Au temps de la guerre des étoiles

OK, if you are reading this, you have probably already heard about the nightmarish details of this film. Carrie Fisher sings, badly, an "inspirational" version of the Star Wars theme. Art Carney shows way too much skin. Mark Hammill looks like a drag queen, and Harrison Ford looks like he was dragged on set against his will by a gang of thugs.

The "musical numbers" are bizarre, irrelevant, and bear no resemblance to anything else. I think I speak for everyone when I say that I hope that mysterious orifice on the top of Harvey Korman's head has one, and only one, use.

But, gentle reader, I do not criticize the painful individual moments of this disaster, no matter how many there are. I do not even criticize the fact that Wookies are made to look like either obnoxious twits or creepy perverts. No, I want to talk about pacing, or in this work's case, p-a-c-i-n-g...

Taken as a whole, there was about enough plot here for a 30 minute network special. But, that would not be long enough. So, the viewer gets 20 minutes of wookie-speak, which goes nowhere. And dance numbers, which go nowhere... And Bea Arthur singing, which might go somewhere we don't want to know about... The fact is, amazingly little happens during this thing's excruciatingly long running time.

Having a martini handy is a must. Just do not drink every time you get bored.

...seriously, what Star Wars fan *wouldn't* want to watch this? Well, maybe a few - I remember when this first aired, this young kid was totally psyched, and got all my snacks ready and sat at the TV -- and after 15 minutes, I turned if OFF. I am going to try to give a different take towards this one than the other reviewers, because of course they are all correct, this is an amazingly bad piece of garbage.

First off, yep, I and no one else who is a Star Wars fan who has seen this will ever disagree it is complete and total crap. But you know the old saying about train wrecks, you just *have* to watch them, this is that. Because as unbelievably horrible as it is, and as totally unfathomably bad every scene is, as a Star Wars fan you wanna see these characters in new scenes.

It IS cool seeing "new" footage of Han and Chewie in the Falcon's cockpit. It's cool seeing Luke do his thing, Leia, the droids, everyone, although this is nothing but a huge mess, you gotta like seeing these characters again somewhere. Of course, as you watch you may say to yourself that you wish you had NEVER seen this, because it taints the memory of these great Star Wars characters. So was actually seeing this special worth it? If you can keep your feelings about Star Wars in check and dismiss this easily, sure it is.

The Boba Fett appearance in the animated sequence is very cool, best thing about the show probably. It's too short though, especially in such a long show.

But you know, this is one part of the Star Wars universe where I would love some additional information. The special itself we have - but this is the only piece of the Star Wars universe we know almost nothing of the background about. How was this show proposed? What were the creative meetings for this abomination like? Who felt this should be 2 hours long in broadcast time? What did the actors say and feel when they read what they were supposed to do? How did the recording of Carrie Fisher's "Star Wars song" go? Did everyone on screen just think this was a big joke before it was through?

And most importantly...did absolutely no one whatsoever in power have any ability at all to see this final product and realize what a complete piece of garbage this was, and what a blight on the Star Wars universe this would surely become? Were there stipulations that said this HAD to air, and they couldn't even trim it down?

I can't believe after creating such a masterpiece like "Star Wars" that George Lucas didn't have the eyes to see what a total hack job this Star Wars Holiday TV Special was. (Even with "Episode 2" in existence I still have to give George the benefit on this one.)

So c'mon....what is the REAL untold story behind this...this....this thing?

Maybe the "E" network can help?

THAT would make for a much better tale than anything on this special.

But you gotta watch.

One more interesting note -- at a sci-fi con in New Jersey in the later 90's, at the end when the place was clearing out, one dealer that was selling tapes still had his TV on and he had none other than the Star Wars Holiday Special playing, maybe hoping to sell a last copy or two. Then, none other than convention guests Peter Mayhew (Chewie) and Kenny Baker (R2D2), by themselves, passed this dealer's table on their way out, and saw the Special playing, and then they started staring intently at it. Their jaws just dropped. The dealer was shocked when he noticed them (he was packing his stuff) and then he said something like "hi guys," and both Peter and Kenny answered with something along the lines of that they haven't thought about the Special in many years. Then Peter said "c'mon Kenny" and they walked off. Interesting!

