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John, a gay Illinois small town cop moves to Los Angeles, hoping to fit into a place more welcoming of his sexuality. He soon discovers the "circuit," where he meets an insecure hustler, who... Read allJohn, a gay Illinois small town cop moves to Los Angeles, hoping to fit into a place more welcoming of his sexuality. He soon discovers the "circuit," where he meets an insecure hustler, who draws John into drug abuse and illicit sex.John, a gay Illinois small town cop moves to Los Angeles, hoping to fit into a place more welcoming of his sexuality. He soon discovers the "circuit," where he meets an insecure hustler, who draws John into drug abuse and illicit sex.
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- 1 win & 1 nomination total
Jonathan Wade-Drahos
- John
- (as Jonathan Wade Drahos)
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Featured reviews
Dirk Shafer, Playgirl's man of the year a few years back has put together a little bit of heaven & hell in this nugget of gay club-life in the city of angels. Although the acting is only mediocre, the direction, script, and overall film is very good. Dirk uses just the right amount of music, drugs, sex, exploitation, and beefcake to hit the nail on the head. The story revolves around a smalltown Illinois former cop named John who moves to L.A. & discovers sex, drugs, and techno. What's also interesting is the supporting cast of William Katt, JM J. Bullock, Nancy Allen, andPaul Lekakis. The music is great as well with new cuts from Taylor Dayne, Lonnie Gordon, and a slow remake of E.G. Daily's Love in the Shadows. For those that love the circuit, for those now out of the circuit, and for those who are oblivious to the circuit, watch and learn.
I went to the premier of "Circuit" at Outfest 2001 and left the theater feeling somewhat overwhelmed, which is a good thing. The story is about a smart, handsome gay cop from a small closed minded town who moves to Los Angeles to live an openly gay life. After his first party in the Hollywood Hills, he becomes friends with a gay male escort and falls into the circuit party scene which slowly tears him apart. He becomes obsessed with muscles, drugs, parties, and the fast gay West Hollywood night life which eventually ruins his personality and spiritual growth. This film has a special kind of honesty that is both good and bad. Good because it can serve as an awakening towards certain gay men that live to abuse themselves in the party world and bad because it may encourage the circuit lifestyle as cool or glamorous, which in reality can become the complete opposite and ruin peoples lives. The ending left me feeling angry and sad about the circuit scene, and I hope it will for others too. The story line has the ability to leave an important message to certain people that desperately need it.
I'm glad I waited for the Director's Cut DVD to see "Circuit". From reading all the flames I've seen on the posts here, I dreaded seeing the movie. However, the "Director's Cut" is even longer with nearly 30 deleted scenes and very frankly, I could have watched another hour. I suppose the Circuit scene is all in the perspective of how you view it. To me, Dirk Shafer captured a true and accurate account of the entire Circuit. The acting is not all that bad. There are many notable performances. One scene in the deleted segments SHOULD have been left in...that of Hector taking an eyebrow pencil and marking the places on his face that he would like to have refurbished by plastic surgery to refurbish his youth. At this point he has a nervous breakdown. I think that would have helped explain a lot that was left out in the edited theatrical version. For those who have prurient interests, male frontal nudity and more explicit sex are also included. Locally, in my home town, Ft. Lauderdale, the drug scene in the Circuit is rampant. Maybe that's why we register more cases of HIV than any other city in the nation. The film can be brutal to watch. It's not preachy but there's a great lesson to learn and observe in this film if you're open-minded enough to accept the subjects at face value. I would suggest that that are too few good gay films being made and when one such as this is produced, "queens" (who are the most critical audience in the world) often deter new and better gay films by their over zealous comments. Give the uncut DVD a screening and make your own mind up! Don't be quick to excuse it by a few nasty comments. You might be as I, and find the film rewarding and enjoyable. As for Andre Khabbazi, this guy could make it big in movies. The character of the aging, AIDS infected, former porn star, played by Paul Lekakis, is one of the most honest portrayals I've ever seen. Kudos to William Katt, Jim Bullock, and Nancy Allen for offering their professional talents in helping to make this film first rate. Don't let me or other critics who have posted ruin you prospect of missing a good movie. See the Director's Cut on DVD and make up your own mind. I'm glad I did!
