IMDb RATING
6.2/10
7.3K
YOUR RATING
Right out of police academy, Jeff/Omar Epps starts as undercover cop in Cincinnati. First it's small time cases but he proves himself and moves up to a big case - befriending a brutal crime ... Read allRight out of police academy, Jeff/Omar Epps starts as undercover cop in Cincinnati. First it's small time cases but he proves himself and moves up to a big case - befriending a brutal crime boss.Right out of police academy, Jeff/Omar Epps starts as undercover cop in Cincinnati. First it's small time cases but he proves himself and moves up to a big case - befriending a brutal crime boss.
- Director
- Writers
- Stars
- Awards
- 2 wins total
Anna Carolina Arias
- Esperanza Batista
- (as Anna Alvim)
K.C. Collins
- Lookout
- (as Chris Collins)
Brenda Denmark
- Mrs. Coy
- (as Brenda Thomas Denmark)
Aunjanue Ellis-Taylor
- Denise
- (as Aunjanue Ellis)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Starting out his undercover career with small scale drug busts, Jef Cole is soon enlisted to go after the main dealer, known locally as God. When he gets in too deep and kills a dealer who moves up on him, Jeff is sent away to a remote spot to recover. When a chance meeting with a FBI agent reveals that no other officer has got close to God since then, Jeff offers to go back under but can he avoid going native?
I taped this simply because of the cast and I must admit I didn't expect much from it. I knew from the plot summary that it was going to be a version of Deep Cover, but with more rappers! However I did actually quite enjoy it. The plot, while not original, is actually pretty good fun to watch. The only thing that slowed it down was the seemingly pointless addition of the romance subplot which took the wind out of the film without adding anything to it. The main plot though is quite energetic and exciting the question of whether Jeff will go `in too deep' or not is pretty moot simply due to the nature of the film but it is still good.
Although in many films, rappers stand out as giving poor cameos etc, here they all do well. In fact the soundtrack is a good mix of hip hop all used to good effect. The opening credits are stylishly shot and the director does a pretty good job of mixing a gritty street feel with some stylish flourishes. The film feels very polished and professional rather the sort of cheap rubbish that many predominately-rapper cast films have been in the past few years.
Speaking of cast, Epps does a good job as a leading man, he is a solid black actor who could be somewhere between Washington and Snipes in terms of abilities and genre. LL Cool J does a good job, enjoying himself playing a bad guy. He is actually quite a good actor simply because he picks projects that don't stretch his abilities. Long is a beautiful woman but is wasted in a pointless role here she is worthy of more. Support cast includes a long line of rappers & cameos etc who do reasonable jobs Sticky Fingaz is perfect in this type of role (albeit perpetuating a stereotype) and other faces include Pam Grier, Nas, Dupri and Mya.
Overall this is a surprisingly enjoyable film that is criminally underwatched. While not original it is solidly good fun and well made with the cast giving enjoyable performances.
I taped this simply because of the cast and I must admit I didn't expect much from it. I knew from the plot summary that it was going to be a version of Deep Cover, but with more rappers! However I did actually quite enjoy it. The plot, while not original, is actually pretty good fun to watch. The only thing that slowed it down was the seemingly pointless addition of the romance subplot which took the wind out of the film without adding anything to it. The main plot though is quite energetic and exciting the question of whether Jeff will go `in too deep' or not is pretty moot simply due to the nature of the film but it is still good.
Although in many films, rappers stand out as giving poor cameos etc, here they all do well. In fact the soundtrack is a good mix of hip hop all used to good effect. The opening credits are stylishly shot and the director does a pretty good job of mixing a gritty street feel with some stylish flourishes. The film feels very polished and professional rather the sort of cheap rubbish that many predominately-rapper cast films have been in the past few years.
Speaking of cast, Epps does a good job as a leading man, he is a solid black actor who could be somewhere between Washington and Snipes in terms of abilities and genre. LL Cool J does a good job, enjoying himself playing a bad guy. He is actually quite a good actor simply because he picks projects that don't stretch his abilities. Long is a beautiful woman but is wasted in a pointless role here she is worthy of more. Support cast includes a long line of rappers & cameos etc who do reasonable jobs Sticky Fingaz is perfect in this type of role (albeit perpetuating a stereotype) and other faces include Pam Grier, Nas, Dupri and Mya.
Overall this is a surprisingly enjoyable film that is criminally underwatched. While not original it is solidly good fun and well made with the cast giving enjoyable performances.
