IMDb RATING
6.2/10
1.8K
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Two Irish wig salesmen, one Catholic and one Protestant, grapple with profiting from conflict amidst lucrative rival orders during the Troubles, risking their partnership while navigating da... Read allTwo Irish wig salesmen, one Catholic and one Protestant, grapple with profiting from conflict amidst lucrative rival orders during the Troubles, risking their partnership while navigating dangerous territories and moral dilemmas.Two Irish wig salesmen, one Catholic and one Protestant, grapple with profiting from conflict amidst lucrative rival orders during the Troubles, risking their partnership while navigating dangerous territories and moral dilemmas.
- Awards
- 1 nomination total
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- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaProducer Jerome O'Connor filed a ten million dollar lawsuit against DreamWorks for effectively burying this movie so as not to offend the British government. DreamWorks head Steven Spielberg was rumored to receive an honor from H.R.M. Queen Elizabeth II, but a wide release of this movie (which lampoons the U.K. government's treatment of Northern Ireland) would have scuppered that. Consequently, this movie was released in just six cinemas, and Spielberg got his honor.
- ConnectionsFeatures Shérif, fais-moi peur! (1979)
- SoundtracksUnder Pressure (with Queen)
Performed by David Bowie
Featured review
Colin gets a new job as a barber working as the "new Catholic" barber in a Belfast mental institution. His colleague is George a protestant with a love of poetry who is also a barber. A chance meeting with a mad wig salesman known as the scalper sees them getting their hands on his leads list and the pair decide to dip their feet into the toupee market. Calling themselves the Piece Men, they start following the leads even though it takes their mixed-faith business into dangerous areas.
The general humour in Northern Ireland tends to be quite a dry and cynical affair that has grown out of the decades of terrorism that we've had to endure. As with many places the same, a certain gallows humour grows out to help deal with the violence and it is strange therefore that we haven't had more Northern Irish comedies that use the troubles as a background while trading on this darkly rich style of humour. One reason may be seen here though, because this isn't that good a film and it is very uneven in the laughter stakes. The unlikely plot doesn't help either and, although it touches on the problem of living in Northern Ireland and the community struggles, it never seems to have much substance to it consistently meaning that when it tries to, it doesn't really work.
The laughs are very thinly (sorry) scattered throughout the film and mostly it trades on a sort of Oirish charm that generally the US wants from all Irish films. Being from Northern Ireland I found this push towards that approach to be quite annoying and demeaning and it didn't actually seem to benefit the film in anyway. The cast are OK but they cannot get the laughs and they cannot make characters against the onslaught of "Irish" sentimentality from the music and the tone of the script. McEvoy and O'Byrne lead the film pretty well although it would have been nicer if both had been more relaxed into the comedy and more able to deal with the dramatic sides. As it is, they rest somewhere in-between, doing alright but not that great. Friel is a strange find but she does well enough in support alongside nice turns from people like Convey, McAleer and McLynn although what Billy Connolly was doing was beyond me.
Overall this is a so-so comedy but not a great one and certainly not one that does justice to the humour of Northern Ireland. The cast are OK but the problems run deeper the material isn't that funny and isn't as interesting as the community conflicts could have been. Perhaps worth a look but really not that good.
The general humour in Northern Ireland tends to be quite a dry and cynical affair that has grown out of the decades of terrorism that we've had to endure. As with many places the same, a certain gallows humour grows out to help deal with the violence and it is strange therefore that we haven't had more Northern Irish comedies that use the troubles as a background while trading on this darkly rich style of humour. One reason may be seen here though, because this isn't that good a film and it is very uneven in the laughter stakes. The unlikely plot doesn't help either and, although it touches on the problem of living in Northern Ireland and the community struggles, it never seems to have much substance to it consistently meaning that when it tries to, it doesn't really work.
The laughs are very thinly (sorry) scattered throughout the film and mostly it trades on a sort of Oirish charm that generally the US wants from all Irish films. Being from Northern Ireland I found this push towards that approach to be quite annoying and demeaning and it didn't actually seem to benefit the film in anyway. The cast are OK but they cannot get the laughs and they cannot make characters against the onslaught of "Irish" sentimentality from the music and the tone of the script. McEvoy and O'Byrne lead the film pretty well although it would have been nicer if both had been more relaxed into the comedy and more able to deal with the dramatic sides. As it is, they rest somewhere in-between, doing alright but not that great. Friel is a strange find but she does well enough in support alongside nice turns from people like Convey, McAleer and McLynn although what Billy Connolly was doing was beyond me.
Overall this is a so-so comedy but not a great one and certainly not one that does justice to the humour of Northern Ireland. The cast are OK but the problems run deeper the material isn't that funny and isn't as interesting as the community conflicts could have been. Perhaps worth a look but really not that good.
- bob the moo
- Dec 10, 2005
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Details
- Release date
- Country of origin
- Language
- Also known as
- An Everlasting Piece
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $14,000,000 (estimated)
- Gross US & Canada
- $75,228
- Opening weekend US & Canada
- $9,128
- Dec 25, 2000
- Gross worldwide
- $75,228
- Runtime1 hour 43 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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