I saw this movie with a title "Party Boys". For me, it was NOT about some circuit in L.A., or wherever. It reminded me of the feelings I had - in my party times - every weekend - in the middle of Europe - far away of the gay paradises of the west. This is why I dare to call this portrait more general. Forget about drugs, forget about time and place... the thing that remains is that next-day's "why?" and "nothing more?". All that love-is-in-the-air (that is just the text of the song, not what is present in the atmosphere), all that boys-good-in-bed (that are so bad actually in their imitating of the porn, thinking that THIS IS a sex), all that care-about-your-body that disguises the lack of purpose of the void corpse, all that rainbow-colourfulness (that is the dictate of one color actually - even if different every weekend).
Being myself...??? Come on! I loved and still love the parties, music, dancing, nice guys, feeling of something happening - but I don't wanna see just ones side, to get drunk by this "pure happiness"... After one gets drunk, the hangover comes... I like gay culture (subculture, pseudo-culture, whatever), the ideas of colours, unconstrained love, freedom, enjoying of life - but what there really is - is far from this ideal. Uniformity, sex as a sport (who experienced nothing else, will not understand), vogue, must-have-fun must-smile must-laugh for any price... Maybe this is what the director wanted to say.
Maybe it's not true about your L.A. circuit - but there's more to feel than to see.
Being myself...??? Come on! I loved and still love the parties, music, dancing, nice guys, feeling of something happening - but I don't wanna see just ones side, to get drunk by this "pure happiness"... After one gets drunk, the hangover comes... I like gay culture (subculture, pseudo-culture, whatever), the ideas of colours, unconstrained love, freedom, enjoying of life - but what there really is - is far from this ideal. Uniformity, sex as a sport (who experienced nothing else, will not understand), vogue, must-have-fun must-smile must-laugh for any price... Maybe this is what the director wanted to say.
Maybe it's not true about your L.A. circuit - but there's more to feel than to see.
Director Dirk Shafer does his low-budget best to capture the vibe of cruising the California Gay Circuit. The rather bland soap opera device used to connect the party sequences is unaffecting. A much more prurient approach to the sex and drug culture here would have probably worked better. Needless to say, the acting is amateurish, but, for the most part, acceptable. The editing is fairly refined for an indie project, but the film is not as good as Shafer's MAN OF THE YEAR. The unrated DVD is the way to go for those interested, even though the soundtrack is rather poorly rendered for a film filled with pulsating rave tracks.
Did you know
- TriviaEarly in the film, John (Jonathan Wade-Drahos) drives into Los Angeles/West Hollywood, and as he drives, he passes by several iconic gay bars, Rage at 8911 Santa Monica Blvd, West Hollywood; Mother Load at 8944 Santa Monica Blvd, West Hollywood; Spike (now CLOSED) at 7746 Santa Monica Blvd, West Hollywood; and Mickey's 8857 Santa Monica Boulevard, West Hollywood, CA 90069. The camera lingers over the bar signs just long enough for the audience to take notice.
- GoofsEarly in the film, John (Jonathan Wade-Drahos) drives into Los Angeles/West Hollywood, and as he drives, he passes by several iconic gay bars, Rage at 8911 Santa Monica Blvd, West Hollywood; Mother Load at 8944 Santa Monica Blvd, West Hollywood; Spike (now CLOSED) at 7746 Santa Monica Blvd, West Hollywood; and Mickey's 8857 Santa Monica Boulevard, West Hollywood, CA 90069; in that order. However, it would be impossible to drive by those bars in that order, without changing direction at least three times.
- Quotes
Hector Ray: I don't like women - or ugly men.
- Crazy creditsAfter the screening of "Circuit," the fake documentary film within this film, the camera cuts to the exterior theater marquis where "Circuit, A Film by Tad Sawyer" morphs into "Party boys (2001), A Film by Dirk Shafer."
- ConnectionsSpoofed in Another Gay Movie (2006)
- SoundtracksReady Set Go
Performed by Kevin Aviance
Written by Tony Moran, Michael Lorello (as Mike Lorello), and Kevin Aviance
Published by Mr. Tan Man Music (ASCAP), Muskapeeta Music (ASCAP), Beyond the Beat Publishing (BMI)
Courtesy of 'Emerge Recording [us]' (as Emerge Records, Inc.)
© 2001 Emerge Records, Inc.
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- Circuit
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Box office
- Gross US & Canada
- $235,087
- Opening weekend US & Canada
- $34,751
- Apr 28, 2002
- Gross worldwide
- $261,155
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