Cameron Colley is a young scottish journalist, with an interest in exposing the wrongs committed by the rich and powerful. Life is comfortable enough but uneventful, until someone starts mur... Read allCameron Colley is a young scottish journalist, with an interest in exposing the wrongs committed by the rich and powerful. Life is comfortable enough but uneventful, until someone starts murdering the people in his articles.Cameron Colley is a young scottish journalist, with an interest in exposing the wrongs committed by the rich and powerful. Life is comfortable enough but uneventful, until someone starts murdering the people in his articles.
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Brave yet flawed adaption of Iain Banks' dark novel. The characters appear flat as they wade through some bland dialogue. Jonny Lee Miller goes through the remarkable events as if he were buying socks. The shocks and surprises fail to shock or surprise. A more full on darker thrust would have prevented this from resembling a poor episode of Taggart. Well done for having a go and well done for keeping it in Scotland rather than moving it to another locale.
Its a shame that people get annoyed at low budget films and dont watch them to the end as there is some mighty fine moments in this film that must be seen to be enjoyed. It was a massive task trying to take Ian Banks novel and putting it on the big screen anyway and this film was possibly only about a tenth of as good as the book. Which still makes it very good although you can never truly realise how sick the killer really is, i mean they talk about what the killer has done and in some instances you actually see it but........its a low budget movie....it doesnt want to depend on gore .....it wants to make you think about what is hapening and more importantly WHY it is happening. Ever read a newspaper report about a daft judge giving stupid sentence and the criminal getting away with it...well this film is about that and what would happen if one man lost the rails and decided to go up against people that deserved the attention that they should have shown to others....or lack thereof. Great!!
First I read the book, which is highly recommendable, and I have it as one of my top books ever. Later on I watched the film, and I found it good. I think the characters are casted very well, except perhaps William, but, on the other hand, Keely Hawes plays Yvonne very well.
I think the film misses out some important information on the book that give sense to the story. The film changes a couple of things here and there and does not fully respect the final, which I find a bad error. I think if the film had been 30 minutes longer it would have been a world success.
My review seems negative but only because the book is superb. Of course the plot is good, the actors are good and the story flows well. I do wonder, however, if I have been able to follow the whole plot because I know the book inside out or because it is well told. I had the feeling a couple of times that the story was told in chunks.
Do watch the film, but read the book first
I think the film misses out some important information on the book that give sense to the story. The film changes a couple of things here and there and does not fully respect the final, which I find a bad error. I think if the film had been 30 minutes longer it would have been a world success.
My review seems negative but only because the book is superb. Of course the plot is good, the actors are good and the story flows well. I do wonder, however, if I have been able to follow the whole plot because I know the book inside out or because it is well told. I had the feeling a couple of times that the story was told in chunks.
Do watch the film, but read the book first
"Complicity" is the second Iain Banks novel turned into a film, but while it is made for the big screen, it does not live up to the standards set by BBC's mini series "The Crow Road". While it is an entertaining and gripping thriller set in Edinburgh and the Highlands, it ultimately fails to convey the spirit of the book. The cast are good, though, and the story is excellent.
It looks like a TV film, and while it is not exactly a wasted opportunity to bring Iain Banks to the cinema, it is slightly disappointing, although still worth watching.
It looks like a TV film, and while it is not exactly a wasted opportunity to bring Iain Banks to the cinema, it is slightly disappointing, although still worth watching.
In Japan, this film is given the title Psycho 2001. The cover of the DVD shows a writhing figure in a bloody bathtub, apparently boiling in a stew of guts and organs after ritual disembowelment.
No such scene exists in the film. This title and cover seem to be one more chapter in the harsh treatment this film has suffered at the hands of distributors.
And it is undeserved treatment. This is a classy thriller, Johnny Lee Millar giving his trademark performance in moral ambiguity as a clapped-out journalist looking to break a huge scoop on government conspiracy. As he digs deeper, he finds the story becoming less about the wicked ways of the world, and more about the murky secrets of his own past.
The Highland locations are well used in sweeping helicopter shots, the pacing swift as journo Cameron moves through a sea of bodies, a mysterious Deep Throat figure keeping him one step behind the bad guy(s). Brian Cox is as solid as ever, rehearsing his bad-ass law enforcer routine before Bourne. Millar stands up to a demanding role, especially in the final third when all his chickens come home to roost, and regret, anguish, atonement, cynicism and hope are all required to be shown.
Complicity appears to have been overlooked by most theatres, distributors, award-givers and reviewers. A shame really, much worse British films have travelled abroad in recent years. Complicity is fraught, character-driven, quirky, kinky and pays off at the end. Well worth checking out.
No such scene exists in the film. This title and cover seem to be one more chapter in the harsh treatment this film has suffered at the hands of distributors.
And it is undeserved treatment. This is a classy thriller, Johnny Lee Millar giving his trademark performance in moral ambiguity as a clapped-out journalist looking to break a huge scoop on government conspiracy. As he digs deeper, he finds the story becoming less about the wicked ways of the world, and more about the murky secrets of his own past.
The Highland locations are well used in sweeping helicopter shots, the pacing swift as journo Cameron moves through a sea of bodies, a mysterious Deep Throat figure keeping him one step behind the bad guy(s). Brian Cox is as solid as ever, rehearsing his bad-ass law enforcer routine before Bourne. Millar stands up to a demanding role, especially in the final third when all his chickens come home to roost, and regret, anguish, atonement, cynicism and hope are all required to be shown.
Complicity appears to have been overlooked by most theatres, distributors, award-givers and reviewers. A shame really, much worse British films have travelled abroad in recent years. Complicity is fraught, character-driven, quirky, kinky and pays off at the end. Well worth checking out.
Did you know
- TriviaKeeley Hawes, who appeared fully nude in the film, described the sex scenes as "tough" but said she was immediately put at ease by Gavin Millar and she knew she could trust David Odd because she had worked with him before.
- How long is Complicity?Powered by Alexa
Details
- Runtime1 hour 39 minutes
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- Sound mix
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