A college professor reluctantly hides an escaped female convict who tries to get him to help prove her innocent of a murder.A college professor reluctantly hides an escaped female convict who tries to get him to help prove her innocent of a murder.A college professor reluctantly hides an escaped female convict who tries to get him to help prove her innocent of a murder.
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Dawn Burgess
- Amy
- (as Dawn Cochran)
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I kept expecting to turn it off at any moment, yet the characters were unpredictable and the writing kept this little film moving along at a nice clip. Before I knew it I was hooked. Sure, the plot gets a little clunky near the end, but everyone involved with this picture seemed to enjoy themselves. There is even an homage to Demme's Something Wild, which this film begins to resemble near the end. Overall, three stars, and sure to be a minor hit for the few video stores that are likely to pick this up.
Like many other respondents, I ran across this genially goofy mystery while surfing and didn't expect to stick with it more than a few minutes. But it grabbed me from the beginning and held up almost to the end. Thanks to the person who noted that the film was shot in 21 days on a shoestring. That accounts for the gaps in the plot (like certain scenes that we expect to see but were probably never filmed). But the shoestring production makes the acting, the comic touches, and the overall unpredictability of the plot all the more impressive. The screenplay found some really ingenious things to do with these likable characters.
It wouldn't work without excellent performances. The director strikes me as someone who really works well with actors. Coyote gives a really fine comic performance, showing more emotional range than he's usually allowed to. Balk, Piven, and Kinski are also very good. Ernie Hudson, who has played this cop role a dozen times, is a treat in the knowing and yet not smug notes he hits. You get the feeling he's seen it all, knows exactly where it's going, and will just let it get there before he steps in to mop things up.
The film struck me as primarily a comedy (which is pretty much given away near the end by the little alligator in Pauly Shore's backyard wading pool)--but I'm surprised more respondents haven't noticed this. It had me consistently chuckling throughout.
I guess I'm a sucker for these offbeat little films that you don't expect much from. But in the last few months, I've left the local multiplex shaking my head in disbelief that good filmmakers could make "big" thrillers as bad as Twisted and Taking Lives. Red Letters is a heck of a lot more fun to watch, and deserves more exposure.
It wouldn't work without excellent performances. The director strikes me as someone who really works well with actors. Coyote gives a really fine comic performance, showing more emotional range than he's usually allowed to. Balk, Piven, and Kinski are also very good. Ernie Hudson, who has played this cop role a dozen times, is a treat in the knowing and yet not smug notes he hits. You get the feeling he's seen it all, knows exactly where it's going, and will just let it get there before he steps in to mop things up.
The film struck me as primarily a comedy (which is pretty much given away near the end by the little alligator in Pauly Shore's backyard wading pool)--but I'm surprised more respondents haven't noticed this. It had me consistently chuckling throughout.
I guess I'm a sucker for these offbeat little films that you don't expect much from. But in the last few months, I've left the local multiplex shaking my head in disbelief that good filmmakers could make "big" thrillers as bad as Twisted and Taking Lives. Red Letters is a heck of a lot more fun to watch, and deserves more exposure.
It is easy to criticize this movie and others have already pointed out its deficiencies. The movie is available on DVD and has director's commentary in which is revealed that the movie was shot in 21 days on a minimal budget. Or as the commentary says: this commentary details how one goes about making a movie under considerable time and budgetary restraints. The performances by the actors are first rate. The script is filled with many logical flaws and oversights that are exacerbated by the ending of the movie. Meaning, that one can then work backwards and see the major holes in the script because the ending seems to sabotage the entire theme of the movie. Still it is more than watchable because of what is up on the screen. Nastassja is Nastassja and it is almost always rewarding to watch her on the screen, if she has sufficient material to work her magic. There is an underlying tension throughout the movie in which one wonders if Lydia Davis, the Nastassja Kinski character, is manipulating the academic and overmatched Peter Coyote character. You will have to watch the movie and see for yourself.
I'm usually not fond of HBO movies, but this one was a little more well-written than the rest of them. The acting was so-so, however what should be expected? (Beggers can't be choosers, right?) At times unintentionally hilarious (The fact Peter Coyote's character liked to use four letter words a lot got funny after it got derivative) but halfway into the picture the tawdryness dimmed down and it actually turned into a interesting crime mystery.
Not worth renting, but if it's on HBO again you might want to check it out.
Not worth renting, but if it's on HBO again you might want to check it out.
Good performances by a great cast. Fairuza Balk looked great as a student who knew how to raise her grade in more ways than one. Peter Coyote played a widowed professor obsessed with the writings of Nathaniel Hawthorne and a sucker for the young women in his class. The plot was refreshing unpredictable and complex. The sexual undertones and twists were reminiscent of the movie "Body Heat". Jeremy Piven provided some great comic relief moments as the computer science professor turned internet hacker. This made for an entertaining and interesting movie worth watching. Look for a cameo by Pauly Shore, too.
Did you know
- GoofsDennis Burke grabs a newspaper and reads a headline, relevant to the plot, that indicates State Manhunt Widens. But if you pause the frame and read the text of the article below the headline, you see it is a bogus article about teenage curfew, totally unrelated to the headline.
- ConnectionsReferences NFL Monday Night Football (1970)
- SoundtracksYou Give
from the album "Do You Remember"
Written and Performed by Emily Richards
Produced by Emily Richards
Details
- Runtime1 hour 43 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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