
    • Aspect ratio
      • 2.00 : 1

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