An adaptation of Shakespeare's classic is set in the Mississippi bayous during the Civil War.An adaptation of Shakespeare's classic is set in the Mississippi bayous during the Civil War.An adaptation of Shakespeare's classic is set in the Mississippi bayous during the Civil War.
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- 1 win & 2 nominations total
Robert C. Treveiler
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I felt the treatment - being set during the Civil War - was original and refreshing. Peter Fonda was, perhaps, a little bit bland as Prosper/o but still a workmanlike performance.
I was a bit disappointed that Gator Man, the Caliban figure, was portrayed as merely a 2D villain, not the somewhat self-pitying Frankenstein's-monster-type Shakespeare paints.
I was a bit disappointed that Gator Man, the Caliban figure, was portrayed as merely a 2D villain, not the somewhat self-pitying Frankenstein's-monster-type Shakespeare paints.
Holy Cow! Don't watch this unless you collect creative travesties.
Superficially, this is a stew of the same persiflage usually served up on family TV: kindly voodoo projected as Luke Skywalker's Force; a protective father who goes through painful doubt; innocent pubescence; racial justice; magical help for the North during the Civil War (no lie); leavened with all sorts of minor platitudes.
Probably, this is no worse than thousands of slapdash dramas. What makes this interesting, almost hypnotizing, is how it rests on the rough skeleton of Shakespeare's play. It blindly tramples, it innocently debases arguably the best play of arguably the greatest writer in English.
Gosh, I cannot even describe the arbitrary transmutations used to fit this simple diorama: Arial a slave, Frederick a Union officer, Prosper a planter who learned voodoo from his slaves... it all hardly matters. One interesting thing: The Tempest was the first great work of literature about the American experience. Almost 400 years later, it still has some of the most profound and complex visions of dealing with non-Europeans, slaves and the forces of nature in the New World. All of that rich content is waiting to be leveraged, dummied down if need be. All is ignored here.
It is as if the Hardy Boys were named Tom and Huck and the plot was about petty racial dramas in painting a fence. Wonderous.
And Peter Fonda? This was right after the interesting Ulee's Gold, where he actually acted. No sign of that here.
Superficially, this is a stew of the same persiflage usually served up on family TV: kindly voodoo projected as Luke Skywalker's Force; a protective father who goes through painful doubt; innocent pubescence; racial justice; magical help for the North during the Civil War (no lie); leavened with all sorts of minor platitudes.
Probably, this is no worse than thousands of slapdash dramas. What makes this interesting, almost hypnotizing, is how it rests on the rough skeleton of Shakespeare's play. It blindly tramples, it innocently debases arguably the best play of arguably the greatest writer in English.
Gosh, I cannot even describe the arbitrary transmutations used to fit this simple diorama: Arial a slave, Frederick a Union officer, Prosper a planter who learned voodoo from his slaves... it all hardly matters. One interesting thing: The Tempest was the first great work of literature about the American experience. Almost 400 years later, it still has some of the most profound and complex visions of dealing with non-Europeans, slaves and the forces of nature in the New World. All of that rich content is waiting to be leveraged, dummied down if need be. All is ignored here.
It is as if the Hardy Boys were named Tom and Huck and the plot was about petty racial dramas in painting a fence. Wonderous.
And Peter Fonda? This was right after the interesting Ulee's Gold, where he actually acted. No sign of that here.
The dialogue and acting only meet soap-opera standards. This must have aired on TV during times when mainly teens and pre-teens were watching. While it is not a terrible film, the over-done special effects and trite style is certainly not for those expecting quality. Peter Fonda must have been paid a good amount for him to stoop to this low level, or maybe he did it with young viewers in mind.
While the costumes and editing are commendable, I am perplexed how Fonda was nominated for a Golden Globe for his acting. If you are sick in bed, or a dreamy young person then this film may be for you - otherwise do not waste your time.
While the costumes and editing are commendable, I am perplexed how Fonda was nominated for a Golden Globe for his acting. If you are sick in bed, or a dreamy young person then this film may be for you - otherwise do not waste your time.
Shakespeare would have been outraged. The writers mutilated Shakespeare's amazing work. Ariel is the only believable acting performance. The African voodoo, secluded swamp, and "Gator Man" character make the movie a mockery of Shakespeare's true Tempest.
Don't waste your eye-sight on this movie.
Don't waste your eye-sight on this movie.
I keep waiting for Peter Fonda to start acting. For someone who comes from such a talented family, it's a mystery to me why Peter Fonda can only play Peter Fonda trying to play someone else. And, that's the good news in this disappointing dog of an adaptation of The Tempest. A string of loosely connected ideas that only suggest a relationship with the Bard's great play is what we're served. The setting is the Civil War and Prospero's (here Guideon's) evil brother looks like an 1890's melodrama villain, complete with Snidely Whiplash moustache. I kept waiting for him to go "Uh ha hah!" which would have been a high point in this dreary presentation. None of the supporting cast was memoriable and Peter Fonda's lack of expression and wooden body movements made the lackadaisical story drag on and on.
The Tempest is the Bard's statement about the rage of man's unjust treatment of man. The only believable character was the Gator man, the Caliban counterpart. The transferrence to the swamp had possibilities but the Civil War setting just didn't make it. All in all, a very disappointing production. I saw it on video and would advise, if you want a Willy Shakespeare fix, save your money on this one. Rent something else, like Branagh's Much Ado about Nothing, or Kevin Kline in Midsummer's Night Dream.
The Tempest is the Bard's statement about the rage of man's unjust treatment of man. The only believable character was the Gator man, the Caliban counterpart. The transferrence to the swamp had possibilities but the Civil War setting just didn't make it. All in all, a very disappointing production. I saw it on video and would advise, if you want a Willy Shakespeare fix, save your money on this one. Rent something else, like Branagh's Much Ado about Nothing, or Kevin Kline in Midsummer's Night Dream.
Did you know
- Quotes
Anthony Prosper: [Gideon is aiming his rifle at him] Do your worst, brother.
Gideon Prosper: That is the problem. You are my brother.
- ConnectionsFeatured in The 56th Annual Golden Globe Awards (1999)
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