L'enfer du devoir

This is a military court martial movie with a few similarities to A Few Good Men. It did not have as much suspense, but overall it was still quite good. I thought the situation in Yemen made it very applicable to current day problems in Arab-American relations. The movie was released before the USS Cole attack, which reinforces the possibility of the event in question in the court-martial. I don't think the massacre that occurred would have been quite so bloody in a real world situation though.

The performances of Tommy Lee Jones, Samuel L. Jackson and Guy Pearce were very good. Probably no Oscars here, but well worth watching.

Headed by two unnerving performances, this film takes us on a journey through the gray area that is our military morality today. We live in a society insulated from realistic depictions of war. We get censored CNN and FOX news. We rarely get anything insightful, so it is a pleasure to have HOLLYWOOD offer up one of the most moving anti-military films in the past ten years. While the courtroom drama is by all means standard, the most unique attention is paid to the changing perception of TLJ's character. In his journy to defend, he comes to an all too real understanding of a culture whose leaders have no problem sending our boys to die, yet they themselves are either ignorant of the reality, or to politically motivated to be moved by it. In conclusion, this is an alienating film because it presents an alien culture that lives by its own moral code. That alien culture isn't middle eastern... it is our own military.

One more point; Watching this film post 911 gives it an all too creepy reality.

This story gets the viewer involved with it right away never lets up, with good performances all around, although Tommy Lee Jones stands out a bit above the rest.

There are some outstanding action scenes in the first 30 minutes and if you have a 5.1surround system, it gets quite a workout. After that, the story settles down into a court battle.

Its politics are typical Hollywood: the government is corrupt with the main villain the National Security Adviser who burns a video tape that would clear a U.S. Marine colonel from being framed for murder. That colonel also is a black man which makes the story even more politically correct. Samuel J. Jackson plays that role, a Col. "Terrry Childers." Jones plays his attorney, "Col. Hayes Hodges." The two veteran actors play off each other very well.

It gets even more dramatic when two other witnesses lie and make justice look almost impossible to attain in the case. But, dramatics aside, it's a good story and certainly an entertaining one. Once again, William Friedkin has directed a good movie.

Having just watched Rules Of Engagement, I have to say that although Samuel L. Jackson and Tommy Lee Jones are a joy to watch, I have to make some negative comments about this movie.

The movie is extremely manipulative, and comes from the equally manipulative director of The French Connection, William Friedkin. The movie's bad guys, oddly enough, are a crowd of irrational arabs, together with career politicians who won't just let military men do what they have to do.

The problem with the entire scenario is that the entire massacre could have been prevented with a couple of well aimed teargass grenades. Secondly, not a lot of time is spent on the character development of the 'bad guys', namely the Yemenis (in this case), who all seem to be very eager to die killing Americans, including their (the Yemeni's) toddlers. The later images of the little girl shooting a pistol is very manipulative indeed ("oh, see, she deserved to get her leg shot off after all!").

And thirdly, the incident most like it, namely the US Army Rangers debacle in Mogadishu, caused the death of 18 Rangers but 1000 Somali Mogadishuans, most of which were non-combatants. No-one seems to have been called to task for that event, let alone be thrown to the lions to appease public opinion, like Samuel Jackson's character is over a "mere" 83 deaths. (The same thing can be said for the invasion of Panama, where there was a similar death toll among civilians - the truth of the matter is that since WWII, conventional weapons have become infinitely more efficient, with the result that if conflict breaks out in built-up areas, _lots_ of civilians are killed.)

However, the one redeeming value (other than the acting) is that it shines a light on the changed nature of the political war that is required of the modern soldier in places like Somalia, Bosnia, etc., and that started in Vietnam.

Should be viewed by anyone considering a career in the service. Great performances by a coupl of our best actors. Sadly the topic is an all too familiar one of the government selling out the men and women who serve it.