The Psycho Lover

Lawrence Montaigne (Kenneth) is a psychologist who is trying to get to the bottom of the murderous dreams being experienced by Frank Cuva (Mario). In the meantime, there is a murderer on the loose who is killing women just as Cuva describes. Montaigne is also in an unhappy marriage with Jo Anne Meredith (Valerie) and wants a divorce so he can start again with his younger mistress Elizabeth Plumb (Stacy). Only Meredith won't co-operate on this front. Montaigne gets an idea to involve Cuva in a plan….

It's a 1970s colourful trash fest, so you get loads of boobs. However, the ending makes it stand out as we get a seriously good 'Tales of the Unexpected' twist at the end. Ha ha. Brilliant. The film keeps going on the body count but there is no gore, thankfully. There is, however, far too much sexual activity included – not full on shagging – but you get the picture and these scenes outstay their welcome. In particular, the love scenes between Montaigne and Plumb. OK, we get the idea, please move on from this gratuitous nonsense. I don't want to watch him getting his tongue in there.

Overall, the film is worth keeping onto for the ending and, outside of the love-making scenes which drag, there are tense moments and the music is cool.

The plot of this film isn't exactly original; the film itself even admits to this by mentioning the classic film 'The Manchurian Candidate' halfway through, but for what it is; The Psycho Lover easily provides eighty minutes of entertainment, and it's an above average film to boot. The film centres on the idea of brainwashing someone into committing murder, although this plot doesn't come through until half an hour in, and it is a little difficult to ascertain what is going on at certain points. After the first half hour, I really wasn't expecting this to develop into anything, but things pick up once we see where things are going. Psychologist Kenneth Alden has a problem; he's got himself a hot girlfriend named Stacey, but his relationship with her is being held back by wife, who doesn't want to be with him because she doesn't loves him - but also doesn't want to give him a divorce because she knows not doing so will wind him up. When Stacey tells Kenneth about a film she has seen, 'The Manchurian Candidate', he gets the bright idea of brainwashing someone and having him kill his wife...

One problem I have with this film is that many of its scenes are far too drawn out. However, this isn't always a bad thing as many of these sequences are more interesting than they should be given the type of film. The scene in which we are introduced to Kenneth's wife is very strong, and the sequence that sees our serial killer stalk a victim through an empty house is actually quite exciting. The film was shot on a low budget, and this is always obvious although not that important; as there are no big stunts and the film admirably overcomes its budget restraints. The acting isn't bad either, and Lawrence Montaigne is good in the lead role. He receives good support from Jo Anne Meredith as his wife, while Frank Cuva and Elizabath Plumb bulk out the rest of the central cast. The ending is nice and ironic, and works well considering what has gone before it. Films like this are usually ten a penny, but this one stands out above similar movies, and I will say that if you consider yourself a fan of cult seventies cinema - this one is more worth tracking down than most!

Sexploitation whodunnit, in which a stocking masked creep commits a series of rapes and murders...but is the perpetrator the lothario doctor with a younger mistress and a ball busting, drunk wife? Or his patient? A raving misogynist who has been having a little too vivid dreams about the murders? Or the Edgar Allan Poe lookalike police inspector?

Around half way through the film tires of concealing the killer's identity and drops that angle in favour of lifting ideas from The Manchurian Candidate. A bit of pilfering that the filmmakers obviously felt guilty enough about to explicitly acknowledge the Manchurian Candidate influence in the dialogue. Director Robert Vincent O'Neil would soon after be making another sexploitation-noir "Blood Mania" for Crown International, and if anything The Psycho Lover feels like O'Neil's calling card to Crown International. It's very much in their slick, shot in L.A. style, with the rape-murder nastiness sharing the screen with trippy psychedelic flourishes, gyrating bewbs, T&A make-out scenes and romantic strolls around California beaches scored to soft rock songs. The screenwriter's idea of hip dialogue includes nuggets like "your ego hangs between your legs" and "the hairs on my ass stand on end every time I catch his scent". The doctor's flash car is also a sight to behold, and may temporary bamboozle you into thinking that The Psycho Lover is meant to be a futuristic film. The film overflows with so much love for that vehicle every time it's onscreen...you just know it had to be either someone's pride and joy, or that they'd been slipped a generous backhander to plug it in the movie.

Dare I confess to admiring this misogynist wallow in depravity? Say what you will about its politics, THE PSYCHO LOVER is way above average of its type in terms of cinematography, editing and entertainment value. The plot concerns a psychiatrist who is treating a patient who police suspect of being a serial rape murderer. The film is punctuated by several almost psychedelic attack scenes, which bristle with an energy rarely seen in films of this budget. Ultimately the doctor tries to use the killer as a tool to release him from his miserable marriage, attempting to hypnotize his patient to do his bidding. This sequence must be seen to be believed: as the diminutive woman-hater sleeps he is plagued by visions of his victims. Acid rock cranks on the soundtrack, a woman with Gene Simmons makeup whispers "Kill...kill," another go-go dances. It doesn't get any better than this, folks. And hardly anyone lives happily ever after. The director also made the equally mean-spirited BLOOD MANIA which is worth a look, but PSYCHO LOVER deserves a cult following.

Marco is a psycho lover,a misogynistic rapist and stocking strangler of some beautiful young women.He is suspected by the police of a series of shocking nylon murders.His psychiatrist Kenneth Alden wants to use Marco's insane personality to his advantage by helping him to murder his wife.Kenneth hypnotizes Marco into committing the perfect crime..."The Psycho Lover" is a scummy and psychedelic early 70's piece of exploitation.The murders are pretty intense and there are some brilliantly hypnotic sequences.This is a taut and quite suspenseful little thriller with plenty of delicious sleaze and a bit of nasty misogyny thrown in.I enjoyed it and you should too,if you are into Something Weird Video's exploitation.7 out of 10.