Cowboy Up

OH come on...it wasn't THAT bad. I actually liked Keifer Sutherland in this role. He seemed more human and down to earth than anything I've seen him in lately. Not hyped up like he does when he plays a villian or in 24. Newcomer Marcus Thomas did a very good job. I was surprised to find out he was from Belgium!!

Ok.. so it was not an accurate movie, which ones are...TRAINING DAY??? DARK BLUE???? Good god...8 SECONDS???!!!!

And I LIKED Darryl Hannah in ths one. Even Molly Ringwald did the best she could. It definately needed more scenes like the one with Marcus Thomas and Pete Postlewaite. Ok, so Mr. Redford still has to work on writing skills, and character development, but this was still entertaining. No, its not JUNIOR BONNER but then that was a Sam Peckinpah film and ya can't get better then that!!

I gave this a 6. I simply can't quite figure why people are gushing about the writing. Redford has only written 2 scripts, some TV, and something else. I felt the writing and script were the major detractors here. The cinematography was superb, but the film lacked inspired direction. This made for a tight, pro, looking film but otherwise constructed on air. It's a character study under the hood and the character we're studying is a silent, aloof type. Woops. This just screams pet-project of Sutherland's. I don't have a Pro account but I'd bet Sutherland spent his own money on this. Marcus Thomas was a brilliant casting move though and he really looked the part.

Lastly, bull-riding in general is a sore point amongst many pro-cowboys. It's a zero skill affair that has it's roots in exhibition. Pro cowboys seriously resent the intermission entertainment stealing the show. I noticed too that there were no pick-up men being depicted. Odd that. It's a PRCA regulation. Professional Bull Riders (PBR), on the other- hand, I don't think use them so there's that.

Hank Braxton (Kiefer Sutherland) is an experienced rodeo clown and former bullrider. His younger brother Ely Braxton (Marcus Thomas) gets injured on a ride. He recovers and together with his brother slowly becomes a rising star. Their champion bull riding father Reid Braxton (Pete Postlethwaite) is a hard man and often fought with their mother Rose Braxton (Melinda Dillon). Ely fights with girlfriend Connie (Molly Ringwald) about his bull riding. Celia Jones (Daryl Hannah) is a barrel racer on the circuit that Hank falls in love for. However along with Ely's success comes the affections of Celia. Hank is jealous. The relationship eventually ends. Ely is set to ride Hank's bull, the unrideable Zapata. Hank gives Ely the address to their father to ease his mind. Ely meets his father but it isn't what he expected.

This is filled with a lot of rodeo family melodrama. There is just too much. The story overflows. After awhile, this feels like a bad cowboy soap. It needs to simplify a little on something. I think the girl trouble could be cut out and simply make this movie about daddy issues. Also I don't think Marcus Thomas has enough charisma. He is certainly outmatched by Kiefer.

While I did like this movie I thought the ending was both graphic and gruesome. That part of the movie traumatized me along with the fact that, really, who wants to see Kiefer Sutherland getting it? Marcus Thomas was a bit forced in the role of Ely Braxton although I could have seen him being a cowboy if his acting had been a bit more relaxed. It was good to see Molly Ringwald in a role other than the movies that she is truly known for. Darryl Hannah was just okay for me in the role of Celia. I think I enjoyed Kiefer Sutherland and the idea behind the movie more than some of the actors in the movie. I would definitely watch this flick again if only for Kiefer.

It is hard to understand that this film has received such a modest rating. The construction of the film is first rate, starting with the script by James Reford, and continuing with an excellent cast of experienced actors, direction which keeps a pace designed to hold the attention of the viewer, and camera work with both close-in and long shots that convey the action of the rodeo.

Led by Kiefer Sutherland, the support team of actors "works" to reveal a contemporary twist of classic story lines---competing brothers whose love for one another is stretched to the limits, an ego centric father who deserts is family and wallows in self pity, a mother who deals with the realities daily life, lovers that are courted, spurned, and hurtfully do their own rejections. And all this is subtly tied together by a bull---the object of obsession within the community of rodeo aficionados, and a symbol of challenge that goes back thousands of years to the island of Crete.

While some "urban" or actual working cowboys of today may choose to pick at the text, acting, or realism of Cowboy Up, the film really captures the idea of why rodeo enthusiasts still keep the myth of the west still alive---even in Las Vegas! Cowboy Up deserves greater recognition than it has heretofore.