Toyland: Le Pays des jouets

I find some of the comments on here ridiculous. Are we really comparing this to the Exorcist?! REALLY? I'm sorry, but there isn't a child's movie out there that doesn't have a villain or an evil character. Otherwise, there'd be no point to it. I watched this when I was very little, and loved it. In fact, it was a favorite of mine. And my childhood wasn't "destroyed" or whatever you all are saying. I loved the songs and the characters. It's fun, and I recommend it for anyone. A great family movie. Kids will enjoy it, I can promise you that. In fact, I'm on this page today because I remembered how much I loved it, and I wanted to watch it again. But the reviews shocked me, and I had to comment.

Judging from the low rating and some of the comments, as well as some scepticism of the idea working in an animated film, re-watching Babes in Toyland for the first time since goodness knows how long was either going to be better than remembered or be a disappointment. Seeing it, I was really pleasantly surprised, Babes in Toyland is so much better than anticipated and was actually a good movie, apart from the poorly drawn characters of Rodrigo and Gonzargo and the story dragging a tad in the middle. Of the four Babes in Toyland films, an unpopular opinion as this may seem this is second only to the wonderful Laurel and Hardy film, the Disney film was decent but one of the lesser live-action musicals and the 1986 version was mediocre at best overall with a lot of bad. The animation on the whole is bright and colourful- the backgrounds and colours are a treat for the eye. And none of the rest of the character designs being distractingly bad(Mary, Humpty Dumpty and Barnaby are fluidly drawn), Toyland just looks so inviting and full of life, with the goblin scene genuinely creepy-looking(but it is not that upsetting or traumatising).

Regarding the songs they are just great with meaningful lyrics that say a lot especially the joyous and very catchy Toyland and the sublime duet It's You. March of the Toys was very rousingly orchestrated and served very well with the edge-on-your-seat finale. The only exception for me actually was A Crooked Man, which was rather forgettable and didn't tell or say very much(The Worst is Yet to Come did have its moments though it was slightly at odds with the style of the rest of the songs). Above all the singing is at the very least listenable(though Christopher Plummer basically speak-sings through A Crooked Man, though it probably did fit the song), Cathy Cavadini's amazingly beautiful voice in It's You deserves a big mention and Raphael Sbarge's is strong and sturdy.

They also, unlike something like Quest for Camelot, match the speaking voices(helped by that the voice actors sing their own music), for example Lacey Chabert singing in Dream sounds exactly like Lacey Chabert when she's speaking. Mark Watters' score is dynamic, memorable and lovingly compliments the mood of the whole story, not all the films that he writes for are great but his music is always one of the best assets. The script is never cloying which considering one of the material here was a big trap to fall into but has its fair share of heart-warming moments. The conflict is clear while not being too over-prominent and without making the film uneven, if there were any mean-spirited moments they weren't obvious to this viewer, while the 1986 Drew Barrymore version was full of them. The story, a loose adaptation and with some influences of Mother Goose, structurally is not an exceptional one and is a tad thin on the ground, however the real sense of charm and innocence and the warmth and magic- you actually want to live in Toyland- as well as what the characters go through surprisingly really draws you in. The romance between Mary and Tom is sweet and takes its time to develop, none of the love at first sight stuff.

In fact the characters mostly are very interesting, I found myself identifying every step of the way with Jack and Jill, they are cute but with enough backbone to not sugarcoat things, that they are determined and well-meaning makes them even more likable. Humpty Dumpty serves as a warm-natured narrator-character. Barnaby, looking like Moundshroud's(The Halloween Tree) long lost brother and acting like an even meaner Ebeneezer Scrooge, is a sinister villain but despite his appearance his villainy is far more subtle than in the Barnabys in the Disney and Barrymore versions(which veered to over-the-top, admittedly though in an enjoyable way). The goblins have a real creepiness. How the characters interact are also revelations, Mary and Tom's romance is the highlight though Barnaby is a very believable threat to Jack and Jill(who genuinely care for one another and also for Mary and Tom and the factory). Rodrigo and Gonzargo are the only not-so-interesting characters and that's mainly down to not enough screen-time, there's also the sense that they weren't even needed.

The voice acting is terrific, everybody sounds like they're having a lot of fun, Charles Nelson Reilly and Christopher Plummer(though his voice-work for the Duke in Rock-a-Doodle is better) being the standouts. Raphael Sbarge and Cathy Cavadini are highly emotive as are Joseph Ashton and Lacey Chabert. Bronson Pinchot and Jim Belushi do what they can but deserved better characters. Overall, so much better than was expected and of the four versions of Babes in Toyland this personally was second-best, the Laurel and Hardy one taking the top spot. 7.5/10 Bethany Cox

There's no comparison to Laurel and Hardy's March of the Wooden Soldiers, but I do love watching the animated kids' musical Babes in Toyland every year. The songs are really beautiful, and you might recognize a couple of voices! Siblings Jack and Jill come to Toyland to live with their uncle, but he turns out to be Barnaby, the crookedest man in town. Voiced by Christopher Plummer, he gives off some hilarious one-liners that make you want to root for him. He also gets a very funny song describing why he hates Christmas. You've got to hand it to someone who doesn't sing a single note but manages to be so entertaining, you don't even notice he's not singing.

