“Honeytrap” will be like a skewed, tilted version of the more romantic films I’ve done before,” said the multi-awarded Danish writer-director Lone Scherfig to a packed audience of industry delegates Jan. 30, at the opening session of Göteborg’s Nordic Film Market Discovery program.
In an express on-stage interview, the triple Oscar-nominated helmer of “An Education,” said “Honeytrap” will be her first ever Swedish project, based on a script by Pelle Rådström, credited for Netflix’s “Black Crab” and the Swedish show “Pressure Point” which just picked up the Nordic Series Script Award in Göteborg.
“I felt the script (handed out to me by producer Rebecka Hamberger) had everything I love: a thriller element, love and humor. It’s set in the 60s, an era from my early childhood, that I’ve also portrayed in several works including in “An Education.” It’s super good and I’m very confident with it,...
In an express on-stage interview, the triple Oscar-nominated helmer of “An Education,” said “Honeytrap” will be her first ever Swedish project, based on a script by Pelle Rådström, credited for Netflix’s “Black Crab” and the Swedish show “Pressure Point” which just picked up the Nordic Series Script Award in Göteborg.
“I felt the script (handed out to me by producer Rebecka Hamberger) had everything I love: a thriller element, love and humor. It’s set in the 60s, an era from my early childhood, that I’ve also portrayed in several works including in “An Education.” It’s super good and I’m very confident with it,...
- 1/30/2025
- by Annika Pham
- Variety Film + TV
Swedish screenwriter Pelle Rådström has won the first Nordic Series Script Award for his show Pressure Point.
The award, previously known as the Nordisk Film & TV Fond Prize, was handed to Rådström this evening at the Göteborg Film Festival. The award comes with a Nok 200,000 cash prize.
The award jury featured Henriette Steenstrup, Actor and Screenwriter, Norway; Joanna Szymańska, Producer and CEO at SHIPsBOY, Poland; Linus Fremin, TV Critic and Creative Director at Make Your Mark, Sweden.
“In a time when authentic, brave storytelling is rare, Pressure Point stands out as a series that resonates with the intelligence of its audience,” the jury said in a statement. “Instead of simplifying complex human experiences, it delves deeply into themes of freedom of expression, criminal justice, and rehabilitation, presenting characters in a profoundly human way. Inspired by a real-life tragedy, it masterfully explores the consequences of good intentions going awry, challenging us...
The award, previously known as the Nordisk Film & TV Fond Prize, was handed to Rådström this evening at the Göteborg Film Festival. The award comes with a Nok 200,000 cash prize.
The award jury featured Henriette Steenstrup, Actor and Screenwriter, Norway; Joanna Szymańska, Producer and CEO at SHIPsBOY, Poland; Linus Fremin, TV Critic and Creative Director at Make Your Mark, Sweden.
“In a time when authentic, brave storytelling is rare, Pressure Point stands out as a series that resonates with the intelligence of its audience,” the jury said in a statement. “Instead of simplifying complex human experiences, it delves deeply into themes of freedom of expression, criminal justice, and rehabilitation, presenting characters in a profoundly human way. Inspired by a real-life tragedy, it masterfully explores the consequences of good intentions going awry, challenging us...
- 1/28/2025
- by Zac Ntim
- Deadline Film + TV
Always a frontrunner, “Black Crab” scribe Pelle Rådström has won Göteborg’s Nordic Series Script Award for his screenplay of “Pressure Point,” a tense, involved and compelling three-part miniseries on the build up to murders which shook Sweden to its core.
The winner was announced at an awards ceremony on Jan. 28 during the Göteborg Film Festival’s TV Drama Vision. Rådström’s Award comes with a cash prize of €17,000 ($), funded by the Nordisk Film & TV Fond.
The prize comes as relations between Sweden’s film-tv sector and its government have built to open hostility, with Göteborg Fest honorary president Ruben Östlund calling Sweden’s “culture policy” embarrassingly uneducated, after culture minister Parisa Liljestrand’s speech at Göteborg’s opening ceremony on Friday.
In such a context, the prize is also an endorsement of public broadcaster Svt’s support for a mini-series made with acute, nuanced intelligence which offers at...
The winner was announced at an awards ceremony on Jan. 28 during the Göteborg Film Festival’s TV Drama Vision. Rådström’s Award comes with a cash prize of €17,000 ($), funded by the Nordisk Film & TV Fond.
The prize comes as relations between Sweden’s film-tv sector and its government have built to open hostility, with Göteborg Fest honorary president Ruben Östlund calling Sweden’s “culture policy” embarrassingly uneducated, after culture minister Parisa Liljestrand’s speech at Göteborg’s opening ceremony on Friday.