Those looking for a rousing shoot-em-up action picture will probably be disappointed by `In Too Deep.' Those looking for a more low-keyed, subdued and thoughtful study of the realities of life as an undercover cop will, however, find much in this film to admire and appreciate. Omar Epps stars as a Cincinnati-based rookie cop, Officer Jeff Cole, who goes undercover to nab a major cocaine dealer from New Jersey who calls himself `God,' (played by rapper LL Cool J) and who, Godfather-like, involves himself heavily in familial values and efforts to `help' the struggling members of his blighted neighborhood. In its exploration of its subject, the film wisely eschews the over-the-top fantasy heroics that afflict so many action films and, instead, tethers itself to the harsh, often ugly realities of the dangerous criminal world in which it is set. The movie builds much of its drama and suspense by bringing to the foreground the fascinating logistics that go into undercover police work, forcing us to witness first hand the risks, the moral compromises (to be convincing, Cole has to snort cocaine himself, for example) and the psychological ambiguities that invariably accompany the job.
Cole is a man who has been obsessed from the early days of his underprivileged, slum-ridden childhood with making a difference in a crime-infested world he knows all too well from first hand experience. This makes him a natural choice for infiltrating this underworld existence since his background has given him the understanding he needs as a point-of-entry. Thus, as he embarks on this new and dangerous career, we see the innate compassion he extends to those caught in the same environment from which he has sprung, an empathy that, in the context of his job, often leads him into a `softness' that clouds his judgment and ends up endangering his life further. In addition, as he is accepted more deeply into the inner circle of trust that God has set up around himself, Cole begins to question his own loyalties or so, at least, the offers in charge of him begin to believe. (This, I imagine, is the undercover agent version of the Stockholm Syndrome that afflicts so many kidnap victims, often leading them to transfer their loyalties from their rescuers to their abductors).
The screenplay, though it could be sharper and more incisive at times, occasionally achieves substance in its examination of just what happens to an undercover agent's mind when he does indeed get `in too deep.' In addition, the film frequently achieves moments of genuine suspense, in truly scary scenes involving God's uncontrolled displays of manic violence and torture and in moments when Cole's entire cover seems to have been `blown.' In those moments, LL Cool J hits all the right notes in his performance but, both he and Epps, unfortunately, lack the dramatic and emotional range as actors necessary to make their quieter, more intimate moments effectively credible. In addition, the dialogue often rings untrue, especially in the conversations among the commanding officers played by Stanley Tucci and, in another weak portrayal, Pam Grier among others.
With better performances, harder-edged dialogue and slightly more energetic direction, `In Too Deep' might have been a great study of moral conflict set within the context of an exciting policier. On the other hand, the film could also have been much worse. As it is, `In Too Deep' respects the seriousness of both its subject matter and its audience and provides a number of powerful scenes - factors for which we are grateful but which also make us yearn for the high quality film that might have been.
Cole is a man who has been obsessed from the early days of his underprivileged, slum-ridden childhood with making a difference in a crime-infested world he knows all too well from first hand experience. This makes him a natural choice for infiltrating this underworld existence since his background has given him the understanding he needs as a point-of-entry. Thus, as he embarks on this new and dangerous career, we see the innate compassion he extends to those caught in the same environment from which he has sprung, an empathy that, in the context of his job, often leads him into a `softness' that clouds his judgment and ends up endangering his life further. In addition, as he is accepted more deeply into the inner circle of trust that God has set up around himself, Cole begins to question his own loyalties or so, at least, the offers in charge of him begin to believe. (This, I imagine, is the undercover agent version of the Stockholm Syndrome that afflicts so many kidnap victims, often leading them to transfer their loyalties from their rescuers to their abductors).
The screenplay, though it could be sharper and more incisive at times, occasionally achieves substance in its examination of just what happens to an undercover agent's mind when he does indeed get `in too deep.' In addition, the film frequently achieves moments of genuine suspense, in truly scary scenes involving God's uncontrolled displays of manic violence and torture and in moments when Cole's entire cover seems to have been `blown.' In those moments, LL Cool J hits all the right notes in his performance but, both he and Epps, unfortunately, lack the dramatic and emotional range as actors necessary to make their quieter, more intimate moments effectively credible. In addition, the dialogue often rings untrue, especially in the conversations among the commanding officers played by Stanley Tucci and, in another weak portrayal, Pam Grier among others.
