Der Eisbär

"Der Eisbar" is by far the greatest surprise in german postwar film production. Directed by the emerging Mr. Till Schweiger, who usually plays the protagonist in many european movies (like the upcoming Star Trek, Star Wars bashing satire from Bulli Herbig after Manitou´s Shoe) Imagine Brad Pitt doing a great road track movie... This work feels like "PULP FICTION" on steroids- Cramped with german TV and movie stars this movie blows a heavy punch. It has everything from satire, jokes below the belt -absolutely political incorrect, fast cut scenes, a furious and hilarious plot (the killing of the "Minister of Health" -the mafia mob boss). Anybody outside Germany will have dramatic problems understanding those jokes due to the appearance of well known german faces (like the american diner boss -the star comedian Tom Gerhardt and the country song idol Peter Maffay). Even if you are not acquainted with the star parade, the story is wonderfully told. The whole thing resembles a half breed- Altmans "Short Cuts" and Quentins "Pulp Fiction" We wish there would be a chance for a second or a third Eisbär Movie...

DER EISBAER is the first movie German mega-star Til Schweiger directed, and starred in. Seen when it premiered in Germany in November of '98, I accompanied all the avant premiere buzz surrounding the film and Schweiger's career moves, and even attended one of the premieres Schweiger hosted at the new Potsdamer Platz Cinemaxx. This action drama with a relationship story lived up to all the hype, and exceeded my inflated expectations. If you are a Schweiger fan or a an action drama lover, don't miss DER EISBAER when it comes out on video or if it opens outside Europe. Schweiger has come a long way since DER BEWEGTE MANN ("Maybe, Maybe Not"), and in the process has single-handedly brought German cinema back to the masses after a half century of domination by the high brow author directors (Herzog, Fassbinder, Wenders) who made German cinema synonymous with boredom, and inaccessibility with the masses. Since 1994, Schweiger starrers have broken German Box Office Records consistently. Here, though this film did not break the Box Office Records of the others (including MAENNERPENSION and KNOCKIN' ON HEAVEN'S DOORS), he shows us in more dimensions why he has been the phenomenon of popular German cinema this past decade, and probably beyond 2000. I give DER EISBAER 8 out 10 points.

The film is a real light one - but I found it very funny. You get to see a bunch of well - known German actors that tell a story that is foreseeable, but the good thing of the film isn't the story, it's how it's told. The quality of the actors that take part in this movie was only possible because they are friends in real life and didn't see the movie as a commercial product in the first place. They did it for fun, and so get to see an uncomplicated movie played by actors you usually wouldn't see in such a movie - and in such a concentration.

Gangsters that threaten gangsters, policeman chase all the gangsters, some want money, some want vengeance, some just want to have fun.

The acting is very convincing, and the behavior of the characters is sometimes funny, sometimes tragic. Furthermore, the type of the characters is very different and sometimes quite extreme.

I like the movie very much. It may not be perfect, but after all I always like to watch the film when it's shown in TV every few years.

Til Schweiger in one of his best roles. Nearly forgotten german music gives the proper sound providing the amusing plot of the film directed by Til himself. All in all it is worth seeing it more than just one time so enjoy the atmosphere which will catch you in any case.

Quentin Tarantino is a talented director who occasionally acts, although it's clearly not his forte. Till Schweiger on the other hand is a, well, decent and very popular German actor who, for this movie, pretended to also be a director. Unfortunately, the whole shtick didn't work out as well as hoped, and "Der Eisbär" turns out to be a glossy but ultimately pointless, and occasionally annoying, flick. It comes laden with Schweiger's actor buddies and is well filmed and "easy on the eye" (nice camerawork, good locations, coherent costumes, etc.), but the story is paper thin and has been done a hundred times before, and better. What really turned me off was the fact that Schweiger seems to think that simply having him on the screen for extended periods would make great cinema, and that copying Tarantino's style with a large brush would make him a great director, as if Tarantino's work was unseen of in this country. The movie is practically Schweiger's cinematic ego trip, and I did not find it was worth watching.