In such a context, the prize is also an endorsement of public broadcaster Svt’s support for a mini-series made with acute, nuanced intelligence which offers at...
- 1/28/2025
- by John Hopewell
- Variety Film + TV
If Criterion24/7 hasn’t completely colonized your attention every time you open the Channel––this is to say: if you’re stronger than me––their May lineup may be of interest. First and foremost I’m happy to see a Michael Roemer triple-feature: his superlative Nothing But a Man, arriving in a Criterion Edition, and the recently rediscovered The Plot Against Harry and Vengeance is Mine, three distinct features that suggest a long-lost voice of American movies. Meanwhile, Nobuhiko Obayashi’s Antiwar Trilogy four by Sara Driver, and a wide collection from Ayoka Chenzira fill out the auteurist sets.
Series-wise, a highlight of 1999 goes beyond the well-established canon with films like Trick and Bye Bye Africa, while of course including Sofia Coppola, Michael Mann, Scorsese, and Claire Denis. Films starring Shirley Maclaine, a study of 1960s paranoia, and Columbia’s “golden era” (read: 1950-1961) are curated; meanwhile, The Breaking Ice,...
Series-wise, a highlight of 1999 goes beyond the well-established canon with films like Trick and Bye Bye Africa, while of course including Sofia Coppola, Michael Mann, Scorsese, and Claire Denis. Films starring Shirley Maclaine, a study of 1960s paranoia, and Columbia’s “golden era” (read: 1950-1961) are curated; meanwhile, The Breaking Ice,...
- 4/17/2024
- by Nick Newman
- The Film Stage
Lynn Loring, who appeared as a young actress on Search for Tomorrow, The Many Loves of Dobie Gillis and The F.B.I. before becoming one of the highest-ranking female executives in Hollywood at the time, has died. She was 80.
Loring died Dec. 23 at Providence Cedars-Sinai Tarzana Medical Center after a series of chronic illnesses, her son, Chris Thinnes, told The Hollywood Reporter. Her family chose not to make public her death until now.
Loring also acted in a few movies, including Elia Kazan’s Splendor in the Grass (1961), Pressure Point (1962) and, alongside then-husband Roy Thinnes, Journey to the Far Side of the Sun (1969).
When she was 7, Loring joined the new CBS soap opera Search for Tomorrow in September 1951 for the first of its 35 seasons. She would portray Patti Barron, daughter of Mary Stuart’s Joanne Gardner, for a decade until she graduated from the Calhoun School for Girls and entered Barnard College...
Loring died Dec. 23 at Providence Cedars-Sinai Tarzana Medical Center after a series of chronic illnesses, her son, Chris Thinnes, told The Hollywood Reporter. Her family chose not to make public her death until now.
Loring also acted in a few movies, including Elia Kazan’s Splendor in the Grass (1961), Pressure Point (1962) and, alongside then-husband Roy Thinnes, Journey to the Far Side of the Sun (1969).
When she was 7, Loring joined the new CBS soap opera Search for Tomorrow in September 1951 for the first of its 35 seasons. She would portray Patti Barron, daughter of Mary Stuart’s Joanne Gardner, for a decade until she graduated from the Calhoun School for Girls and entered Barnard College...
- 4/2/2024
- by Mike Barnes
- The Hollywood Reporter - Movie News
Sean Connery helped redefine movie stardom thanks to his role as James Bond, an impossibly suave super-spy with a taste for martinis that were shaken, not stirred. In films like “Dr. No,” “Goldfinger,” and “You Only Live Twice,” the Scottish actor created a template for a fresh and exciting action hero, one whose womanizing, hard-drinking ways and penchant to solve any dispute with the barrel of a Walther Ppk presaged a new and more permissive era of on-screen sex and violence.
The man who would be 007 turns 90 on Tuesday and has been off the silver screen since opting to retire in 2003 after appearing in the execrable “The League of Extraordinary Gentlemen.” (Why do the great ones go out with a whimper? Here’s looking at you Gene Hackman/”Welcome to Mooseport”). However, his legacy continues to reverberate — it can be felt in everything from Tom Cruise’s globe-trotting “Mission: Impossible...
The man who would be 007 turns 90 on Tuesday and has been off the silver screen since opting to retire in 2003 after appearing in the execrable “The League of Extraordinary Gentlemen.” (Why do the great ones go out with a whimper? Here’s looking at you Gene Hackman/”Welcome to Mooseport”). However, his legacy continues to reverberate — it can be felt in everything from Tom Cruise’s globe-trotting “Mission: Impossible...
- 8/25/2020
- by Brent Lang
- Variety Film + TV
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