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IMDbPro

Chris Rock: Bring the Pain

  • TV Special
  • 1996
  • TV-MA
  • 58m
IMDb RATING
8.2/10
4.4K
YOUR RATING
Chris Rock: Bring the Pain (1996)
Stand-UpComedy

The second HBO stand-up special by Chris Rock.The second HBO stand-up special by Chris Rock.The second HBO stand-up special by Chris Rock.

  • Director
    • Keith Truesdell
  • Writer
    • Chris Rock
  • Stars
    • Chris Rock
    • Jim Breuer
    • Mario Joyner
  • See production info at IMDbPro
  • IMDb RATING
    8.2/10
    4.4K
    YOUR RATING
    • Director
      • Keith Truesdell
    • Writer
      • Chris Rock
    • Stars
      • Chris Rock
      • Jim Breuer
      • Mario Joyner
    • 13User reviews
    • 2Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Won 2 Primetime Emmys
      • 3 wins & 2 nominations total

    Photos3

    View Poster
    View Poster
    View Poster

    Top cast8

    Edit
    Chris Rock
    Chris Rock
    • Self
    Jim Breuer
    Jim Breuer
    • White Fan
    • (voice)
    Mario Joyner
    Mario Joyner
    • Black Fan #1
    • (voice)
    Tracy Morgan
    Tracy Morgan
    • Black Fan #3
    • (voice)
    Nelson George
    Nelson George
    • Self
    • (uncredited)
    Monteria Ivey
    • Announcer
    • (voice)
    • (uncredited)
    Ali LeRoi
    Ali LeRoi
    • Various
    • (voice)
    • (uncredited)
    Tony Rock
    Tony Rock
    • Self
    • (uncredited)
    • Director
      • Keith Truesdell
    • Writer
      • Chris Rock
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews13

    8.24.3K
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    Featured reviews

    7TheExpatriate700

    Good Comedy Special

    I only saw Chris Rock: Bring the Pain recently, having previously owned the album of the same performance. Although the HBO special shares many routines in common with the album, there is also material not on the recording waiting to be discovered.

    Rock's routine is hilarious, with even the most topical bits still funny after fifteen years. Sketches about Marion Barry and the Million Man March continue to draw laughs, long after their expiration dates. Other, politically incorrect lines about race relations in the United States hold up long after the race debates of the nineties. This is in large part due to Chris Rock's energy and skilled delivery of the material.

    The last twenty minutes or so of the special drag out somewhat. Rock switches from cutting racial commentary to more standard material dealing with relationships. This material is nowhere near as humorous, and comes as a letdown. Still, the special is well worth watching, and will definitely make you laugh.
    tedg

    Switch Hitter

    Rock repels me when he tries to be in a "real" film. But I have to admit that he is a terrific standup guy.

    I assume that's true of him as a person, but what I mean is as a comic. I dive into these things from time to time and am frequently disappointed. Oh, sometimes I laugh but its only a half a laugh until you realize what's happening.

    Most standup is insult comedy, usually associated with identity comedy. I'm sure there is an immigrant, Vaudeville history there. But most black comics today do the identity thing.

    Rock is sort of a genius in what he does, and since it is so finely tuned it must be conscious.

    Here's what he does: he'll take the black community to task for some characteristic or behavior that is taboo to mention in the US. He'll hammer on it until it threatens to catch fire. Then in apparent seamlessness, he'll switch from being outside the group to inside and the switch itself will be funny.

    For instance, he'll riff on OJ and violent blacks and how OJ's wife deserved to be killed. People will howl with nervous laughter. Then without missing a beat or change tone, he'll make fun of such an attitude. Poking fun at stupid blacks who think this way. The laughter will not start anew but continue from the old, building layer upon layer. Then he'll switch back, talking about slapping a bitch around, Then another switch about how that's not acceptable. People still laughing. Oh, he'd never, never (many nevers) hit a woman....

    But he'd shake the bleep out her, and he caps it off by acting out this violence. Weeping, hurting laughter.

