China Gate

First of all let me admit, I like Bollywood movies for the singing and dancing. So I always have a"plot" verdict and a music verdict. I rate the movie as good, there was an interesting plot, the acting was good, and the tale had a good moral.

But I must admit I would probably have never watched it if it were not for Urmilla's rendition of Chama Chama. Simply spectacular, one of the greatest things ever. I rank it up there with Dola Re Dola from Devdas, and Rhamba's Pyaar Achcha Hota Hai from the film Pyaar Diwan Hota Hai.

In fact I work for a public library and recommended the library purchase both China Gale and Pyaar Diwan Hota Hai simply because I was totally blown away after seeing them on the Chart Busters DVD from Eros Entertainment. Both movies are OK plot wise, but these two are true show stoppers. So I literally would not have seen either movie except for these two songs!

China gate is inspired from hollywood film seven samurai. Usp of the film is its cast. All veteran actors from theatre background form the team. Script is strong and tight. Debutant villain mukesh tiwari as jageera is brilliant. All actors deliver stellar performances. Amrish puri and naseeruddin shah's scene during rock falling scene is brilliant and sensitive. Direction by rajkumar santoshi is first rate. Each scene has to say something or the other. Each scene delivers a message. Each character is well connected to each other. It's just not an adventure film rather it's a movie with various dimensions and human emotions.

"China gate" has nothing to do with China or the great wall. It's simply a mission led by an exiled army officer with his court-martialed team comprising of old officers to free a village from the tyranny of a dreaded dacoit. Sounds like "Sholay" or Akira Kurosawa's "The Seven Samurai." Well, the direction is by a prominent film-maker with an eminent cast in the lead. But the things don't work. The film fails to grip through its hackneyed narrative full of cliches and improbabilities. The acting is good and direction tries to impart some qualities; but still the film is muddled and distasteful which is hard to stay with. Anything, you will remember in the movie is the item song "Chamma Chamma," which gets a greater coverage in the film than its plot.

Rating: 1 out of 4 stars.

This is another WONDERFUL movie by RajKumar Santoshi, the creator of Ghayal, Ghatak, Damini. Though the movie is inspired by blockbusters like Sholay (Hindi), Seven Samurai but has somehow prints its own identity. This movie has more than 12 actors but the director has beautifully characterize their roles. You would remember each and everybody even after leaving the theatre. I think this is the first Hindi movie which has no young actors in it and typical love story. The other highlights of the movie are excellent cinematography, live sets and superb acting. If you prefer technicially brilliant movie, this is one, you must see.

-Anupam

If a viewer has seen both the classic films "Sholay" (1975) and "The Seven Samurai" (1954) ... "China Gate" (1998) offers zero suspense whatsoever.

Credited as an homage to the Japanese master director Akira Kurosawa, "China Gate" is better described as COMPLETELY derivative of the two referenced classic movies. I do not make this assertion lightly. But "China Gate" was so poorly done that at every single major crisis point I predicted EXACTLY what was going to happen, simply because the equivalent character in "Sholay" did this or Toshiro Mafune in "The Seven Samurai" did that. Every Single Time.

I had thought, when I bought the movie, how could a film possibly go wrong with such a fantastic cast of great veteran actors?

Casting the two Puris -- Om Puri and Amrish Puri -- as, well, two Puris was a nice touch, I'll grant you. Naseeruddin Shah delivered, as did Danny Denzongpa (always one of India's most underrated actors, in my opinion). But the rest of the ten 'old soldiers' were given nothing to work with. I never could even remember their names. The role allotted to poor Tinnu Anand, for example, was less memorable than that given the character's dog. (The dog's name was Jigar. ;-) Mukesh Tiwari tried hard, in his film début. But since he was tasked with a carbon-copy impression of Gabbar from "Sholay", his villain Jageera was on the whole less interesting than the character's pet vultures (who were overused to a fault).

More than anything, though, "China Gate" strikes me as an example of a director overwhelmed by an overambitious project.

EVERY department seemed out of control. Scripting, for sure. Others here have suggested "China Gate" is half-an-hour too long. I would argue the whole first hour could have been tightened up to about 5 minutes; it took forever to finally get our characters to The Mission. Editing was horrible. The film is said to have had a huge, almost unprecedented budget. But if so, the budget did NOT end up 'on the screen'. For what should have been an action extravaganza, the stunt work never felt fresh or interesting. As others have noted, botched stunt shots were frequently left in the finished film that should have been left on the cutting room floor. And even when the director finally gets round to a 'big' scene with his top actors, he completely buries the dialogue under overheavy use of what has to be THE MOST INTRUSIVE background score I've ever experienced in a movie!

Rajkumar Santoshi is a veteran director, and I have enjoyed some of his other projects. But in reflection, I have thought best of what were always his comedy films. Perhaps an attempted epic drama such as this was simply beyond his scope?

Deeply disappointed in this one.

4/10 solely in honour of some great actors who gave a game performance in a losing effort.