Garage Olimpo

Is well known for much the story of the dictatorship in Latin America, specially in the south side. This begin in 1976, and is no more than one of the most embarrassing times for any of this countries. Time where innocent, young and old, people who only fight for its rights were tortured in the most horrible ways, with none rake of hope or life. There some movie which treat this topic, "Garage Olimpo" is one of them, is a movie that don't treat a easy thing, is a film that must fight with memory and with the bloody past of us, the Latin American people.

"Garage Olimpo" told us the story of María, a beautiful young woman who lives in a big house with her mother and a tenant called Félix in the military dictatorship. She teach to old people and too, with other people, fight against the military repression. One day she is taken by some men and go then to a kind of Garage, hide down earth. She now must live horrible tortures by these men, and one of them is Félix. This is a kind of sipnosis for this hard movie. As a Latin American, "Garage Olimpo" was one of the greatest, if not one of the hardest, experiences of my life. This is not a film for fun, or something like that, you must see it with a clean mind, ready and with no kind of worries, i think every movie must see it in that way.

Some of the countries that suffer more this was Argentina, Chile and Urugay, between others. It was a hard moment, bloody and really full of injustice, and now, years after, is a situation that really shame much of us, and "Garage Olimpo" is one that Must See and Must Feel experiences, because make you take on count of a lot of things, and is exactly a prove, a response of a lot of the injustices in this moment. There was in 1986 another movie called "La Noche de los lápices", another masterpiece which treat this topic, also in Argentina, but the difference here, is that "Garage Olimpo" doesn't makes you tremble so much as think and too feel really bad.

"Garage Olimpo" is a sad experience because shown us a city (This was explained by director Marco Bechis who live too some of this dictatorship) divided in two -You feel this all the time with takes of Buenos Aires at night and at day - : Up, the cars move really normal, the kid play and the grown ups work, all is very normal. At the same time, down, people is abused, is sick and without any chance of see, and no thanks to a blanket which cover their eyes, is because, in middle of darkness, they can't see another future better than suffer and finally death. This film shown us a reality that, unfortunately, is see it here, in Colombia, in Argentina, in Latin America, in all the world.

"Garage Olimpo" is not only an historical achievement, is too a movie for the memory and hearts for the Latin American. Is a movie that get stuck in your mind telling you that something must to change. This is not a positive film, seeing that kind of things, there's not something positive to say.

*Sorry for the mistakes...well, if there any.

Bechis is a good example of the best Costa Gavras that you could ever see. This very dark Argentinian period is photographed with a very clean and doubtless hand. Do not leave anything pending, Bechis's position is quite clear and naked. The reality given by certain scenes could remember you some of those films shot in "film veritè" technique. The only critic that I could say about the film is that I would have prefer to get into deeper details of certain characters of the reasons why they decided to be torturers and follow certain life. A film that will not be forgotten, much less commercial than "Missing" of Costa Gavras. A fist in the stomach. Rating: 7

As a person who suffered enormously at the hands of military establishment in Argentina, director Marco Bechis is the best person to know more about his film "Garage Olimpo". He wrote this film with his long time collaborator Lara Fremder who has already worked with him for three films. This film gives vivid details about what exactly happened in one of the torture cells in Buenos Aires where innocent people were subjugated to the worst forms of physical suffering. The film presents some good views of Buenos Aires as one gets to see big modern buildings on one side and shanty towns on the other side. On the surface level everything appears to be normal and it is only the relatives of the tortured people who are shown as facing tough times. Although the torture cell is portrayed in a detailed manner, Marco Bechis ensures that it does not become graphic. This is the reason why the torture is not at all glorified but merely depicted as one of the dirty tricks employed by the military to control its political opponents. The film is gripping as it shows that everybody is involved including the religious priest. One also gets to see that there are no loyalties and nobody could be trusted. It is towards the end that one gets a better idea of the evil designs of Argentine military establishment who chose to carry innocent people on its planes in order to drop them alive in the water. Despite having been chosen for "Un Certain Regard" section at Cannes International Film Festival 1999 and a theatrical release in France, this autobiographical film by Marco Bechis deserves to be known better as it carries the important message that human rights are important in order to stop the persecution of innocent people.

In the 70's, the eighteen year-old Maria Fabiani (Antonella Costa) lives with her French mother Diane (Dominique Sanda) in an old house in Buenos Aires, subletting rooms and giving classes to illiterate adults in the slums. One of the tenants, Felix (Carlos Echevarría), has a non-corresponded crush on Maria. When the teenager is abducted in her house by the Argentinean army accused of subversion, her mother seeks her out in the 23rd Precinct where one of the military without uniform tells her that they are heading with Maria. While Diane desperately tries to find information about her daughter, Maria is submitted to torture in the hideous underground of the Garage Olimpo. Out of the blue, Felix and she meet each other in the interrogation room and Maria finds that he is one of her torturers. Felix protects Maria the best he can while the prisoner develops the Stockholm Syndrome to her hostage-taker.

"Garage Olimpo" has just been released on DVD in Brazil and depicts the dark age of Argentina in the late 70's and early 80's (and also in most South America – Brazil, Chile and Uruguay), when the military governments sponsored by the United States of America disrupted the human rights of the civilian societies and promoted coup d'état and takeover, toppling the governments elected by people. In Argentina, the common practice was the torture and subsequent death of the militants that were drugged and then dropped in the sea by military airplanes, with their children given for adoption especially in the period 1976-1983. In Argentina, the unofficial number of missing persons in accordance with Human Rights Organizations is about 30,000 people. In Brazil, the number of people arrested by the military government was between 50,000 and 70,000 and in the present days, after the amnesty that protected mainly the torturers, there are still 140 missing persons. Garage Olimpo shows this procedure through the relationship of Maria with Felix, and also the desperation of her mother. Later, the Argentinean mothers of missing people have become human rights activists and formed the organization "Mothers of the Plaza de Mayo" with the goal of finding their kidnapped children. Therefore, Garage Olimpo is a must-see especially for the youngest generations that might be not aware of the horrors of this period. The Brazilian DVD does not translate the last sentence in the movie accurately. My vote is seven.

Title (Brazil): "Garage Olimpo"

Bechis masters both camera and music to create an unbearable atmosphere of repression. Rarely have I seen such overpowering scenes deftly juxtaposed with banal shots of everyday city streets, effectively highlighting the urgent, yet hidden nature of political dissent. Not for the lighthearted, but for those willing to endure a gut-wrenching film for the sake of experiencing the tragic reality of what actually happened in Argentina, Chile and, more disturbingly, what probably is going on right now in places like Iraq and Guantanamo Bay, even as you read this. I definitely think films like this should be shown as a counterweight to the current sanitized version mainstream media feeds us, after being put through the hell of the concentration camp style 'garage olimpo', I doubt anyone would believe much in the hollow promises of militaristic presidents ever again.