    Its because the man knows the precise point at which the boundary can be pushed. When he gets just to that point, just barely there, he pirouettes to the other side and pushes back until the boundary is dangerously close to breaking the other way.

    It's brilliant, because no one at all talks about that boundary in the US. Not seriously. So we get a couple things. We get to see a dancing concept master do his stuff. We get to confront something we avoid at all costs. We get to see risk in him and it makes us free to take some risks. Oh, we laugh.

    But we love the guy too.

    I've seen a few other shows. I think this is the best.

    Ted's Evaluation -- 3 of 3: Worth watching.
    rikitiki

    Funniest One Hour of Television

    I wasn't a Chris Rock fan until I saw this show. I'd catch just a few moments of the show while channel surfing, and didn't think much of it. One night, out of boredom I watched a few minutes of his material and was floored. I couldn't believe how funny he was. On further airings I caught the complete show, and discovered his humour also contained cutting social insights which added to the humor.
    9Batkid1

    Rock's first concert is a Hoot !

    While he is more popular for his recent concerts like "Never Scared" and "Bigger and Blacker" to his HBO T.V. Show as well as his early work on "Saturday Night Live," this is a must-own for any fan of the brilliant and daring Chris Rock.

    This was his first "big" concert for the Home Box Office and it did deserve the Emmeys it got because it is very well written and will cause laughter to ensue every minute!

    Rock wisely mixes his vulgar words along with his political views and general beliefs, thus, allowing each act to have a message behind it as well as the punchline getting executed 'no problem.'

    While he is incredibly similar to his idol's Richard Pryor, George Carlin and Eddie Murphy, Chris relies less on "shock value" and doesn't repeat himself as often as other comedians do.

    Recommended for people 16 and up ( contains strong language and brief sexual humor ).
    9dangerhorse

    May be the funniest stand-up performance I have ever seen

    Chris Rock's Bring the Pain may be the funniest stand-up comedy I have ever had the pleasure of experiencing. The barbs are excrutiatingly accurate, raunchy, and hilarious, and are (no kidding) extraordinarily thought-provoking.

    Just so you know where my commentary is coming from, I am a 40 year old, white, middle-class male from Houston, Texas. I have seen Rock's talk show on HBO, and haven't really cared for it. I thought he was reasonably entertaining on Saturday Night Live, but nothing spectacular. When it comes to stand-up comedy, I'm a big fan of circa 1978 Steve Martin stand-up (Wild and Crazy Guy) and I love Seinfeld's 'I'm Telling You for the Last Time'.

    Do yourself a favor, rent/buy 'Bring the Pain' and prepare yourself for some mind-blowing, prejudice-shattering, side-splitting hilarity.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Andrew Dice Clay helped Rock prepare for the special. He helped Rock to take particular care in his stage presence and his wardrobe. Clay receives a special thanks in the closing credits.
    • Quotes

      Chris Rock: We don't need the Death Penalty, we have the tossed salad man! If I had to choose between the Electric Chair and the tossed salad man I'd be going "Where do you plug this thing in? Shouldn't I be wet?"

    • Crazy credits
      Special Thanks - Little Penny
    • Alternate versions
      In April 8th, 1997, audio from Bring the Pain was remade into Chris Rock's album: Roll With The New, featuring original skits including Dave Chappelle reprising his role from the Nutty Professor in two skits.
    • Connections
      Edited into Heroes of Black Comedy (2002)
    • Soundtracks
      Touch Me, Tease Me
      Composed by Mary J. Blige, Kenny "K-Smoove" Kornegay, Foxy Brown, Schoolly D,

      Case, Daryl Young

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    Details

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    • Release date
      • June 1, 1996 (United States)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • Крис Рок: Дерзайте
    • Filming locations
      • Takoma Theatre, 6833 4th St NW, Washington, District of Columbia, USA
    • Production companies
      • CR Enterprises
      • Home Box Office (HBO)
      • Production Partners
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      58 minutes
    • Color
      • Color
    • Aspect ratio
      • 1.33 : 1

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