I was 14 when this thing originally aired. It galls me to this day, and here is why:

A little more than a year earlier, an awesome film with spectacular cinematic production values was released. It was called Star Wars. Not "A New Hope", not "Episode IV"...just..."Star Wars". And it blew everything else away. You can tell when certain films create a defining moment: the science-fiction film genre is neatly divided into 'before Star Wars' and 'after Star Wars'. This was something that even "2001: A Space Odyssey" couldn't do, even if it was (and still is) the pinnacle of writing and directing science-fiction for the big screen. The reason was simple: Star Wars connected profoundly with *every* kid's 'wanna be an astronaut/fireman/policeman when I grow up' youthful fancy, even if the 'kids' were thirty-somethings (or older!). Star Wars, in its pre-episodic release, was a wonderfully simple story, not the muddled-with-forward-and-backward-references, vastly more complex story the saga was to become. It is this simplicity I sometimes miss, perhaps because it reminds me of a time when my own life was less complicated.

When rumors of the 'Holiday Special' began, I recall it actually being looked upon as eagerly anticipated, at least among the people I knew at the time. This was mid-1978, probably when the actual holiday special footage was being recorded. Already the first indications of a new Star Wars film, The Empire Strikes Back, were public knowledge, so this holiday special just *had* to be built along the same production values as the films. Or so I (and a lot of others) thought. I should have known better, the special being for television and not cinema. When the Holiday Special aired, I was ready to be transported to that galaxy far, far away and be dazzled all over again...

The opening was promising, what with Han and Chewie being chased down by Imperial Star Destroyers and so on, yet even this opening teaser had an omen of doom attached, that being when Han said something like "That's the spirit, you'll be celebrating Life Day before you know it!" Han wasn't the only one beginning to get a bad feeling about this. The opening credits are when I actually started to fear the worst. These were NOT film-optical titles! They were video-overlays. The problem is, I just saw a scene obviously shot on film. And why are all these sitcom/variety show actors in the billing? Then it began to hit me: stock footage was going to represent actual Star Wars content, and the rest is going to be a nightmare version of the Carol Burnett Show. This wasn't going to be on the same planet of production values as Star Wars, let alone the same room. And I was exactly right! For the next 2 hours I watched, hoping in vain for some sort of payoff that justified the unfolding tragedy. Today, I remember only two distinct moments in the Holiday Special that got a reaction out of me: 1) I was p***ed off when the Imperial Stormtrooper broke the kid's crystal radio 2) I reasonably liked the animated bit.

After it was all over, I remember being angry. Not because I'd just been subjected to a crappy variety show with the Star Wars nameplate attached, but that this was broadcast nationwide and that a LOT of people (kids my age in particular) weren't going to be able to deal with that ineffable 'spark of magic' that made Star Wars such a delight being doused in a bucket of water. The almost-naive innocence that Luke Skywalker brought forth in all of us was gone forever, because we had just seen the magic turned into crap.

It would be another two years before Empire's release. Only then did most of the harm get undone. But not entirely. ESB is by far the best written of the five theatrical films that exist as of this writing, but with ESB began the complex story telling. And while the story in ESB was well-told, it comes with a price: Luke's actual loss-of-innocence visibly marks the point when Star Wars ceased to be a childhood delight and transcended into epic storytelling. If the Holiday Special had aired after ESB, I wouldn't have been so angry. At least our innocence would have been plausibly lost as we settled into watching a mature story, instead of rudely torn from our souls by a bunch of hack TV writers.

