The Cater Street Hangman

The characters were far from stereotypical...with the exception of Charlotte's father and mother. Of course, this was the intention...Mr & Mrs Ellison represented the mores of the day while Charlotte and Pitt were representative of a new day.

While the movie stayed fairly close to the book, I have to admit to being disappointed that the motive was sanitized. The fact that the motives in Perry's books are sometimes rather seamy make them stand out from other mysteries dealing with the Victorian era. Possibly that has something to do with Anne Perry's own history. If the book had ended the way the movie did, I probably wouldn't have bothered reading any of her others.

Produced by June Wyndham-Davies, who also made the Jeremy Brett Sherlock Holmes series. This adaptation of the Anne Perry novels was titled as The Inspector Pitt Mysteries.

Heavily suggesting that it would form a part of a series. Only The Cater Street Hangman is a one off film.

With the recent deaths of several young women in Victorian London. Inspector Thomas Pitt (Eoin McCarthy) is under intense pressure to solve the murders.

He gets assistance from the feisty Charlotte Ellison (Keeley Hawes) who always seems to be defying her stern aristocratic and well connected father.

Suspects include her father who seems to have secrets to hide. As well as Reverend Prebble with his overzealous sermons.

Very atmospheric but I found it rather plodding. Some two dimensional shouty characters. I doubt Charlotte would had been constantly allowed to go out unaccompanied at night with a killer on the loose.

I enjoyed this movie. I thought it was very well done and I cannot wait to see more shows. The acting was great. Mr McCarthy and Ms Hawes did an excellent job of bring the lead characters to life.

I think it was a fantastic movie all the actors and actresses were really great and it was a gorgeous film and it showed just how people were treated who were in a lower class and how the rich treated them as well.

While the Victorian social and moral notions are roasted as thoroughly as a movie can without losing sight of the murder mystery plot, I especially welcome the degree of detailed accuracy enforced in the wardrobe, the accessories and hair. The stiffness of the fabrics, the bustles, the cropped fringes and the minimal makeup reinforced the feel and look of the rising middle classes in 1880s Victorian London. Kudos to the staff and departments ruling those decisions. Thankfully that very realism makes this production very tricky to date so little of the movie's contemporary make-up and hair styling filtered through.That is too rare these days...that I had to look the date up.