Frederic was sent in the care of his nursemaid, Ruth, to be apprenticed to a pilot. But she misunderstood her instructions, being hard of hearing, and apprenticed him instead to the Pirate K... Read allFrederic was sent in the care of his nursemaid, Ruth, to be apprenticed to a pilot. But she misunderstood her instructions, being hard of hearing, and apprenticed him instead to the Pirate King.Frederic was sent in the care of his nursemaid, Ruth, to be apprenticed to a pilot. But she misunderstood her instructions, being hard of hearing, and apprenticed him instead to the Pirate King.
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I love 'The Pirates of Penzance'! Jon English, Simon Gallaher and Derek Metzger are all fantastic as their respective characters. My favourite person in this is Helen Donaldson, who is an absolutely adorable Mabel. Her voice is lovely and she hits every high note. She looks like a 10-year-old in 'When the Foeman Bares His Steel' though! Essgee have done a great job in updating a G&S show and I admit its not one for purists! Toni Lamond, the first woman to ever appear on Australian television, is a very sad, yet funny (!), Ruth. All of the songs in it are fantastic, even if they are all performed on synthesisers. Gallaher's rendition of 'Oh Is There Not One Maiden Here' is very sweet and heart-melting. Donaldson's 'Poor Wandering One' is AMAZING! Her coloratura is very well done. English's comic timing is great, especially 'Dear Pirate King I love your purple pants...' and he performs well with the other cast members, especially Toni Lamond, Helen Donaldson and Simon Gallaher. Any fan of musicals, especially Australian, should see this!
Just saw this for the first time (thank you Sky Arts!) I have always loved Gilbert and Sullivan so decided to tape it. I'm so glad I did! It was amazing! I've never seen any of the cast before so wasn't sure what to expect but they were all so good. Especially the purple-panted Pirate King, Jon English. His facial expressions had me in stitches and his energy!! I also loved the Police Sergeant, that man is made of rubber - is there anything he can't do!? They all looked as though they were having a great time hamming it up wonderfully! As someone said previously, if you're feeling down, watch it, I guarantee you won't be for long!
This is by far the best production i have ever seen. The acting is incredible as are the vocals and even if the characters namely John English talk to the audience, it's still funny. The audience laughs. Why should it be bad. No matter what i hear about this. I absolutely adore this play.
I especcially think that the finale was a work of art. A ten minute rap of of the production is great. But i would have to congratulate The Major General for his excellent take on the Major general song. The song just makes me want to memorise the entire lyrics. All in all this was a fantastic play. My thanks to the people who put this together.
I especcially think that the finale was a work of art. A ten minute rap of of the production is great. But i would have to congratulate The Major General for his excellent take on the Major general song. The song just makes me want to memorise the entire lyrics. All in all this was a fantastic play. My thanks to the people who put this together.
10Sariha
This is one of my favourite videos in my collection. Jon English is fantastic as the Pirate King, and Simon Gallaher, Helen Donaldson and Derek Metzger all perform outstandingly. With great comedy and audience interaction thrown in, it is a joy to watch over and over again. I only wish I'd been able to see the show live!
Though nothing in the credits mentions it, this production is obviously based on the Tony-winning 1980 Joseph Papp Shakespeare in the Park production, which starred Kevin Kline and Linda Rondstadt and was a massive hit on Broadway and later in the West End in London. Eventually it was redone as a film which was very entertaining but lacked too much of the excitement of live stage.
Fortunately, someone decided to tape a live performance of this newer version, capturing much more of the energy and audience response which was missing from the earlier film. What makes both versions special is the approach to the original material. Too many G&S productions are stodgy, treating the music as sacrosanct and the humor as too dated to get a laugh. Here every bit of silliness in the script is brushed off and made funny again. The "orphan/often" misunderstanding early in the play has been cut from most productions for decades by directors who didn't have a clue how funny it could be if performed as high comedy. There are dozens of other similar moments in this production, which never for an instant lets the audience forget that this is a COMIC opera.
At the same time, it is a comic OPERA, with some of Sir Arthur Sullivan's most beautiful melodies. Helen Donaldson as Mabel and Simon Gallaher as Frederick particularly have lovely voices and sing their romantic songs beautifully.
I do feel that this production is frequently over the top in milking the humor, but that is one of the intrinsic problems of filmed live performances, and the audience was clearly having a great time enjoying the antics of Jon English. And Tim Tyler as the police sergeant is incredible. A cross between a Keystone Kop and a very long rubber band, he steals every scene he is in.
G&S purists generally dislike updated productions, but for the rest of us, this production is a treat.
Fortunately, someone decided to tape a live performance of this newer version, capturing much more of the energy and audience response which was missing from the earlier film. What makes both versions special is the approach to the original material. Too many G&S productions are stodgy, treating the music as sacrosanct and the humor as too dated to get a laugh. Here every bit of silliness in the script is brushed off and made funny again. The "orphan/often" misunderstanding early in the play has been cut from most productions for decades by directors who didn't have a clue how funny it could be if performed as high comedy. There are dozens of other similar moments in this production, which never for an instant lets the audience forget that this is a COMIC opera.
At the same time, it is a comic OPERA, with some of Sir Arthur Sullivan's most beautiful melodies. Helen Donaldson as Mabel and Simon Gallaher as Frederick particularly have lovely voices and sing their romantic songs beautifully.
I do feel that this production is frequently over the top in milking the humor, but that is one of the intrinsic problems of filmed live performances, and the audience was clearly having a great time enjoying the antics of Jon English. And Tim Tyler as the police sergeant is incredible. A cross between a Keystone Kop and a very long rubber band, he steals every scene he is in.
G&S purists generally dislike updated productions, but for the rest of us, this production is a treat.
Did you know
- Quotes
[first lines]
Pirates: [sings] Pour, o pour the pirate sherry.
- ConnectionsVersion of The Pirates of Penzance (1939)
- SoundtracksGilbert and Sullivan Opening
Composed by Arthur Sullivan
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- The Pirates of Penzance: The Special Director's Cut
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