Garçons d'Athènes

What is a nation? According to Benedict Anderson it is a community socially constructed; an imagined community, indeed. In order to be Greeks or Russians one must first share these imaginary narratives that set apart one people from the other. Cohesiveness must come after everyone commits to this exercise of the imagination. What happens, however, with young men like Sasha and his group of friends? Raised in Russia and then transferred back to the land of their progenitors they feel neither Russians nor Greeks. They have been expelled out of any possible narrative of integration, and instead they are lingering on the edges of the city, on the marginal borders that preclude them from obtaining full status citizenship.

Unable to fit in, these youngsters cannot be a part of the symbolic order. Society has banned them and as a consequence they partake in illegal activities. Some of them are good at stealing, others at prostituting themselves. But then again, since being a hustler is the most profitable activity most of them try to gain the favor of other men.

Sasha is a boy struggling with his own identity. He is heterosexual and he falls in love with a common whore. However, the only way he can make money is by participating in the same activities his friends do. If identity is defined throughout adolescence, it's very revealing witnessing this group of kids coming to terms with what they do. They're 18 or 19 years old and some of them affirm that everything is alright as long as they assume the active role in homosexual intercourse. Others, more lucidly, realize that it doesn't matter who penetrates who, all that matters is that sex is taking place.

Nonetheless, the kids cannot let go of social conventions, after all, identity also depends greatly on how one pictures oneself. Our own images also depend on the gaze of the other. But since all of them are estranged from imaginary narratives since the very beginning, they find it difficult to find their place into the world. One can only wonder if at least one of them will be able to step aside of the vicious circle of poverty.

it seems to me that "from the edge of the city" is that type of film which is bound the audience to think.yeah,the movie is complex to understand but i admit that it is really a brilliant movie.

the plot of the film concerns with those people who are Greek-Russians bound to leave their country for former soviet-union in Stalin era. after the demise of the soviet-union they came back to Athens and try to mix with the mainstream society.

the movie tells the story about those third generation young people,the Greek-Russian teenage who are trying to live in this Greek society.we know their way of living through an interview of one teenage named "sasha" who tells us how they use drugs, how they sell their body, their relatinons with their families and their views to the society.

this movie seems to one type of documentary movie about modern Greek tragedy.

it is definitely not a movie for all audience but i like that film.

i would like to rate this movie: 8 out of 10.

FROM THE EDGE OF THE CITY, Greece's official submission for the best Foreign Film Oscar, is a multi-layered film that can likewise appeal to many spheres of society. In (homophobic?) Greece, it has been viewed as a serious study of urban angst, involving immigrant Russian Greeks avoiding any mention of the film's overkill gay content. Nevertheless, it has been a box-office success, though mainstream Greece dares not mention one of the reasons for the success is the (paid) love that likewise dares not mention its name. In contrast, the film's international exposure up to now, prior to the Oscar nominations, has been almost exclusively at International Gay Film Festivals: San Francisco and, particularly Verzaubert, which tours Germany's largest cities, including Berlin where I saw it. The American-accented openly gay director of the film (one of the few Greek professionals who has dared come out of the closet) made a point of explaining this to the all-male sold-out crowd in Berlin in late November. He made the movie as a labor of love; out of his fixation on the leading character, which, like the rest of the cast, are not professional actors, just real Russian-Greek immigrant youth. These guys' desperate quest to get ahead in the European Union's consumer-driven society leads them to crime, including male prostitution, though they themselves exploit female prostitutes. Add to those conflicts, the homoerotic overtones of these teenage guys' physical contacts, realization and open discussion of their lives as homosexual prostitutes, and the film exceeds any definition of a gay film. This is very clear. That notwithstanding, many will continue to be in denial of this, and look at the film as social commentary, as an immigration tragedy, as a generational-conflict movie. Indeed, this movie can be many things to many people.

This is my second or third Greek movie I guess, so I have no idea if this is the best one ever, but it is a very good one to say the least. I did not really want to see this one because I was not in the mood for a depressing hustler story or a foreign gaythemed drama, but that's not really what this movie is about. I would rather call it a lost generation movie with a lot of attention to immigration problems and drug abuse. I urge the main lead to learn English (or French) and try it abroad, because he has talent. the rest of the cast wasn't that good. Check it out if you get the chance, it's really not a gayhustler movie as the people might want you to believe

"Buff and barely eighteen, Sasha lives with his mother and father in a Kazakhstan immigrant settlement on the outskirts of Athens. At night, he and his teenaged friends rollerblade through the city, where they hang out in brothels and work as male prostitutes. Every day they endure an obstacle course of johns, drug dealers, pimps and gangsters, as they try desperately to survive in a country that is not their own," according to the DVD sleeve summary. The cover notes this film, re-titled "From the Edge of the City" for English language viewers, was the "Official 'Academy Awards' entry from Greece" in the foreign film category. Understandably unrevealed is the fact that it was not, finally, nominated. It did well on the film festival circuit, however.

The film is artfully done, by writer/director Constantine Giannaris, with shaky camera shots, documentary-style interruptions, and bisexual subject matter. Star protagonist Stathis Papadopoulos (as Rosso "Sasha" Pond) handles the acting assignment very well, but he isn't given a character with much focus. After five years of tricking and drugs, one tends to spend a few minutes looking a little ragged, but Mr. Papadopoulos is always fresh-faced and perfectly toned. His chiseled chest is prominently displayed, but he reveals little explicit. The parents look ragged, though. Possibly, the key is that young "Sasha" never totally lived the street life, but just dabbled there to pal around for a quick buzz, sex, and cash. He keeps his nose clean, too.

****** Apo tin akri tis polis (11/20/98) Constantine Giannaris ~ Stathis Papadopoulos, Theodora Tzimou, Dimitris Papoulidis, Panayiotis Hartomatzidis