Mais qui a tué Mona?

Drowning Mona is a hard movie to describe. On the one hand, I liked it because, the cast seemed to be doing the best with what the script they had to work with. On the other hand, the plot seemed choppy and the dialogue was for the most part pretty stale. Will Ferrell absolutely steals the movie with his part as the creepy funeral director who laughs inappropiately, has trouble with the right way to make eye contact, and is constantly having sexual trysts during the viewing. If you're looking for an offbeat comedy, give this a try. But don't rush out and kill yourself to see it.

Drowning Mona is now a cult favorite of mine. The script is unusual yet amazingly funny. Every time I watch this movie, my understanding of its comedic genius grows. Especially for English language buffs, this film's edgy and blatant use of word order and delivery are what make it so hilarious. No line is extraneous or meaningless--they all add up to one hell of a funny film. I'd recommend this to serious movie goers who enjoy an intellectual thrill, a script that puts faith in the audience's ability to understand and not be told outright. If you crave a change from the typical Hollywood Blockbuster formula of drugs, sex, violence, and sentimental life lessons, watch this film. It still manages to deliver action and comedy--but are you smart enough to watch it?

I believe that this movie was panned when it first came out, and I don't know why. It is truly an underrated comedic gem that deserves more recognition. The performances are perfect (with the exception of Campbell) and the dialogue is hysterical.

William Fichtner steals the show as the sleazy "battered husband." His performance is tops in a stellar cast. Marcus Thomas is excellent as his son and lazy landscaping partner to Affleck, who is marvelous as the nervous and long-suffering lead. Will Ferrell puts in a great cameo as a creepy mortician.

Are there flaws? Of course. As another comment mentioned, Tracy Walter's character, Clarence, could have been developed more. Also, some the other characters' run-ins with Mona probably could've been better detailed as well, and the resolution isn't the most satisfying. But this movie is less about the plot and more great characterizations and riotous dialogue.

I own the DVD and I roll with laughter every time I see it, even though I practically have it memorized. This movie should be remembered as

... even the police.

Bette Midler, even though she is the title character, gets second billing to Danny DeVito.

In the recently released "Isn't She Great" she gets to play both sides of the ugly/beautiful coin and she does it here again brilliantly.

Sherriff Wyatt Rash (DeVito) has too many suspects in the death of Mona. Everyone would like to see her dead.

Neve Campbell as his daughter (Ellen) turns in a fine performance. Her breakdown and ultimate (short-lived) lesbian experience with the town's mechanic is either over-the-top -- or just short of being brilliant; hard to tell.

Casey Affleck (Ben's little brother) is very one-note -- I want to believe that it was written that way and that Bobby is not as shallow as the script would have us believe.

This is not a film that will appeal to everyone -- but hang in -- it only gets better as it goes along.

I enjoyed it -- and as I reflect on it -- it only gets better.

In a town full of "Yugo" cars, and mentally challenged residents, we find fertile ground for a terrific dark comedy. Bette Midler plays Mona, a monstrous woman everybody has a reason to hate. When her Yugo plunges into the lake due to foul play, no one seems to care that she is dead, and everyone is a suspect in "Drowning Mona". William Fichtner absolutely steals this movie, as Mona's "battered husband", who likes to play "Wheel of Fortune" with Jamie Lee Curtis. Meanwhile, Danny DeVito, as the sheriff, has plenty of suspects, including his future son-in law. If you enjoy "black comedies" like "Ruthless People" or "Eating Raoul", this is a must see, and comes highly recommended. - MERK