El abuelo

The acting and cinematography and music are absolutely lovely--first rate all the way. And, in many instances the story is very interesting and engaging. However, at times, I felt I really needed to struggle to keep watching the film, as the characters, in general, are unlikable. The townspeople slowly reveal themselves to be shallow jerks and the grandfather is obviously like this as well, but at least by the end of the film he's more likable and multifaceted. Perhaps the only ones who you feel drawn towards are the cute granddaughters BUT they have such creepy dubbed voices that at first I thought this might be some sort of EXORCIST rip-off. While the older girl's voice isn't as creepy, the younger one sounds exactly like an older woman DUBBING the voice of a young girl. How can they spend so much money and effort to produce such an excellent film and have this creepy cheap-sounding voice? Oh well, it's probably NOT something that will bother every viewer but little things like this really take me out of the moment.

The Grandfather (1999) El Abuelo This film directed by José Luis Garci, who won an Academy Award in 1983 for "To Begin Again,". Based on Benito Perez Galdos novel, the film that comments on how families are built by love, not blood. Love is the only bond that can hold a family together, & this movie proves it. When an aging, bitter, turn-of-the-century Spanish aristocrat (Fernando Fernán-Gómez) learns that his son has died, he travels back to his family estate in Spain to confront his detested daughter-in-law (Cayetana Guillén Cuervo), whom he suspects of bearing him an illegitimate granddaughter. But which one is it? Which granddaughter will gain his blessing, & which his curse? This once powerful and still proud patriarch finds it hard to deal with the shameful and humiliating treatment he receives from the townsfolk. As his ego is battered, he slowly mellows. His friendship with Pio Coronado (Rafael Alonso) improves his mental health.(the old teacher who has had serious thoughts about suicide). In the last stages of his life, the Count learns a thing or two about time, love, friendship, and blood ties. He is free at last to cave in to the impulses and desires of his heart. While the film is a deeply touching story & contains very lush beautiful cinematography this movies moves at a snail's pace & is very long at 145 minutes. The great Spanish character actor Fernando Fernan-Gomez (Belle Epoque) won a Spanish Goya award for his part in this film as aged Count of Albrit. His creaky performance is a standout; excellent –well really- fantastic he is in this role characterizing The Grandfather. The film is just a little too slow & constrained. In addition to the strong performances, the film's cinematography is absolutely beautiful. The lush & verdant Spanish landscape is the backdrop, the rural scenery sweeps of Spain is just a beauty to behold. The stunning cinematography literally makes turn-of-the-century Spain appear as if it's just been stolen from an famous summer painting. In 1999, The Grandfather deserved its the Spanish nomination for an Academy Award as Best Foreign Language Film. It also received a dozen Spanish Goya nominations. This is the third time Galdos' novel has been brought to the screen, & this one is well worth the effort to watch. My main comment would be how poor the (Spanish) dubbing was. It was a very bad choice to have the two small girls voices dubbed in by fake sounding adults who do not sound like a child at all. There were consistent problems with the voice dubbing & synchronizing throughout the movie. I watched the movie in Spanish with English Subtitles. I hope this film get a wider audience than it had in 1999 it is really almost an epic of a movie and extremely beautiful and interesting. The Grandfather magically transports us to a time and a way of life that have long since disappeared. However it is a tad boring as it is long and slow but art film lovers hang in there and watch this !! I still liked the movie a lot!

I agree with most of the favorable comments made about this movie. The story, the characters, the scenery were all must right. If the story seems a bit formal and slow moving, I think that's just Spanish style for a story of this type. The dialogue was quite good. The movie is in Spanish with English subtitles, but what I thought was odd, was the apparent use of dubbed voices for several of the characters. The two most obvious were the women's voices dubbed in for the two grand-daughters. But the lip movements of several characters made it clear they were not speaking Spanish. There's no doubt Fernando Gomez and Cayetana Guillen and some of the others were speaking Spanish, but I wonder what language the rest were really speaking before Spanish was dubbed in?

This is a period piece bringing together some of the greatest writers, directors, and actors of the Spanish theater.

Benito Pérez Galdós' novel was first made into film in 1925, five years after his death. Galdos has written many works that have made it to film, and the fact that one is redone is testament to his writing skill.

José Luis Garci is one of Spain's greatest writers and directors, and has many shelves full of awards to prove it.

Fernando Fernán Gómez, who plays the lead in this film, also has shelves full of awards for his acting (over 200 roles), writing, and directing skills. He plays a man who returns from Peru determined to find his rightful heir between the daughters of his philandering daughter-in-law (Cayetana Guillén Cuervo).

This is not an easy task as he is broke and his daughter-in-law has the whole town on her side because of the money her husband left her.

The scene where he called them all out was magnificent! The scene where his granddaughter Dolly (Cristina Cruz) laid down the law was breathtaking.

This was a beautiful film that my poor words cannot even begin to describe.

Or does one have to? The matter is posed to an old man (El Abuelo aka the Grandfather) returning penniless from intrigues abroad to the village where he was once a respected aristocrat. In search of the truth about his two beautiful granddaughters, the sometimes bitter, sometimes sweet old man is met with insincerity and chicanery.

Some may view the film as plodding and uneventful. However, those with an understanding of the importance family honor to an old world aristocrat or the meaning of love to a disenfranchised old man will likely be captivated by its subtle charms. The old Spanish architecture, pastoral beauty, and sumptuous cinematography should appeal to all.