Hantise

It's a remake to long deemed one of the masterly crafted stories of horror ever brought to the screen ¨Haunting¨(1963) by Robert Wise , a gripping film which still packs a punch . Hill House is a hundred-year-old haunted mansion , it is the setting for chosen group . The haunted house has an evil history with tragic accidents, suicide, and human misjudgement. It seems which the scary mansion has been the place of several killing deaths . A psychologist scientist (Liam Neeson) is a Pyschic researcher who assembles a group with histories linked to the paranormal. As three people are lured to an eerie mansion deceived for fake pretenses realized by a psychological researcher . Nell (Lili Taylor) was the subject of unexplained poltergeist activities as a child. She also is riddled with pain over her mother's death. Theo (Catherine Zeta Jones) is a clairvoyant who befriends Nell at Hill House. Owen Wilson plays a cynical and Bon Vivant sent to make sure that the property is not affected by the researchers. Together the group explore Hill House and their own insecurities and finally face off the evil that inhabits with hair-raising results .

Mindless and average film is packed with thrills, intrigue, suspense, horror and lots of interminable screams with no sense. However , this is an inferior version that relies heavily on the impressive special effects courtesy of ILM - Industrial Light Magic- , George Lucas owner . High budget makes for big scary scream-feast and frights . Splendid Lili Taylor as a fragile , lovely youth who results to have unexpected ties to the creepy ghost , she's the only redeeming feature of this uneven movie. Supposedly based on Shirley Jackson's creepy tale titled ¨The haunting of Hill House¨, it has little in common with the novel . Stirring and exciting musical score fitting to terror by the veteran maestro Jerry Goldsmith . Very good and colorful cinematography by Karl Walter Lindellaub . Director Jan De Bont created a taut drama where the real question is who is haunted and who may be unstable.The picture is middling realized in his third-time as director by Jan De Bont, a successful cameraman (Basic Instict, Die Hard) and Paul Verhoveen's ordinary photographer and occasionally director (Speed , Twister). The film will appeal to Liam Neeson and Catherine Zeta Jones fans. This is a chilling adaptation from Shirley Jackson's novel based on an assortment of ghouls and ghosts and gets a mediocre rating . It turns out to be a chiller with all the FX budget can be created , being lavishly produced ,but also contains several scenes in little sense and no logic.

This remake of the sixties classic of the same name has unfortunately been somewhat slated by critics, although I feel it's better than most people seem to think it is.

The location work is stunning and the set design has clearly had a lot of work put into it.

Liam Neeson, Owen Wilson and Catherine Zeta Jones all perform their parts quite well, but Lili Taylor is not as good as she should be. On paper she should be perfect for the role of Nell and for much of the film she provokes the necessary sympathy. She seems unable, however, to scream properly, instead letting what sounds like an animal cry. Also, she seems to say "Oh No" in exactly the same tone of voice every time she sees something frightening, although to be fair this is as much the fault of the script as it is hers.

Towards the end the atmosphere is slightly diluted by such things as having the beds and statues spring to life which makes these scenes much less frightening than they could be.

In spite of all this, this movie has a certain something that regardless of it's faults, makes me want to watch it again and again, and ultimately you can't ask much more from a film than that.

Well, my goodness, am I disappointed. When I first heard news of a remake of Robert Wise's 1963 film, "The Haunting", I had a fear that it would be ruined by an abundance of summer-movie sized visual effects. But, deep down, I had faith. Surely, with such a talented cast intact...De Bont and company will not ruin a film, who's original was a fantastic and frightening movie that understood the delicate art of subtlety. Well, subtlety, where are you now!!?? My fears have manifested...a promising movie has gone wrong. Yes, Eugenio Zannetti's production design is jaw-dropping; the movie is wonderfully photographed; and composer Jerry Goldsmith can never EVER do wrong. But, the script puts it's fine actors to the test..asking them to deliver the kind of stilted dialogue that is only spoken in movies. In the end, the always wonderful Lili Taylor is the only performer to escape with some dignity...and that's just barely. But, the crime of all crimes is that the horror is shown to us. We can no longer use our imaginations, feel that horrible dread of fear of the unknown. No, we get some visual effects to SHOW US what we're supposed to be afraid of...and you know what? As wonderfully realized as they are...the visual effects come off as sort of silly. And the climax is a phantasmogoric mess...but things had gone terribly wrong long before that.

Everything in The Haunting is overdone and overblown. I'm afraid there are no real thrills or creaks in this old haunted house monstrosity...only groans. Check out the original instead.

This movie is a remake of a truly horrifying and nightmare inducing 1963 film of the same name. Why Hollywood thinks that digital effects and campy acting is better than the imagination is beyond me. This film is so full of digital effects (none of which look real) and overacting that it cannot compare to the original film which starred Julie Harris and Claire Bloom. This film is just plain stupid. The original (in black and white) is still the scariest film I've ever seen (and I've seen them all). The original makes you use your imagination to fear the unseen - this remake doesn't allow you to do that and that is its biggest mistake.

I didn't have too much of a hope I would like this new Jan De Bont film, but after giving it a go today, I was impressed. De Bont is a terrific creator of suspense and camera setups. All his hard work as a cinematographer paid off in movies such as these. He really knows how to build up an atmosphere accompanied by subtle visual effects and sound design. The way that big house groans and 'breathes' just makes my heart beat faster. Equally great is Jerry Goldsmith's score. In some scenes when combined with the atmospheric sound effects it made my neckhair stand up. I was genuinely terrified. A special mention must go to the art direction and set decoration. The house has such wonderful and at the same time disturbing architecture, the thought of having to spend a night there gives me the chills. About the acting, I thought it was nothing special. The Haunting is a solely audiovisual experience, where acting is only of secondary importance. In short, I enjoyed this movie and didn't think the ending was bad. I see about 200-300 movies each year, and I see a lot of bad ones, but this is not one of them. Go see it and decide for yourself.