With better performances, harder-edged dialogue and slightly more energetic direction, `In Too Deep' might have been a great study of moral conflict set within the context of an exciting policier. On the other hand, the film could also have been much worse. As it is, `In Too Deep' respects the seriousness of both its subject matter and its audience and provides a number of powerful scenes - factors for which we are grateful but which also make us yearn for the high quality film that might have been.
First of all I'll start by saying that "In Too Deep" is a watered down version of "Deep Cover", but that's not really a bad thing.
The movie looks, sounds and is acted in a very well put together way. The characters are even memorable, even LL COOL J's "God", is really effective. He's a family man, but a notorious and mean gangster all at once.
The look at what going undercover can do to one's mental well being is a really sharp and involving look. Stanley Tucci, excellent, Nia Long, let her have her own movie,PLEASE!!, Omar Epps as "J. Reid", very impressive. And look for Pam Grier, NAS, and a few others.
A really good African American crime thriller, with heart.
The movie looks, sounds and is acted in a very well put together way. The characters are even memorable, even LL COOL J's "God", is really effective. He's a family man, but a notorious and mean gangster all at once.
The look at what going undercover can do to one's mental well being is a really sharp and involving look. Stanley Tucci, excellent, Nia Long, let her have her own movie,PLEASE!!, Omar Epps as "J. Reid", very impressive. And look for Pam Grier, NAS, and a few others.
A really good African American crime thriller, with heart.
This is actually a very good film. A great watch, and tense all they way through. It was an incredible mix of scripting, acting, dialogue and cinematography that uncovered an understanding of truth on both sides of the issue.
In this film, Omar Epps plays a rookie, undercover cop, whose first small assignment actually leads him into the number one crime syndicate in all of Cincinnati. The inexperienced cop uses his urban upbringing and street smarts to get him to the top, where he really has to decide which side he wants to be on. Also LL Cool J showed that he had much talent in acting as in Hip-Hop music. Omar Epps is also great, and Nia Long, nice eye candy from fresh prince of Bel Air and Stanley Tucci, who added further weight to the cast. The soundtrack is great too, especially at the end with the Mobb Deep track, it's a perfect fit.
Overall rating: 7 out of 10.
In this film, Omar Epps plays a rookie, undercover cop, whose first small assignment actually leads him into the number one crime syndicate in all of Cincinnati. The inexperienced cop uses his urban upbringing and street smarts to get him to the top, where he really has to decide which side he wants to be on. Also LL Cool J showed that he had much talent in acting as in Hip-Hop music. Omar Epps is also great, and Nia Long, nice eye candy from fresh prince of Bel Air and Stanley Tucci, who added further weight to the cast. The soundtrack is great too, especially at the end with the Mobb Deep track, it's a perfect fit.
Overall rating: 7 out of 10.
This movie is excellent. It has everything; lovable characters, crude humor, brief nudity, popular actors, well-written story, a ruthless but nice crimelord who calls himself "GOD". Omar Epps plays Cole, an undercover cop who goes "in too deep" to stop God. At first he suspects he's a cop but after certain encounters with God's enimes; Cole proves himself. He takes it to far sometimes, then his boss stops him from undercover work but he quickly put back in. There nasty but funny scenes n this movie such as: God cutting off the tongue of 1 of his enimes, then another, he shoves a pool stick in his butt. Defenitely a "must-see" film. Although the ending is not expected but nonetheless go see it!
Did you know
- Quotes
Preston D'Ambrosio: I got 7 other officers. 7 of them, good ones. And none of them fuck with me but you!
- SoundtracksQuiet Storm (Remix)
Performed Mobb Deep featuring Lil' Kim (as Lil' Kim)
Written by Havoc (as K. Muchita), Prodigy (as A. Johnson), Lil' Kim (as K. Jones),
J. Lighty, Melle Mel (as M. Glover), Sylvia Robinson (as S. Robinson)
Produced by Havoc
Mobb Deep appears courtesy of Loud Records
Lil' Kim appears courtesy of Queen Bee Records/Undeas Entertainment/Atlantic Recording Corporation
- How long is In Too Deep?Powered by Alexa
Details
Box office
- Budget
- $7,000,000 (estimated)
- Gross US & Canada
- $14,011,454
- Opening weekend US & Canada
- $4,220,297
- Aug 29, 1999
- Gross worldwide
- $14,011,454
- Runtime1 hour 35 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
Contribute to this page
Suggest an edit or add missing content