It is safe to say that Star Wars was THE big culture craze of the 1970s. The Sixities had Beatlemania, the Seventies had Star Wars-mania. And just to underscore the parallel, the Fab Four released a film 'The Magical Mystery Tour' which was shown on Christmas 1968 by the BBC in black and white. The movie was a critical and commercial disaster, regarded as painfully bad. Exactly a decade later, the Midas-touch of Star Wars also gave out when Luke, Han, Leia and Chewie ventured onto the small screen for this seasonal special. But while the 1968 TV fiasco at least gave us hits like 'I am the Walrus' and 'Fool on the Hill', the 1978 special has Carrie Fisher singing 'The Life Day Song' to the tune of the John Williams theme music! Yep..you read that right. Carrie Fisher, resplendent in her bedlinen-and 'donught' hairdo warbles a song... "A day that takes us through the darkness/A day that leads us to life/A day that leads us to celebrate/A lifeee/To live/To laugh/To dream/To grow/To know....!!!!" Anyone who thought 'Attack of the Clones' was a disappointment needs to check out this CBS 'family special' in which Han and Chewbacca are racing across the galaxy to get to Chewie's home planet in time for the Wookie's equivalent of Thanksgiving, Life Day. This being 'A Long Time Ago in a Galaxy Far, Far Away' there can't be a Christmas, you see. The equivalent seems to involve lots of robed and hooded Wookies marching across the stars into the sun! Parts of 'Episode Four a New Hope' that ended up on the cutting room floor are slotted in for the space sequences. The Millennium Falcon is being pursued by some highly camp Imperials. Meanwhile, back on Chewbacca's planet we are introduced to his 'wife' (Malla) his cutsey proto-Ewok son (Lumpy) and his rather perverted father-in-law Itchy. Thus for about 10-15 minutes we have Malla in an apron making 'HHHAARPPPPHH!' and 'WHHHUUUUURRRRRRRKKK' noises at her son for not tidying up his room (it has stuffed Banthas). Without subtitles too... At intervals, Lumpy contacts some of the Star Wars Cast by videophone. Remember, this is the winter of 1978 when Carrie Fisher was having boyfriend trouble with Paul Simon and drug problems while Mark Hamill had recently been in a near-death car accident. In both cases, it really shows... Hamill, in particular, having recently undergone extensive facial reconstruction anticipates 'New Romantic' fashions by three years, appearing caked in make-up. Elsewhere, Art Carney and Bea Arthur appear in the Mos Eisley cantina where, having chatted to a giant hamster, launch into a musical number. Of course, being a Seventies Holiday Special, musical numbers abound. The viewer half expects Marie and Donny Osmond to start a musical debut on the Yavin rebel base but sadly, this never happens. Instead, Jefferson Starship turn up on some kind of hologrammic chessboard. But best of all, Itchy settles into an interactive video-machine and watches Diahann Carroll sing a 'lurve' song that causes him to become 'excited' in a way that must have at least some parents shielding their kids' eyes. What is fascinating about this 1978 TV Special is the way in which all involved have conspired to airbrush it from history. Carrie Fisher pretended not to know what the journalist was talking about in an interview some years later. The director Steve Binder is known for directing the 1968 Elvis 'Comeback' while writer Pat Profit later went on to script the 'Naked Gun' movies. The lesson would seem to be that while music and comedy have their place, they need to be kept to a minimum in a galactic epic. The 'musical' number in Jabba's palace was the least watchable part of the 'Special Edition' Return of the Jedi. Comic relief can be painful if not thought out properly (We're looking at you, Jar Jar Binks...)

Lucas, who gave the go ahead to the Thanksgiving Special is reported to have said he'd like to smash every every bootlegged VHS tape of this excruciating show...serves you right George for such a cynical attempt to grab the pre-Christmas toy market.

I was stoned out of my mind when I saw this thing. It's truly stunning. Note that Hollywood Squares staple Bruce Vilanch was one of the writers. (This show bears odd similarities to his other opus, "The Brady Bunch Variety Hour".) By the time this creation, which I call "Episode 4.5" was in its zenith, so was I; the pipe was empty. I felt as though Princess Leia's voice was vibrating in my spine. At one point she looked right at me and I saw her with my entire face, not just my eyes. The best moments are with Bea Arthur. I rewound the exchange between her and "Ludlow" and "Thorpe" about twenty times. "Short memory, eh, Thorpe? SHORT MEMORY!" By the time the Wookies were walking through outer space in red robes towards what appears to be the sun I felt as though I was with them. I don't remember the cartoon, but I do recall Mark Hamill looking like he was auditioning for the Gay Ice Capades. Also, you will find out several things you may have wanted to know about "Star Wars":

How do Wookies entertain themselves? Why is Grandpa Wookie named "Itchy"? What is the warm, cuddly side of Han Solo? What would a love scene between Bea Arthur and Harvey Korman REALLY look like? What are the lyrics to the "Star Wars" theme? And what would they sound like if Princess Leia sang them? What would it be like for an aged, portly Art Carney to engage in a familiar "Honeymooners" routine with an Imperial Guard as his Ralphie-boy? But it stll leaves several questions: Why does "Lumpy" so resemble the kid from "Eight is Enough"? Why do the characters from "Star Wars" never change their clothes until "The Empire Strikes Back"? What was the story behind the "Short memory!" crack? Was there a romance between Bea Arthur and "Thorpe"? If so, what are the long-term consequences to the Cantina atmosphere? Was Bea Arthur just filling in that day for the big ugly fellow who ran the bar in "A New Hope"? Or does she own the place? Why do Imperial Guards adore "Jefferson Starship", and why do old Wookies have a fetish for African-American Humans?

I hope Lucas creates another one of these. I would love to see Jar-Jar Binks exchange puns with Kelsey Grammar or Ray Romano.