In the vein of CONAN THE BARBARIAN and Lucio Fulci's CONQUEST comes a tale of mythology and magic, of how THOR, a legendary god, triumphs over overwhelming odds to great victory and the dest... Read allIn the vein of CONAN THE BARBARIAN and Lucio Fulci's CONQUEST comes a tale of mythology and magic, of how THOR, a legendary god, triumphs over overwhelming odds to great victory and the destruction of his foes. After both his parents are brutally murdered by his father's rival Gn... Read allIn the vein of CONAN THE BARBARIAN and Lucio Fulci's CONQUEST comes a tale of mythology and magic, of how THOR, a legendary god, triumphs over overwhelming odds to great victory and the destruction of his foes. After both his parents are brutally murdered by his father's rival Gnut and his men the new born Thor is placed in hiding by the physical embodiment of the god... Read all
- Thor
- (as Conrad Nichols)
- Ino, Third Virgin Warrior
- (as Malisa Lang)
- Gnut
- (as Raf Falcone)
- Etna, the Owl
- (as Christopher Holm)
- Barbarian Chief
- (uncredited)
- Cannibal Chief
- (uncredited)
- Barbarian
- (uncredited)
- Gnut's Tribesman
- (uncredited)
Featured reviews
It´s the "new" story of a guy named Thor whose parents got killed by a bad guy named Gunt in the beginning. With the aid of a strange magician (who transformes into a Owl from time to time) he grows up to be a great warrior. But first he has to find a magic sword (yawn), kill hordes of bad looking cannibals and learn to make love (just kisses are allowed here).
The whole pic was shot in a small forest, the only buildings (sort of) are three strawhuts which stand in for a village and a cave which hides the sword.
To name the performances "acting" would be unfair to any school-theatre-group, to call the work of the director "directing" would be against any good taste. But the worst of all are the "fight-scenes" and there many of them in this stinker.
Don´t rent it - ignore it, and if you see it through any bad coincidence - wash your eyes and try to forget this wasted time. It´s not even so bad its good - trust me
attempts at humour seems to be directed at the viewer, just to say
"The joke's on you, sucker !", but I have to point out one scene
where we see the hero and one cronie walking to Well, walking.
Obviously you can see a whole modern village (Italian, I gather) in
the background with no attempt to hide it ! I wonder if it was
intentional or just sloppyness. Of course, you'd say, nowadays they do the same thing in the US,
with a 30 mil budget and a few MTV groovy young stars and none
of the wackiness typical to Italian B-movies, but Check a Sergio
Martino movie instead of this one. And I saw it in a theatre. After all, maybe I SHOULD get a life
Thor the Conqueror AKA Thor il conquistatore is directed by Tonino Ricci and is agonisingly one of the bottom of the barrel of the countless Conan the Barbarian cash-ins. Sadly it doesn't hold a candle to the likes of Lucio Fulci's Conquest, Ator or Thorne of Fire. It has nothing to with Thor opening with a low budget zero budget version of Conan's opening. If anything the savage-look seems more One Million Years B. C. (1966), Planet of the Apes TV series (minus the apes) or Tarzan classics. Made in 1983, it feels more 1963.
Unfortunately Ricci is unable to create any sort of atmosphere or visual interest on the backdrop of the beautiful scenery, it suffers from the usual quality issues, poor sound design, editing and clunky staging. Possibly due to the budget, Ricci appears to set this so far in the past that this flat bland approach allows there to be little if any sets.
Luigi Mezzanotte plays Etna, the Owl (as Christopher Holm) who pops up like Richard O'Brien, oddly narrating now and again as Thor and Sheeba aimlessly fight cannibals, also warrior soldiers, slashing, axing, decapitating heads as they walk the lands. It sounds better than it is. Even familiar Italian actors including Raf Baldassarre as Gnut who gives a larger than life performance or underused Malisa Longo can't lift Tito Carpi's bare bones story and screenplay. Blinded at one point, still nothing can stop long hair model-like Bruno Minnit's Thor, not even snakes or horses from getting his magic sword. The stunning Maria Romano Sheeba, the slave is notable but sadly gets little to do. Actually Romano is one of the few redeeming features of Ricci's offering.
All things considered, it's barebones at best. Yet again, the poster art is far superior than the film.
As I eagerly awaited it's arrival, anticipation built to levels of which I had never experienced. Finally the sparkling gem was I my hands. I immediately placed it ever so carefully into my player and the end of my journey was almost complete. 85 minutes later I took a deep breath and sat silently as the credits rolled.
What an absolute piece of sword and sorcery garbage. I really can't think of any redeeming qualities this has other than it has to be seen to be believed. Cinematic gold.
Did you know
- ConnectionsReferenced in Best of the Worst: Our DVD and Blu-ray Collection (2019)
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