Meanwhile, the toy factory is run by Cathy Cavadini, who's being courted by Raphael Sbarge; they share some beautiful love songs that you'll want to listen to over and over. And in case you recognize the sweet voice of little Jill during her songs, it's Lacey Chabert! You'll also hear Charles Nelson Reilly sing "Toyland" in the beginning as the kids get welcomed to town.

Unfortunately, this movie doesn't end as well as it starts. The first half hour or so is just perfect, but once Christopher Plummer goes to Bogieland, everything goes downhill. It had the potential, given the lyrics to his song, to end a different way. I won't ruin anything for you, but just take the ending with a grain of salt and appreciate the first half of the movie, like I do.

DLM Warning: If you suffer from vertigo or dizzy spells, like my mom does, this movie might not be your friend. There are a couple of scene transitions filmed in canted angles, and that will make you sick. In other words, "Don't Look, Mom!"

I have seen many versions of Babes in Toyland. This is the best version I've seen. Like so many versions that preceded it it follows the Laurel and Hardy version. And like always they change things up a little.

The animation is good and the songs are great. It even has a good cast with Jim Belushi, Charles Nelson Riley, and the legendary Christopher Plummer.

I'll admit it does have some flaws. For instance there are times where the animation is inconsistent, even flawed. I'm guessing they made this movie on the fly. However I find it to be charming with the flaws. On top of that the story and the songs more than make up for it.

I recommend that if you haven't seen it you should check it out.

I was originally introduced to the "Babes in Toyland" concept via the Walt Disney soundtrack, which had the story and song, in Kindergarten. I liked the record a lot, but when I finally saw the Disney production it was based on when I was 8...well, I was horribly disappointed. It was stupid, spoofy, had lousy acting and was just plain awful. I wasn't surprised to learn that it was one of Walt's flops and was considered one of his worst failures.

So, having had the concept ruined for me for a long time, I was not exactly enthusiastic when I was visiting my mother at Christmas and she recommended it to me. I said no way, as I was guessing it would stink as badly as the Disney version only worse (they just aren't making animated films well here in the USA these days).

"No, you've got to see this one," she assured me. "I saw it just the other night and it puts the Disney production to shame."

Being a professional cartoonist, I tend to be extremely picky about new animated material. So I was very suspicious as I settled myself into a chair and waited to see what I was in store from as I feared the worst.

What I got was a fantastic surprise! This version of "Babes in Toyland" is genuinely charming, boasts nice animation and superb songs which actually WORK without being overly "showy" (the only bummer being the song sung in The Goblin Forest), fine character design and captures a special childlike magic and innocence that Disney's version simply never achieved.

While Disney's was a bunch of adults who refused to take any of the material seriously and hammed it up through a shoddy production attached to a smirk, this one is smart and serious with its characters. It also features good character development (!!!) and a better script.

Not being familiar with the original stage production, I'm not sure how much liberty has been taken here although I'm sure a lot has. Except for the classic songs "Toyland" and "March of The Toy Soldiers" and the basic concept of Toyland being a home for nursery rhyme characters, the villain Barnaby and a love story between a Tom and Mary, it is otherwise COMPLETELY dissimilar to the Disney version of the story.

In this one, Jack and Jill (you know, "Jack and Jill went up the hill...") are being sent to Toyland to live with their uncle, who unfortunately happens to be Barnaby. Mary (and her little lamb) is the sweet, professional and kindhearted owner of Toyland's prized toy factory inherited from her father. Her top employee and main man in charge, Tom (the piper's son, who looks a LOT of Leonardo DiCaprio--I'd swear he was the character model if it weren't for the fact that this was made before TITANIC) is the loveable lunk of a genius who happens to be a personal friend of Santa Claus himself and is responsible for creating the toys to order and preparing them for delivery. Tom is crazy about Mary, Mary is crazy about him as well but isn't willing to admit it to herself yet.

One of the things that is especially nice here is how the characters actually come across as being believable souls, and the script features all the little details as to why they feel and behave the way they do, such as Mary's comments which give away why she is so secretly smitten with Tom. (She affectionately remarks to him, "You're becoming more and more like my father all the time.")

All except for Barnaby, of course... but hey, he's a villain who simply hates toys, does a children's cartoon NEED a detailed explanation for HIM? This version of Barnaby is far more threatening and sinister than Disney's klunky version ever pretended to be.

But the wonderful thing about this one is how it captures a real feel for Toyland itself and what it could be like. I get the impression that everyone involved here had a lot of fun making it and that they all genuinely loved the concept enough to make it work. Toyland feels like a real place with real citizens, so to speak, and it truly does look like a child's fantasy come true.

And hey, this feature actually makes children AND their parents genuinely *care* about the fate of Toyland when it's harassed. As though it's a real and beautifully precious place.

That's not an easy feat to pull off.

This one has become a annual holiday favorite within my household, and our children (who range from ages 5 to 15) all adore it. And so do I. It deserves a long life on both videocassette and DVD (if the latter is ever released...and I certainly hope so!).

While I was able to recognize all the traditional characters from nursery rhymes and stories here, there's one that puzzles me... in the toy factory, one of the workers there appears to be a silver fox...well, at least he's far too sleek-looking and pointy-muzzled to be a wolf. I simply don't recognize who he's supposed to be!